4053 Résultats
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who(...)
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who(...)
Titre:
Art museums into the 21st century
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who as curator of the Kunsthaus in Zürich, was appointed director for Fine Arts at the Biennale in Venice this year. The museums examined in this book are Kunsthaus in Bregenz, the Museum of the Beyeler Fondation near Basel, the Guggenheim Museum in Bilbao, the Getty Center in Los Angeles and the Moderna und Arkitektur Museet in Stockholm all opening within a year of one another. The Tate Gallery of Modern Art which is being built by Herzog & de Meuron in a former power station on the Thames in London is to be completed in May 1999. Conversations with the architects Frank O. Gehry, Jacques Herzog, Richard Meier, Rafael Moneo, Jean Nouvel, Renzo Piano and Peter Zumthor reveal the wide spectrum of design concerns in contemporary museum design and building. In the Pavilion at the Beyeler Fondation, the interaction of nature, light and the presentation of art is an impressive experience. Jean Nouvel perceives the museum as a public place, bringing the various areas of 'urban chaos' into contact with each other. A total of eight projects are presented.
Art museums into the 21st century
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who as curator of the Kunsthaus in Zürich, was appointed director for Fine Arts at the Biennale in Venice this year. The museums examined in this book are Kunsthaus in Bregenz, the Museum of the Beyeler Fondation near Basel, the Guggenheim Museum in Bilbao, the Getty Center in Los Angeles and the Moderna und Arkitektur Museet in Stockholm all opening within a year of one another. The Tate Gallery of Modern Art which is being built by Herzog & de Meuron in a former power station on the Thames in London is to be completed in May 1999. Conversations with the architects Frank O. Gehry, Jacques Herzog, Richard Meier, Rafael Moneo, Jean Nouvel, Renzo Piano and Peter Zumthor reveal the wide spectrum of design concerns in contemporary museum design and building. In the Pavilion at the Beyeler Fondation, the interaction of nature, light and the presentation of art is an impressive experience. Jean Nouvel perceives the museum as a public place, bringing the various areas of 'urban chaos' into contact with each other. A total of eight projects are presented.
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janvier 1900, Basel
janvier 1900, Basel
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186 pages : illustrations ; 24 cm.
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186 pages : illustrations ; 24 cm.
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[Paris] : Centre Georges Pompidou, Centre de création industrielle, 1975.
[Paris] : Centre Georges Pompidou, Centre de création industrielle, 1975.
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Bunker archéologie / Paul Virilio.
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186 pages : illustrations ; 24 cm.
Bunker archéologie / Paul Virilio.
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186 pages : illustrations ; 24 cm.
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[Paris] : Centre Georges Pompidou, Centre de création industrielle, 1975.
[Paris] : Centre Georges Pompidou, Centre de création industrielle, 1975.
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The Serving Library Roma Publications 2022
The Serving Library Roma Publications 2022
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The Serving Library Roma Publications 2022
The Serving Library Roma Publications 2022
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3 volumes illustrations, plates (some color) 38 cm
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3 volumes illustrations, plates (some color) 38 cm
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Paris, Montgredien et Cie [1900]
Paris, Montgredien et Cie [1900]
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L'Exposition de Paris (1900) pub. avec la collaboration d'écrivains spéciaux et des meilleurs artistes. [t.1-3] no. [1]-120 [1898-1900].
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3 volumes illustrations, plates (some color) 38 cm
L'Exposition de Paris (1900) pub. avec la collaboration d'écrivains spéciaux et des meilleurs artistes. [t.1-3] no. [1]-120 [1898-1900].
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3 volumes illustrations, plates (some color) 38 cm
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Paris, Montgredien et Cie [1900]
Paris, Montgredien et Cie [1900]
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xxix, 915 pages : illustrations ; 25 cm.
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xxix, 915 pages : illustrations ; 25 cm.
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Roma : Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1992.
Roma : Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1992.
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Il Barocco romano e l'Europa / a cura di Marcello Fagiolo, Maria Luisa Madonna.
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xxix, 915 pages : illustrations ; 25 cm.
Il Barocco romano e l'Europa / a cura di Marcello Fagiolo, Maria Luisa Madonna.
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xxix, 915 pages : illustrations ; 25 cm.
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Roma : Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1992.
Roma : Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1992.
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
Titre:
Gordon Matta-Clark: works and collected writings
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Gordon Matta-Clark: works and collected writings
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
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octobre 2006
octobre 2006
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191 pages : illustrations (some color), color map ; 16 cm
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191 pages : illustrations (some color), color map ; 16 cm
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Girona : Fundació Rafael Masó : Úrsula Llibres, [2013]
Girona : Fundació Rafael Masó : Úrsula Llibres, [2013]
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Athenea 1913 : el temple del Noucentisme / edició a cura Jordi Falgàs ; amb textos de Narcís-Jordi Aragó, Jordi Falgàs, M. Lluïsa Faxedas, Josep Pujo, Joaquim Rabaseda = Athenea 1913 : the temple of Noucentisme / edited by Jordi Falgàs ; with texts by Narcís-Jordi Aragó, Jordi Falgàs, M. Lluïsa Faxedas, Josep Pujo, Joaquim Rabaseda.
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191 pages : illustrations (some color), color map ; 16 cm
Athenea 1913 : el temple del Noucentisme / edició a cura Jordi Falgàs ; amb textos de Narcís-Jordi Aragó, Jordi Falgàs, M. Lluïsa Faxedas, Josep Pujo, Joaquim Rabaseda = Athenea 1913 : the temple of Noucentisme / edited by Jordi Falgàs ; with texts by Narcís-Jordi Aragó, Jordi Falgàs, M. Lluïsa Faxedas, Josep Pujo, Joaquim Rabaseda.
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191 pages : illustrations (some color), color map ; 16 cm
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Girona : Fundació Rafael Masó : Úrsula Llibres, [2013]
Girona : Fundació Rafael Masó : Úrsula Llibres, [2013]
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$54.95
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C'est à la découverte de près de deux siècles d'architectures que nous convient les auteurs de cette publication. Deuxième plus grande ville d'Algérie, Oran possède un patrimoine architectural exceptionnel, témoignage des différentes strates d'occupation qu'elle a connues. L'ouvrage permet de découvrir un large éventail de programmes architecturaux : constructions(...)
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C'est à la découverte de près de deux siècles d'architectures que nous convient les auteurs de cette publication. Deuxième plus grande ville d'Algérie, Oran possède un patrimoine architectural exceptionnel, témoignage des différentes strates d'occupation qu'elle a connues. L'ouvrage permet de découvrir un large éventail de programmes architecturaux : constructions(...)
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décembre 2021
décembre 2021
Titre:
Oran : ville & architecture 1790-1960
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C'est à la découverte de près de deux siècles d'architectures que nous convient les auteurs de cette publication. Deuxième plus grande ville d'Algérie, Oran possède un patrimoine architectural exceptionnel, témoignage des différentes strates d'occupation qu'elle a connues. L'ouvrage permet de découvrir un large éventail de programmes architecturaux : constructions militaires espagnoles, monuments ottomans, immeubles de style Art déco, logements et équipements modernistes des années 1950-1960. La publication se présente sous la forme de six promenades regroupant de courtes monographies de près de 250 édifices, bâtiments publics et immeubles privés. Elle contient également les notices biographiques de plus d'une centaine d'architectes actifs durant la période. Résultat d'un inventaire de terrain minutieux croisé avec des recherches dans les archives algériennes, espagnoles et françaises, l'ouvrage est à la fois une publication scientifique de référence et un guide d'architecture. Il s'adresse autant aux spécialistes, architectes et historiens, qu'à un public d'amateurs des deux rives de la Méditerranée.
Oran : ville & architecture 1790-1960
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C'est à la découverte de près de deux siècles d'architectures que nous convient les auteurs de cette publication. Deuxième plus grande ville d'Algérie, Oran possède un patrimoine architectural exceptionnel, témoignage des différentes strates d'occupation qu'elle a connues. L'ouvrage permet de découvrir un large éventail de programmes architecturaux : constructions militaires espagnoles, monuments ottomans, immeubles de style Art déco, logements et équipements modernistes des années 1950-1960. La publication se présente sous la forme de six promenades regroupant de courtes monographies de près de 250 édifices, bâtiments publics et immeubles privés. Elle contient également les notices biographiques de plus d'une centaine d'architectes actifs durant la période. Résultat d'un inventaire de terrain minutieux croisé avec des recherches dans les archives algériennes, espagnoles et françaises, l'ouvrage est à la fois une publication scientifique de référence et un guide d'architecture. Il s'adresse autant aux spécialistes, architectes et historiens, qu'à un public d'amateurs des deux rives de la Méditerranée.
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décembre 2021
décembre 2021
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When William Thorsell assumes command of Toronto's Royal Ontario Museum, he moves quickly to rejuvenate the beloved building on Bloor Street. As former editor of one of Canada's leading newspapers, Thorsell envisions an iconic public building— a bold gesture that will inject a shot of architectural amphetamine into the staid and sensible veins of Canada's biggest burg.(...)
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When William Thorsell assumes command of Toronto's Royal Ontario Museum, he moves quickly to rejuvenate the beloved building on Bloor Street. As former editor of one of Canada's leading newspapers, Thorsell envisions an iconic public building— a bold gesture that will inject a shot of architectural amphetamine into the staid and sensible veins of Canada's biggest burg.(...)
Titre:
The museum : Art, ego , steel , beams
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When William Thorsell assumes command of Toronto's Royal Ontario Museum, he moves quickly to rejuvenate the beloved building on Bloor Street. As former editor of one of Canada's leading newspapers, Thorsell envisions an iconic public building— a bold gesture that will inject a shot of architectural amphetamine into the staid and sensible veins of Canada's biggest burg. Who to trust with such a venture? Enter Daniel Libeskind. More than a celebrity architect, Libeskind is a global brand linked to some of the world's most prestigious building projects. As Libeskind's unusual crystalline structure rises into the Toronto sky, Thorsell and Libeskind dance a high-tension tango. Budgets are blown. Timetables trashed. Citizens outraged. Tuned to contemporary debates on public architecture, The Museum charts the progress of Thorsell's grand scheme in an entertaining tale of art, ego and steel beams.
The museum : Art, ego , steel , beams
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When William Thorsell assumes command of Toronto's Royal Ontario Museum, he moves quickly to rejuvenate the beloved building on Bloor Street. As former editor of one of Canada's leading newspapers, Thorsell envisions an iconic public building— a bold gesture that will inject a shot of architectural amphetamine into the staid and sensible veins of Canada's biggest burg. Who to trust with such a venture? Enter Daniel Libeskind. More than a celebrity architect, Libeskind is a global brand linked to some of the world's most prestigious building projects. As Libeskind's unusual crystalline structure rises into the Toronto sky, Thorsell and Libeskind dance a high-tension tango. Budgets are blown. Timetables trashed. Citizens outraged. Tuned to contemporary debates on public architecture, The Museum charts the progress of Thorsell's grand scheme in an entertaining tale of art, ego and steel beams.
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septembre 2010
septembre 2010
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DVD vidéo
DVD vidéo
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[14] pages : plan ; 22 cm + 1 leaflet ([4] pages ; 22 cm)
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[14] pages : plan ; 22 cm + 1 leaflet ([4] pages ; 22 cm)
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Westmount, Québec, Canada : McClure Gallery, Visual Arts Centre, 1994.
Westmount, Québec, Canada : McClure Gallery, Visual Arts Centre, 1994.
Titre:
Living with our Westmount heritage / Mark London.
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[14] pages : plan ; 22 cm + 1 leaflet ([4] pages ; 22 cm)
Living with our Westmount heritage / Mark London.
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[14] pages : plan ; 22 cm + 1 leaflet ([4] pages ; 22 cm)
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Westmount, Québec, Canada : McClure Gallery, Visual Arts Centre, 1994.
Westmount, Québec, Canada : McClure Gallery, Visual Arts Centre, 1994.
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