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Under capitalism, economic growth is seen as the key to collective well-being. In "Self-Devouring Growth" Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which(...)
septembre 2019
Self-devouring growth: a planetary fable as told from southern Africa
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Under capitalism, economic growth is seen as the key to collective well-being. In "Self-Devouring Growth" Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which the example of Botswana has lessons for the rest of the globe, Livingston shows how fundamental needs for water, food, and transportation become harnessed to what she calls self-devouring growth: an unchecked and unsustainable global pursuit of economic growth that threatens catastrophic environmental destruction. As Livingston notes, improved technology alone cannot stave off such destruction; what is required is a greater accounting of the web of relationships between humans, nonhuman beings, plants, and minerals that growth entails. Livingston contends that by failing to understand these relationships and the consequences of self-devouring growth, we may be unknowingly consuming our future.
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force(...)
mai 2020
Mutation and morphosis: landscape as aggregate
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force are illustrated on the basis of an astonishing variety of topics. In theoretical discussions and the examination of detailed dossiers of facts on the ground, a trajectory is traced: from the emergence of new landscapes as a result of climate change to the migration of the wolf to Central Europe, from the impact of invasive plants to the study of geological formation processes. The panorama that unfolds gives us insights into the broad context that landscape architects must consider in their work, exemplified by the outstanding projects realized by VOGT.
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony(...)
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony of more obscure luminaries such as Echidna Stillwell, Oskar Sarkon, and Madame Centauri, are clarified and subjected to systematic investigation, comparison, and assessment so as to gauge the real stakes of the Time-War still raging behind the collapsing facade of reality. One of the most compelling and unnerving collective research enterprises to have surfaced in the twentieth century, the real pertinence of the CCRU's work is only now beginning to reveal itself to an unbelieving world. To plunge into the tangled mesh of these conspiracies, weird tales, numerical plagues, and suggestive coincidences is to test your sense of reality beyond the limits of reasonable tolerance-to enter the sphere of unbelief, where demonic currents prowl, where fictions make themselves real. Hyperstition.
Théorie de l’art
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
Brick 18: outstanding international brick achitecture
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Matériaux et éclairage
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Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective(...)
Indigenous peoples and colonialism
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Indigenous peoples have gained increasing international visibility in their fight against longstanding colonial occupation by nation-states. Although living in different locations around the world and practising highly varied ways of life, indigenous peoples nonetheless are affected by similar patterns of colonial dispossession and violence. In defending their collective rights to self-determination, culture, lands and resources, their resistance and creativity offer a pause for critical reflection on the importance of maintaining indigenous distinctiveness against the homogenizing forces of states and corporations. This book highlights significant colonial patterns of domination and their effects, as well as responses and resistance to colonialism. It brings indigenous peoples' issues and voices to the forefront of sociological discussions of modernity. In particular, the book examines issues of identity, dispossession, environment, rights and revitalization in relation to historical and ongoing colonialism, showing that the experiences of indigenous peoples in wealthy and poor countries are often parallel and related.
Social
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were(...)
Arte Povera, 1966-1980 : books and documents
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were conceived, built and re-invented as works of art themselves, and some of them had a very important role in defining the aims and beliefs of the whole artistic movement. A detailed introduction analyses “diagonally” people, times, places and texts involved in the Arte Povera movement and their mutual relationships; then, each artist is individually presented through his books and one-person exhibitions, along with several photos of the mentioned documents. The book is completed by an accurate chronology of the collective exhibitions (1966-2005) and a detailed bibliography of the books, essays and articles about the "poveristi” (1966-2006).
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décembre 2007
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The design of infrastructural networks—that is, roads, railways and any system that enables flow within a structure such as a city—is among urban design's foremost tasks. Around the globe, the awareness of enhanced infrastructure fluidity as a catalyst for economic development is rising. The Landscape of Contemporary Infrastructure investigates how infrastructure design(...)
The landscape of contemporary infrastructure
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The design of infrastructural networks—that is, roads, railways and any system that enables flow within a structure such as a city—is among urban design's foremost tasks. Around the globe, the awareness of enhanced infrastructure fluidity as a catalyst for economic development is rising. The Landscape of Contemporary Infrastructure investigates how infrastructure design determines the organization and flow of the inhabited landscape—as an agency of enhanced mobility, as a design feature contributing to the character of a city and as a sound theoretical approach to a positive experience of collective space. These issues are explored in four chapters that catalogue these approaches, each chapter buttressed with key projects from the world's most important designers in this field, including Arata Isozaki, Paul Andreu, Xaveer De Geyter, Jean Nouvel and Ricardo Bofill. The authors demonstrate how the creative potential of architecture, landscape architecture and urban design is essential to the effective flow of infrastructural networks.
Structures d’ingénierie
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In this publication, Daniel Purdy surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than(...)
On the ruins of Babel : architectural metaphor in German thought
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In this publication, Daniel Purdy surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.
Théorie de l’architecture
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The preservation enterprise helps fashion the physical contours of memory in public space, and thus has the power to curate a multidimensional and inclusive representation of societal values and narratives. Increasingly, the field of preservation is being challenged to consider questions of social inclusion, of how multiple publics are—or are not—represented in heritage(...)
Preservation and social exclusion
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The preservation enterprise helps fashion the physical contours of memory in public space, and thus has the power to curate a multidimensional and inclusive representation of societal values and narratives. Increasingly, the field of preservation is being challenged to consider questions of social inclusion, of how multiple publics are—or are not—represented in heritage decision-making, geographies, and governance structures. Community engagement is increasingly being integrated into project-based preservation practice, but the policy toolbox has been slower to evolve. Recognizing how preservation and other land use decisions can both empower and marginalize publics compels greater reflection on preservation’s past and future and collective action beyond the project level. This requires professionals and institutions to consider systemic policy change with integrity, sensitivity, and intentionality. Bringing together a broad range of academics, historians, and practitioners, this second volume in the Issues in Preservation Policy series documents historic preservation’s progress toward inclusivity and explores further steps to be taken.
Théorie de l’architecture
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The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative(...)
Archivio n.06 : The Eighties Issue
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The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative accuracy—only to then go on to delve into the collective sphere, investigating and recounting private and institutional archives that accompany us through the presentation of the facts. Home to the facts are the eras: that's why over the following issues Archivio will identify four decade-long containers. This issue continues Archivio's journey back through the twentieth century, stopping this time on the fluorescently outgoing, yet such intimate years of the 1980s—so close and yetso far. Because "a day is a year is a lifetime", as the R.W. Fassbinder's biography italian title says.
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