Postillons
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« Pendant un peu plus d’un an, j’ai pris l’habitude d’écrire, chaque jour, des courts textes qui sont, pour moi, des dessins faits de mots, des images que je n’aurai pas pu dessiner. Ils viennent en prolongement de mes livres d’images, on retrouve le père de la tendresse des pierres, les enfants des petits, des fragments sur l’amour ou le désir, comme une suite aux «(...)
Postillons
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« Pendant un peu plus d’un an, j’ai pris l’habitude d’écrire, chaque jour, des courts textes qui sont, pour moi, des dessins faits de mots, des images que je n’aurai pas pu dessiner. Ils viennent en prolongement de mes livres d’images, on retrouve le père de la tendresse des pierres, les enfants des petits, des fragments sur l’amour ou le désir, comme une suite aux « Coquins » ou aux « Amours suspendues » mais il est aussi question de ruralité, de souvenirs d’enfance. Mon premier livre « L’homme en pièces » se passait complètement de mot, celui-ci se passe d’image et propose une collection de postillons, premières gouttelettes vers la littérature. »
Littérature et poésie
Sous la lumière des vitrines
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Stettler a plus de cinquante-cinq ans. Célibataire endurci, vivant seul depuis que sa mère est morte, il est le décorateur en chef du plus grand magasin de la ville, Les Quatre Saisons. Ses vitrines, pleines de goût et de créativité, confinent souvent à l’œuvre d’art, et le succès qu’elles rencontrent a placé leur concepteur au rang de quasi-artiste. Or voilà que le vieux(...)
Sous la lumière des vitrines
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Stettler a plus de cinquante-cinq ans. Célibataire endurci, vivant seul depuis que sa mère est morte, il est le décorateur en chef du plus grand magasin de la ville, Les Quatre Saisons. Ses vitrines, pleines de goût et de créativité, confinent souvent à l’œuvre d’art, et le succès qu’elles rencontrent a placé leur concepteur au rang de quasi-artiste. Or voilà que le vieux propriétaire meurt et que ses fils en profitent pour faire souffler un vent nouveau sur tout le magasin. Ils décident d’engager un jeune décorateur qui se chargera désormais – en alternance avec Stettler – de la mise au point des vitrines. Non pas un assistant, mais un successeur désigné, un rival, un ennemi. Avec une délicatesse et un art du contrepoint remarquables, Alain Claude Sulzer éclaire, sous la lumière des vitrines d’un grand magasin, l’éternel combat des anciens et des modernes.
Littérature et poésie
Translated by
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Translated By is published to coincide with an exhibition at the AA, which gathers eleven literary writers and eleven literary places and subjects them to an act of immaterial translation – via the voice. The stories run through Ramallah, recollect turn-of-the-century Sofia, remember the spaceship-looking-Sheraton Hotel in Doha, wander through the 'Metaverse' and(...)
Translated by
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Translated By is published to coincide with an exhibition at the AA, which gathers eleven literary writers and eleven literary places and subjects them to an act of immaterial translation – via the voice. The stories run through Ramallah, recollect turn-of-the-century Sofia, remember the spaceship-looking-Sheraton Hotel in Doha, wander through the 'Metaverse' and end at the end of the world in West Vancouver. Each of the authors invent or interpret place. Mundane, marginal, infamous, impossible. Together, the texts create a strange and beautiful territory that traverses distance and time. Writers include Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Letham, Tom McCarthy, Guy Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli, and Neal Stephenson, with essays by Charles Arsène-Henry and Shumon Basar.
Littérature et poésie
livres
Books v. cigarettes
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Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. From the Penguin Great Ideas series.
Books v. cigarettes
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Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. From the Penguin Great Ideas series.
livres
mai 2008
Littérature et poésie
$32.99
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Lydia Davis is one of our most original and influential writers. She has been called an American virtuoso of the short story form" ( Salon ) and "one of the quiet giants . . . of American fiction" ( Los Angeles Times Book Review ). Now, for the first time, Davis's short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007(...)
Collected stories of Lydia Davis
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Lydia Davis is one of our most original and influential writers. She has been called an American virtuoso of the short story form" ( Salon ) and "one of the quiet giants . . . of American fiction" ( Los Angeles Times Book Review ). Now, for the first time, Davis's short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance . "The collected stories" of Lydia Davis is an event in American letters.
Littérature et poésie
livres
In praise of shadows
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An essay which captures in an amusing, flowing commentary on architecture, drama, food, feminine beauty, and many other aspects of Japanese life the uneasy mixing of two clashing aesthetic traditions based on differing technologies.
Littérature et poésie
janvier 1977, Stoney Creek, CT.
In praise of shadows
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An essay which captures in an amusing, flowing commentary on architecture, drama, food, feminine beauty, and many other aspects of Japanese life the uneasy mixing of two clashing aesthetic traditions based on differing technologies.
livres
janvier 1977, Stoney Creek, CT.
Littérature et poésie
$79.00
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface"(...)
Michalis Pichler: Un coup de dés jamais n'abolira le hasard
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface" features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts.
Littérature et poésie
$26.95
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Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him.(...)
The bone picker: Native stories, alternate histories
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Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to entertain: each entity has a purpose in its behavior and a lesson to share-to those who take heed.
Littérature et poésie
Stranger than fiction
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Imagine the history of the twentieth-century novel recounted with the urgency and intimacy of a novel. That's what Edwin Frank, the legendary editor who has run the New York Review Books publishing imprint since its inception, does in "Stranger than fiction". With penetrating insight and originality, Frank introduces us to books, some famous, some little-known, from the(...)
Stranger than fiction
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Imagine the history of the twentieth-century novel recounted with the urgency and intimacy of a novel. That's what Edwin Frank, the legendary editor who has run the New York Review Books publishing imprint since its inception, does in "Stranger than fiction". With penetrating insight and originality, Frank introduces us to books, some famous, some little-known, from the whole course of the century and from around the world. Starting with Dostoevsky's "Notes from underground" of 1864, Frank shows how its twitchy, self-undermining, and never-satisfied narrator established a voice that would echo through the coming century. He illuminates the political vision of H. G. Wells's science fiction, Colette and Andre Gide's subversions of traditional gender roles, and Gertrude Stein's untethering of the American sentence.
Littérature et poésie
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We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and(...)
The notebook: A history of thinking on paper
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We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and Frida Kahlo, Isaac Newton and Marie Curie, and writers from Chaucer to Henry James; shows how Darwin developed his theory of evolution in tiny pocket books and Agatha Christie plotted a hundred murders in scrappy exercise books; and introduces a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers, and mathematicians, all of whom used their notebooks as a space to think—and in doing so, shaped the modern world. In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper, he finds, can have profound consequences, changing the way we think and feel: making us more creative, more productive—and maybe even happier.
Littérature et poésie