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vii, 224 pages : illustrations ; 26 cm
Los Angeles : Getty Research Institute, [2012]
Surrealism in Latin America : vivísimo muerto / edited by Dawn Ades, Rita Eder, and Graciela Speranza.
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vii, 224 pages : illustrations ; 26 cm
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Los Angeles : Getty Research Institute, [2012]
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
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Dans les villes d'aujourd'hui, les normes sociales s'imposent difficilement ; le statut et la fonction des espaces fluctuent ; le futur paraît moins maîtrisable : l'ordre des choses semble en perpétuelle redéfinition. Pourtant, face à l'incertitude, des individus s'efforcent de construire des règles du jeu, qui leur permettent d'agir en commun et de penser le devenir des(...)
Théorie de l’urbanisme
mai 2006, Paris
La règle du jeu urbain : entre droit et confiance
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Dans les villes d'aujourd'hui, les normes sociales s'imposent difficilement ; le statut et la fonction des espaces fluctuent ; le futur paraît moins maîtrisable : l'ordre des choses semble en perpétuelle redéfinition. Pourtant, face à l'incertitude, des individus s'efforcent de construire des règles du jeu, qui leur permettent d'agir en commun et de penser le devenir des espaces urbains. Ces règles reposent sur la confiance, car elles nécessitent l'engagement réciproque des partenaires : investisseurs et acteurs publics ; habitants d'un même quartier ; propriétaires ou copropriétaires d'un même lieu. Dans ces processus le droit cesse d'être garant d'un ordre figé, il devient un instrument de régulation. À partir de recherches menées dans des villes françaises (Paris, Marseille, Lyon, Tours, Lorient), européennes (Lisbonne et Gêne) et américaines (Montréal, Mexico), ce livre interroge les usages du droit dans l'action urbaine. Il montre comment ils contribuent à établir une " confiance de proximité ". Trois types de situations sont étudiées : la mise en oeuvre de grands projets urbains ; la mobilisation d'habitants contre des dynamiques urbaines perçues comme des nuisances ; l'appropriation collective d'espaces résidentiels privés. Sous la direction d'Alain Bourdin, Marie-Pierre Lefeuvre et Patrice Melé. Les autres auteurs sont Jérôme Dubois, Emilio Duhau, Antida Gazzola, Annick Germain, João Pedro Nunes.
Théorie de l’urbanisme
Hotel an american history
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In this lucid and creative work, Sandoval-Strausz, an assistant professor of history at the University of New Mexico, situates the rise of hotels within the history of the triumph of capitalism and of an increasingly mobile society. Hotels, he says, facilitated mobility and the integration of frontier lands into larger networks of capital and commerce. Hotels were also(...)
novembre 2007, New York
Hotel an american history
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In this lucid and creative work, Sandoval-Strausz, an assistant professor of history at the University of New Mexico, situates the rise of hotels within the history of the triumph of capitalism and of an increasingly mobile society. Hotels, he says, facilitated mobility and the integration of frontier lands into larger networks of capital and commerce. Hotels were also part of the gradual process that dissociated people from particular places. If hotels solved some social problems, Sandoval-Strausz shows, they created others: guardians of domesticity, for example, worried about urban dwellers who chose to live full-time in hotels. In exploring the social and political meaning of hotels, the author pursues countless avenues, from menus to morals (Hotels were magnets for prostitution and other forms of illicit sex). There's a bit of labor history thrown in, too, since, in order to make good on the promise to be patrons' home away from home, hotels employed a huge number of workers, from cooks and launderers to janitors, Sandoval-Strausz also traces hotels' exclusion of Jews and blacks—the book ends with the 1964 Supreme Court case that desegregated public accommodations.
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
Cruelty & utopia : cities and landscapes of Latin America
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This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
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janvier 2005, New York
Arch Moyen-Orient
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ABZ présente, en couleurs, une multitude d’alphabets complets, une myriade d’emblèmes et de logos, de pages élégantes et d’exemples étonnants de l’avant-garde graphique du début du XXe siècle. Issus de collections, privées pour la plupart, disséminées à travers le monde, de Londres à Mexico en passant par Prague, Amsterdam et New York, la plupart de ces splendides(...)
mai 2003, Paris
ABZ : alphabets, graphismes, typos et autres signes
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ABZ présente, en couleurs, une multitude d’alphabets complets, une myriade d’emblèmes et de logos, de pages élégantes et d’exemples étonnants de l’avant-garde graphique du début du XXe siècle. Issus de collections, privées pour la plupart, disséminées à travers le monde, de Londres à Mexico en passant par Prague, Amsterdam et New York, la plupart de ces splendides documents sont reproduits ici pour la première fois. Dans ce voyage au pays des lettres et des signes, on pourra rencontrer l’alphabet photo-poétique de Karel Teige, l’un des leaders de l’avant-garde de l’entre-deux-guerres ; les pages émouvantes issues d’un manuel espagnol pour les soldats analphabètes ; les typographies avant-gardistes de Lajos Kassak ; les caractères créés par Snellen pour les tableaux des opticiens, et l’impertinence élégante de journaux français, allemands, italiens et tchèques. On pourra aussi croiser les designers les plus célèbres, tels El Lissitzky, Aleksandr Rodchenko, Ladislav Sutnar et A.M. Cassandre. Les textes d’accompagnement apprennent au lecteur l’histoire de chaque alphabet, l’usage pour lequel il a été créé, le succès qu’il a connu par la suite. Un merveilleux texte de Georges Pérec intitulé « L’alphabet » introduit le lecteur dans le monde magique des lettres .
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Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico(...)
mai 2007, Ostfildern
Claus Bury : High tide - low tide
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Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico appear alongside black-and-white photographs of Mayan temples. Photographs of Bury's farm works, made of bales of hay, show the influence of the Mayans' iconic geometric purity. Other materials illuminate the artist's latest curved and boned structures, many wooden, by comparing them to ships. And the production of his largest work to date, the 2006 "Bitterfeld Arch," a multi-story steel bridge to nowhere, is documented from the ground up--eight months from start to ribbon-cutting--and contrasted with the "Greenhouse for Thoughts," a 2005 wooden installation shaped like a house frame, with a forest of studs where the walls would be. Though Bury was trained in Germany and is based there, he has taught at RISD, won an NEA grant, and seen his work shown at The Metropolitan Museum of Art, New York.
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew(...)
Théorie de l’architecture
décembre 2020
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer- a brother and sister team as in an old fairy tale- have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin bee hives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen’s The Snow Queen and The Little Match Girl to the Brothers Grimm’s Rapunzel and The Juniper Tree to fairy tales by Jorge Luis Borges and Joy Williams and from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. ''Fairy Tale Architecture'' invites the reader into a space of wonder, into a new form that will endure ever after.
Théorie de l’architecture
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In the past few years, Mexico has brought to light a new generation of architects whose extraordinary vision and productivity has positioned the country among the most creative design cultures of the world. Under his own firm FR-EE, since 2000 Fernando Romero has designed and created a number of projects which represent a new vision of Mexican and world architecture.(...)
Fernando Romero: FR-EE Architecture
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In the past few years, Mexico has brought to light a new generation of architects whose extraordinary vision and productivity has positioned the country among the most creative design cultures of the world. Under his own firm FR-EE, since 2000 Fernando Romero has designed and created a number of projects which represent a new vision of Mexican and world architecture. Romero's approach to architecture is innovative and an inspirational tool for empowering future generations. The volume will focus on three themes that intertwine throughout the content of the book. On-site photographs (mainly aerial views) highlight the different places where FR-EE works, from urban centers to the desert. The location is what drives FR-EE's creative work, while the practice strives to investigate the dynamic forces of each site and client. Photographs give the reader a vision of how Romero's perspective shifts between different focuses of references, and reimagines them in new symbolic visions of the world (from monuments to colors, from natural elements to animals). The images include renderings, photographs, diagrams, plans, and sections. The projects are presented in situ and through architectural drawings, so as to explain the projects' concepts and contents.
Architecture, monographies
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
juillet 2011
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.