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On & by Christian Marclay
On & by Christian Marclay
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations,(...)
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations,(...)
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On & by Christian Marclay
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$29.95
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations, and texts written by art critics.
On & by Christian Marclay
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$29.95
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations, and texts written by art critics.
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livres
livres
Publication:
septembre 2014
septembre 2014
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livres
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a(...)
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a(...)
Publication:
février 2008, Basel/Dundee
février 2008, Basel/Dundee
Titre:
Johanna Billing. Look behind us, a blue sky
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artists video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
Johanna Billing. Look behind us, a blue sky
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artists video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
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livres
livres
Publication:
février 2008, Basel/Dundee
février 2008, Basel/Dundee
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livres
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
Sujet:
Architecture numérique
Architecture numérique
Publication:
octobre 2007, Basel, Berlin, Boston
octobre 2007, Basel, Berlin, Boston
Titre:
Space time play:computer games, architecture and urbanism: The next level
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Space time play:computer games, architecture and urbanism: The next level
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
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livres
livres
Publication:
octobre 2007, Basel, Berlin, Boston
octobre 2007, Basel, Berlin, Boston
Sujet:
Architecture numérique
Architecture numérique
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livres
livres
Titre:
Christian Marclay: Action
Christian Marclay: Action
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When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his(...)
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When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his(...)
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Christian Marclay: Action
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Résumé:
When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his performances, installations, collages, sculptures and photographs, creating new sensory experiences that his viewers had never before experienced. Comic books and mangas are the source material for Marclay’s most recent works: the immersive video animation "Surround Sounds" (2014–15) and the series of Onomatopoeia paintings and works on paper inspired by the wet, liquid sounds of painting. Christian Marclay: Action, an extensive monographic survey, covers the entire spectrum of the artist’s multimedia and synaesthetic oeuvre, from previously little-known early works to his most recent paintings and video.
Christian Marclay: Action
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Résumé:
When his 24-hour film The Clock was awarded the Golden Lion at the 54th Venice Biennale in 2011, Christian Marclay’s hour had struck. Yet as an artist, performer and pioneer of turntablism, the Swiss-American Christian Marclay (born 1955) had already been famous for his complex oeuvre for more than 30 years, translating sounds and music into visual forms in his performances, installations, collages, sculptures and photographs, creating new sensory experiences that his viewers had never before experienced. Comic books and mangas are the source material for Marclay’s most recent works: the immersive video animation "Surround Sounds" (2014–15) and the series of Onomatopoeia paintings and works on paper inspired by the wet, liquid sounds of painting. Christian Marclay: Action, an extensive monographic survey, covers the entire spectrum of the artist’s multimedia and synaesthetic oeuvre, from previously little-known early works to his most recent paintings and video.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
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A document of Martin Beck's video work of the same title, showing the assembly and disassembly of the seminal 1948 Struc-Tube exhibition system by the American designer George Nelson. Essays by Emily Pethick, Bill Horrigan and Martin Beck contextualise the work within contemporary artistic practice and elaborate on aspects of sovereignty and control in modern exhibition history.
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A document of Martin Beck's video work of the same title, showing the assembly and disassembly of the seminal 1948 Struc-Tube exhibition system by the American designer George Nelson. Essays by Emily Pethick, Bill Horrigan and Martin Beck contextualise the work within contemporary artistic practice and elaborate on aspects of sovereignty and control in modern exhibition history.
Publication:
novembre 2008, Utrecht, London
novembre 2008, Utrecht, London
Titre:
Martin Beck: about the relative size of things in the universe
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A document of Martin Beck's video work of the same title, showing the assembly and disassembly of the seminal 1948 Struc-Tube exhibition system by the American designer George Nelson. Essays by Emily Pethick, Bill Horrigan and Martin Beck contextualise the work within contemporary artistic practice and elaborate on aspects of sovereignty and control in modern exhibition history.
Martin Beck: about the relative size of things in the universe
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A document of Martin Beck's video work of the same title, showing the assembly and disassembly of the seminal 1948 Struc-Tube exhibition system by the American designer George Nelson. Essays by Emily Pethick, Bill Horrigan and Martin Beck contextualise the work within contemporary artistic practice and elaborate on aspects of sovereignty and control in modern exhibition history.
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livres
livres
Publication:
novembre 2008, Utrecht, London
novembre 2008, Utrecht, London
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
Publication:
avril 1998, Graz
avril 1998, Graz
Titre:
Film + arc.graz : 3rd international biennial
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
Film + arc.graz : 3rd international biennial
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
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livres
Publication:
avril 1998, Graz
avril 1998, Graz
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Susan Dobson creates photographs, sometimes edited for effect, alongside video projection and large scale prints to glamorize and identify the quest for individuality suburbanites undertake in order to adorn their homes. Concepts of sameness contrasted with the quest for distinctiveness permeate her work, but the sense of the monotonous, repetitive design of suburbia is(...)
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Susan Dobson creates photographs, sometimes edited for effect, alongside video projection and large scale prints to glamorize and identify the quest for individuality suburbanites undertake in order to adorn their homes. Concepts of sameness contrasted with the quest for distinctiveness permeate her work, but the sense of the monotonous, repetitive design of suburbia is(...)
Titre:
Susan Dobson : shifting tenses
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Susan Dobson creates photographs, sometimes edited for effect, alongside video projection and large scale prints to glamorize and identify the quest for individuality suburbanites undertake in order to adorn their homes. Concepts of sameness contrasted with the quest for distinctiveness permeate her work, but the sense of the monotonous, repetitive design of suburbia is subtly subverted and elevated.
Susan Dobson : shifting tenses
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Susan Dobson creates photographs, sometimes edited for effect, alongside video projection and large scale prints to glamorize and identify the quest for individuality suburbanites undertake in order to adorn their homes. Concepts of sameness contrasted with the quest for distinctiveness permeate her work, but the sense of the monotonous, repetitive design of suburbia is subtly subverted and elevated.
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livres
livres
Publication:
février 2012
février 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Titre:
Les lendemains d'hier / Yesterday's tomorrows
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Les lendemains d'hier / Yesterday's tomorrows
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
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livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Expositions collectives
Expositions collectives
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livres
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Titre:
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$55.00
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
Publication:
octobre 2012
octobre 2012
Titre:
David Claerbout : the time that remains
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
David Claerbout : the time that remains
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
