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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea(...)
If you want to visit a sea garden
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.
Expositions en cours
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This authoritative reference on native and non-native trees of North America, by Smithsonian veteran W. John Kress, provides an unprecedented appraisal of more than 325 common species. More than a field guide, it includes over 300 range maps and 3,000 photographs of leaves, flowers, fruits, seeds, and bark; an in-depth introduction to the biology of trees, their value,(...)
Smithsonian trees of North America
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This authoritative reference on native and non-native trees of North America, by Smithsonian veteran W. John Kress, provides an unprecedented appraisal of more than 325 common species. More than a field guide, it includes over 300 range maps and 3,000 photographs of leaves, flowers, fruits, seeds, and bark; an in-depth introduction to the biology of trees, their value, structure, evolution, classification, ecology, and conservation; descriptions of each species, organized by genus and family; a reflection on the consequences of environmental change on the health of trees, now and in the future; a presentation, based on the latest technologies, of North American trees in a planetary and evolutionary perspective. "Smithsonian trees of North America", ten years in the making, marries science and art to provide an insightful and compassionate exploration of the diversity, structure, form, and beauty of trees.
Jardins
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For many years, Orhan Pamuk kept a record of his daily thoughts and observations, entering them in small notebooks and illustrating them with his own paintings. This book combines those notebooks into one volume. He writes about his travels around the world, his family, his writing process, and his complex relationship with his home country of Turkey. He charts the seeds(...)
Memories of distant mountains. Illustrated Notebooks, 2009-2022
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For many years, Orhan Pamuk kept a record of his daily thoughts and observations, entering them in small notebooks and illustrating them with his own paintings. This book combines those notebooks into one volume. He writes about his travels around the world, his family, his writing process, and his complex relationship with his home country of Turkey. He charts the seeds of his novels and the things that inspired his characters and the plots of his stories. Intertwined in his writings are the vibrant paintings of the landscapes that surround and inspire him. A beautiful object in its own right, in "Memories of distant mountains" readers can explore Pamuk's intoxicating inner world and can have a fascinating, intimate encounter with the art, culture, and charged political currents that have shaped one of literature’s most important voices.
Trajets
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division.(...)
The Facit Model: Globalism, Localism, Identity
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division. But a few years later the Facit organization had disappeared—worn down by global capitalism. ''The Facit Model: Globalism, Localism, Identity'' looks at this peculiar example of corporate modernism through the printed matter produced in Facit’s in-house print shops, culled from FACIT’s archives. Type specimens, manuals, advertising leaflets and product catalogs bear witness to a culture which feels increasingly distant, and yet helped to define many of the codes and forms familiar to us from today’s world of work.
Design industriel
Housing is back 01
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Massive changes in household structures and a conscious demand for ecologically built housing have led to radical changes in the housing field. No longer can the classical family automatically be taken as the basis for urban housing concepts. Flexible designs based on ecological principles and an emphasis on outdoor space are now in demand. Thus architects are being(...)
Guides des villes
avril 2006, Wien, New York
Housing is back 01
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Massive changes in household structures and a conscious demand for ecologically built housing have led to radical changes in the housing field. No longer can the classical family automatically be taken as the basis for urban housing concepts. Flexible designs based on ecological principles and an emphasis on outdoor space are now in demand. Thus architects are being called upon, just as it was in the 20s, to deliver new concepts. This volume presents the buildings with their underlying concepts of a number of architects who have done just that. It serves both as a source of inspiration and a reference work for all those involved in housing. The Department of Housing and the Economics of Housing at the Technical University, Munich intends to publish a new volume covering the latest housing projects every two years.
Guides des villes
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BERLIN - CITY IN SPACE is the second photo-guidebook of a series. It portrays exceptional interior design and visionary architecture from 1950 to 1984 in Berlin - the period when the German metropolis was divided. The 320-page photo-book captures 82 postwar buildings on over 200 photographs. The content is arranged thematically: cinemas, cultural buildings,housing(...)
Berlin - city in space : architecture and design from the 50s to the 70s
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BERLIN - CITY IN SPACE is the second photo-guidebook of a series. It portrays exceptional interior design and visionary architecture from 1950 to 1984 in Berlin - the period when the German metropolis was divided. The 320-page photo-book captures 82 postwar buildings on over 200 photographs. The content is arranged thematically: cinemas, cultural buildings,housing development, shops, restaurants and bars, public pools, public buildings, metro stations and one chapter is exclusively dedicated to the "Raumerweiterungshalle" constructed by VEB Metallbau from Boizernburg and the "Futuro", developed by the Finnish architect Matti Suuronen. An additional 72 page illustrated booklet and three 82 page guidebooks (English, Spanish, German) describe the locations in detail. The family-friendliness of Berlin is also taken into account and the guidebook puts a spot-light on ideal locations for visitors with small children.
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
janvier 2009, Bielefeld
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
Expositions collectives
septembre 2008, Köln
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
Expositions collectives
Orri Jonsson: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of(...)
Orri Jonsson: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of deserted houses throughout Iceland for the next 12 years, and ''Interiors'' contains the best of these images from 1999 to 2010. Painterly in color, rigorous in composition and lacking people, Orri's photos evoke the personal histories of the inhabitants who long ago abandoned their homes. ''Interiors'' is shaped by an uncanny silence and sense of loss, most poignant in the images of objects people left behind--old buttons, newspapers and even a hot water bottle--tokens of vanished lives.
Monographies photo
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Monographies photo