Memo for Nemo
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In this book, William Firebrace investigates human inhabitation of the undersea, both fictional and real. Beginning with Jules Verne's Captain Nemo—an undersea Renaissance man with a library of 12,000 volumes on his submarine—and proceeding through aquariums, undersea photography, artificial seas on land, nuclear-powered submarines, undersea film epics, giant squid, and(...)
Memo for Nemo
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In this book, William Firebrace investigates human inhabitation of the undersea, both fictional and real. Beginning with Jules Verne's Captain Nemo—an undersea Renaissance man with a library of 12,000 volumes on his submarine—and proceeding through aquariums, undersea photography, artificial seas on land, nuclear-powered submarines, undersea film epics, giant squid, and NASA satellites, Firebrace examines the undersea as a zone created by exploration and invention. Throughout, the history of undersea life is accompanied by an imagined undersea, envisioned by cultural figures ranging from Verne and Herman Melville to Orson Welles and Jimi Hendrix.
Trajets
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree.(...)
The total artwork in expressionism
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making "The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925" the first-ever publication to examine the interplay between these forms.
Art, époques et styles
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Founded in 2004 by Koichi Suzuno and Shinya Kamuro, Torafu Architects employs a working approach based on architectural thinking. Works by the duo include a diverse range of products, from architectural design to interior design for shops, exhibition space design, product design, spatial installations and film making. Projects include the Nike Pressroom, a House in(...)
Torafu Architects: Idea + process 2004-2011
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Founded in 2004 by Koichi Suzuno and Shinya Kamuro, Torafu Architects employs a working approach based on architectural thinking. Works by the duo include a diverse range of products, from architectural design to interior design for shops, exhibition space design, product design, spatial installations and film making. Projects include the Nike Pressroom, a House in Kohoku, the Y150 Nissan Pavilion, the Herman Miller Tokyo Store, a House in Nakamaru, an exhibition space for minä perhonen, the air-vase, the 1-10 design Office in Kyoto, and many others. Introduction by Akira Minagawa (minä perhonen).
Architecture, monographies
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David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York 's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre’s formative texts and exhibitions.(...)
David Askevold : once upon a time in the East
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David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York 's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre’s formative texts and exhibitions. This illustrated volume takes readers on an eclectic journey through the various strains of Askevold’s pioneering practice — sculpture/installation, film and video, photography and photo-text works, and digital imagery.
Art canadien
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book(...)
Postmodernism: Style and subversion, 1970-1990
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book assesses the impact of the phenomenon on all areas of art and design. It covers architecture, interiors and urban planning; product, graphic and furniture design; the fashion and style industries; and photography, film, television and video
Design, époques et styles
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Ludwig Mies van der Rohe (1886–1969) was one of the most significant and influential architects in history. His designs and buildings—to say nothing of his thought and writing—continue to this day to spark heated debates on achievement and failure in modern architecture. And he’s the rare architect whose influence and reputation spread beyond the field. “Almost Nothing”(...)
Almost nothing: 100 artists comment on the work of Mies van der Rohe
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Ludwig Mies van der Rohe (1886–1969) was one of the most significant and influential architects in history. His designs and buildings—to say nothing of his thought and writing—continue to this day to spark heated debates on achievement and failure in modern architecture. And he’s the rare architect whose influence and reputation spread beyond the field. “Almost Nothing” collects work by one hundred painters, sculptors, photographers, film directors, designers, cartoonists, and architects that comment on or appropriate buildings, designs, and statements by or images of the legendary architect.
Architecture, monographies
Aires Mateus: Light
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Architectural photographer Juan Rodríguez brings his keen eye and perceptive sense of form, mass, and light to this extensive series of photographs featuring the architecture of Manuel Aires Mateus. In documenting work by this famed Portuguese architect, which has a strongly sculptural nature, Rodríguez has opted for the stark contrasts and dramatic lighting effects of(...)
Aires Mateus: Light
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Architectural photographer Juan Rodríguez brings his keen eye and perceptive sense of form, mass, and light to this extensive series of photographs featuring the architecture of Manuel Aires Mateus. In documenting work by this famed Portuguese architect, which has a strongly sculptural nature, Rodríguez has opted for the stark contrasts and dramatic lighting effects of black-and-white film. The buildings with their geometric shapes are usually white, possessing characteristic clean lines and bold volumes that stand out dramatically in their respective contexts, whether a natural landscape or urban setting.
Architecture, monographies
October 139
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers.(...)
October 139
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents today’s artistic, intellectual, and critical vanguard. Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors
Revues
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among(...)
Trigger: gender as a tool and a weapon
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among the artists included are Morgan Bassichis, Nayland Blake, Pauline Boudry/Renate Lorenz, Vaginal Davis, ektor garcia, House of Ladosha, Candice Lin, Christina Quarles, Tschabalala Self, Paul Mpagi Sepuya, Sable Elyse Smith and Wu Tsang.
Expositions collectives
Visual Thinking
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For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically(...)
Visual Thinking
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For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indis-pensable tool for students and for those interested in the arts.
Théorie de l’art