4347 Résultats
Classification:
livres
livres
Titre:
Kulturindustrie, n.é.
Kulturindustrie, n.é.
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Résumé:
Dans ce texte, Adorno et Horkheimer démontrent que toute manifestation culturelle et tout moyen de diffusion – film, radio, magazine – forment un système et que, face à ce système, nulle voix ne peut se faire entendre. Obéissant aujourd’hui à une logique extensive, l’industrie culturelle devient, dans le capitalisme avancé, une industrie du divertissement. L’amusement(...)
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Dans ce texte, Adorno et Horkheimer démontrent que toute manifestation culturelle et tout moyen de diffusion – film, radio, magazine – forment un système et que, face à ce système, nulle voix ne peut se faire entendre. Obéissant aujourd’hui à une logique extensive, l’industrie culturelle devient, dans le capitalisme avancé, une industrie du divertissement. L’amusement(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
octobre 2022
octobre 2022
Titre:
Kulturindustrie, n.é.
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Résumé:
Dans ce texte, Adorno et Horkheimer démontrent que toute manifestation culturelle et tout moyen de diffusion – film, radio, magazine – forment un système et que, face à ce système, nulle voix ne peut se faire entendre. Obéissant aujourd’hui à une logique extensive, l’industrie culturelle devient, dans le capitalisme avancé, une industrie du divertissement. L’amusement n’est en outre que « le prolongement du travail ». Aussi, celui qui en jouit, s’il échappe alors au travail automatisé, ne crée que les conditions pour être en mesure de s’y confronter à nouveau.
Kulturindustrie, n.é.
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Résumé:
Dans ce texte, Adorno et Horkheimer démontrent que toute manifestation culturelle et tout moyen de diffusion – film, radio, magazine – forment un système et que, face à ce système, nulle voix ne peut se faire entendre. Obéissant aujourd’hui à une logique extensive, l’industrie culturelle devient, dans le capitalisme avancé, une industrie du divertissement. L’amusement n’est en outre que « le prolongement du travail ». Aussi, celui qui en jouit, s’il échappe alors au travail automatisé, ne crée que les conditions pour être en mesure de s’y confronter à nouveau.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
The power of pictures
The power of pictures
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$58.00
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
août 2015
août 2015
Titre:
The power of pictures
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$58.00
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Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
The power of pictures
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Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of(...)
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of(...)
Titre:
Reading Andy Warhol: author, illustrator, publisher
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of literature by having sound recordings transcribed and published. Including a complete bibliography, this volume is the first substantial presentation of Warhol's important innovations in printed books.
Reading Andy Warhol: author, illustrator, publisher
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of literature by having sound recordings transcribed and published. Including a complete bibliography, this volume is the first substantial presentation of Warhol's important innovations in printed books.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Classification:
livres
livres
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$55.00
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At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal(...)
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At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal(...)
Titre:
William Eggleston: From Black and White to Colour
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At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space.
William Eggleston: From Black and White to Colour
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Résumé:
At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson." Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Gehry's vertigo
Gehry's vertigo
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Résumé:
Quatrième projet de la série Living Architectures, Gehry’s Vertigo bouscule l’image idéalisée de l’une des icônes les plus emblématiques de l’architecture contemporaine, le musée Guggenheim de Bilbao. D’un réalisme surprenant, le film nous fait glisser, avec sueur et émotion, dans la peau des escaladeurs en charge de l'entretien qui, pendus à 30 mètres de hauteur, livrent(...)
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Résumé:
Quatrième projet de la série Living Architectures, Gehry’s Vertigo bouscule l’image idéalisée de l’une des icônes les plus emblématiques de l’architecture contemporaine, le musée Guggenheim de Bilbao. D’un réalisme surprenant, le film nous fait glisser, avec sueur et émotion, dans la peau des escaladeurs en charge de l'entretien qui, pendus à 30 mètres de hauteur, livrent(...)
Titre:
Gehry's vertigo
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Quatrième projet de la série Living Architectures, Gehry’s Vertigo bouscule l’image idéalisée de l’une des icônes les plus emblématiques de l’architecture contemporaine, le musée Guggenheim de Bilbao. D’un réalisme surprenant, le film nous fait glisser, avec sueur et émotion, dans la peau des escaladeurs en charge de l'entretien qui, pendus à 30 mètres de hauteur, livrent une lutte acharnée contre quelques grains de poussière. Suspense et vertige ! DVD : Gehry’s Vertigo (48 min.) V. E. Subs : français, english + Living Architectures (37 min.) Subs : français, english
Gehry's vertigo
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Résumé:
Quatrième projet de la série Living Architectures, Gehry’s Vertigo bouscule l’image idéalisée de l’une des icônes les plus emblématiques de l’architecture contemporaine, le musée Guggenheim de Bilbao. D’un réalisme surprenant, le film nous fait glisser, avec sueur et émotion, dans la peau des escaladeurs en charge de l'entretien qui, pendus à 30 mètres de hauteur, livrent une lutte acharnée contre quelques grains de poussière. Suspense et vertige ! DVD : Gehry’s Vertigo (48 min.) V. E. Subs : français, english + Living Architectures (37 min.) Subs : français, english
Classification:
livres
livres
Publication:
mai 2013
mai 2013
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$14.99
(disponible sur commande)
Résumé:
This book profiles the emergence of colour in architecture, both internal and external, selecting colourful buildings from around the world, built and unbuilt. The book is divided into two main sections, architecture and art, within which various key design philosophies and techniques are explored, such as screen printed enamels, film, lamination, and sandblasting.(...)
$14.99
(disponible sur commande)
Résumé:
This book profiles the emergence of colour in architecture, both internal and external, selecting colourful buildings from around the world, built and unbuilt. The book is divided into two main sections, architecture and art, within which various key design philosophies and techniques are explored, such as screen printed enamels, film, lamination, and sandblasting.(...)
Publication:
septembre 2006, London
septembre 2006, London
Titre:
Colours of architecture : coloured glass in contemporary buildings
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This book profiles the emergence of colour in architecture, both internal and external, selecting colourful buildings from around the world, built and unbuilt. The book is divided into two main sections, architecture and art, within which various key design philosophies and techniques are explored, such as screen printed enamels, film, lamination, and sandblasting. Exponents of these trends from all over the world are represented, including architects Will Alsop (UK), Sauerbruch and Hutton (Germany), and Jamie Carpenter (USA) and artists Brian Clarke (UK), Warren Carther (Canada), and Jose Castrillo (Spain), with illustrations of their individual projects.
Colours of architecture : coloured glass in contemporary buildings
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$14.99
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Résumé:
This book profiles the emergence of colour in architecture, both internal and external, selecting colourful buildings from around the world, built and unbuilt. The book is divided into two main sections, architecture and art, within which various key design philosophies and techniques are explored, such as screen printed enamels, film, lamination, and sandblasting. Exponents of these trends from all over the world are represented, including architects Will Alsop (UK), Sauerbruch and Hutton (Germany), and Jamie Carpenter (USA) and artists Brian Clarke (UK), Warren Carther (Canada), and Jose Castrillo (Spain), with illustrations of their individual projects.
Classification:
livres
livres
Publication:
septembre 2006, London
septembre 2006, London
Classification:
livres
livres
Titre:
The Virgin Suicides
The Virgin Suicides
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$75.00
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For her first feature film, ''The Virgin Suicides'', Sofia Coppola commissioned British fashion photographer Corinne Day to join her on set. Renowned for her unadorned, grungy photographs of iconic models of the 1990s, Day’s representation of female beauty met its match in Coppola, whose debut marked the first of her unaffected, empathetic depictions of womanhood. Edited(...)
$75.00
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Résumé:
For her first feature film, ''The Virgin Suicides'', Sofia Coppola commissioned British fashion photographer Corinne Day to join her on set. Renowned for her unadorned, grungy photographs of iconic models of the 1990s, Day’s representation of female beauty met its match in Coppola, whose debut marked the first of her unaffected, empathetic depictions of womanhood. Edited(...)
Titre:
The Virgin Suicides
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$75.00
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For her first feature film, ''The Virgin Suicides'', Sofia Coppola commissioned British fashion photographer Corinne Day to join her on set. Renowned for her unadorned, grungy photographs of iconic models of the 1990s, Day’s representation of female beauty met its match in Coppola, whose debut marked the first of her unaffected, empathetic depictions of womanhood. Edited from Day’s original negatives, this volume, which launches alongside ''The Virgin Suicides'' ' twenty-fifth anniversary, gives mesmerising and unprecedented insight into Coppola’s enigmatic staging of the Lisbon sisters and their suburban trappings.
The Virgin Suicides
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For her first feature film, ''The Virgin Suicides'', Sofia Coppola commissioned British fashion photographer Corinne Day to join her on set. Renowned for her unadorned, grungy photographs of iconic models of the 1990s, Day’s representation of female beauty met its match in Coppola, whose debut marked the first of her unaffected, empathetic depictions of womanhood. Edited from Day’s original negatives, this volume, which launches alongside ''The Virgin Suicides'' ' twenty-fifth anniversary, gives mesmerising and unprecedented insight into Coppola’s enigmatic staging of the Lisbon sisters and their suburban trappings.
Classification:
livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$45.00
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste(...)
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste(...)
Publication:
juin 2023
juin 2023
Titre:
Françoise Sullivan : Une ligne imaginaire
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$45.00
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste et son corpus des années 1970. Tel un récit qui s’incarne dans les lieux où a vécu Sullivan, en particulier l’Italie, l’ouvrage s’intéresse particulièrement à son travail lié à l’art conceptuel et ancré dans la photographie, le film et les actions performatives. »
Françoise Sullivan : Une ligne imaginaire
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$45.00
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Résumé:
« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste et son corpus des années 1970. Tel un récit qui s’incarne dans les lieux où a vécu Sullivan, en particulier l’Italie, l’ouvrage s’intéresse particulièrement à son travail lié à l’art conceptuel et ancré dans la photographie, le film et les actions performatives. »
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Classification:
livres
livres
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$20.00
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Résumé:
"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book(...)
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"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book(...)
Titre:
A shadow of a man in the mirror
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$20.00
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"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book exposes the limits of object recognition technologies; the inaccurate outcomes make explicit the unstable relation between images and what they are deemed to represent. An accidental poetry often arises from the erratic space of the machine.
A shadow of a man in the mirror
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"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book exposes the limits of object recognition technologies; the inaccurate outcomes make explicit the unstable relation between images and what they are deemed to represent. An accidental poetry often arises from the erratic space of the machine.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$45.00
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"Nothing but clouds" were the words used by the research commission in Andrey Tarkovsky’s 1986 film "Solaris" to deny video evidenced traces of alien life on the planet. Taking this disclaimer as the title, this meditative book by Kristina Jurotschkin brings together images, made in various places in Europe over numerous years, from her photographic archive. The result is(...)
$45.00
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Résumé:
"Nothing but clouds" were the words used by the research commission in Andrey Tarkovsky’s 1986 film "Solaris" to deny video evidenced traces of alien life on the planet. Taking this disclaimer as the title, this meditative book by Kristina Jurotschkin brings together images, made in various places in Europe over numerous years, from her photographic archive. The result is(...)
Titre:
Kristina Jurotschkin: Nothing but clouds
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"Nothing but clouds" were the words used by the research commission in Andrey Tarkovsky’s 1986 film "Solaris" to deny video evidenced traces of alien life on the planet. Taking this disclaimer as the title, this meditative book by Kristina Jurotschkin brings together images, made in various places in Europe over numerous years, from her photographic archive. The result is a possible archive of the future of our present, or an archaeological survey anticipated for the future. Examining the construction of our social reality, Jurotschkin presents alienating views of everyday spaces.
Kristina Jurotschkin: Nothing but clouds
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"Nothing but clouds" were the words used by the research commission in Andrey Tarkovsky’s 1986 film "Solaris" to deny video evidenced traces of alien life on the planet. Taking this disclaimer as the title, this meditative book by Kristina Jurotschkin brings together images, made in various places in Europe over numerous years, from her photographic archive. The result is a possible archive of the future of our present, or an archaeological survey anticipated for the future. Examining the construction of our social reality, Jurotschkin presents alienating views of everyday spaces.
Classification:
livres
livres
Publication:
décembre 2017
décembre 2017
Sujet:
Monographies photo
Monographies photo
