5179 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1984.PR04
Description:
This project series documents a study to determine the location of the RCMP building at the Lester B. Pearson International Airport in Mississauga, Ontario in 1984. The office identified the project number as 8406. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine the best location for the RCMP at the airport. At the time of the study, the RCMP were located in terminal one, but the growing needs of other airport departments had pushed them into a temporary location. This study investigated two possible options, the construction of a new police building or the renovation of the central workshop facility. The report suggested the latter option, which could house the RCMP offices, technical and exhibit spaces, holding cells, storage and support facilities. The project is recorded through textual records dating from 1984, which consist of the project proposal and risk and cost analysis sheets.
AP018.S1.1984.PR04
Description:
This project series documents a study to determine the location of the RCMP building at the Lester B. Pearson International Airport in Mississauga, Ontario in 1984. The office identified the project number as 8406. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine the best location for the RCMP at the airport. At the time of the study, the RCMP were located in terminal one, but the growing needs of other airport departments had pushed them into a temporary location. This study investigated two possible options, the construction of a new police building or the renovation of the central workshop facility. The report suggested the latter option, which could house the RCMP offices, technical and exhibit spaces, holding cells, storage and support facilities. The project is recorded through textual records dating from 1984, which consist of the project proposal and risk and cost analysis sheets.
Personnes et institutions:
Date:
1984
1984
Titre:
RCMP Relocation, Lester B. Pearson International Airport, Mississauga, Ontario (1984)
Actions:
AP018.S1.1984.PR04
Description:
This project series documents a study to determine the location of the RCMP building at the Lester B. Pearson International Airport in Mississauga, Ontario in 1984. The office identified the project number as 8406. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine the best location for the RCMP at the airport. At the time of the study, the RCMP were located in terminal one, but the growing needs of other airport departments had pushed them into a temporary location. This study investigated two possible options, the construction of a new police building or the renovation of the central workshop facility. The report suggested the latter option, which could house the RCMP offices, technical and exhibit spaces, holding cells, storage and support facilities. The project is recorded through textual records dating from 1984, which consist of the project proposal and risk and cost analysis sheets.
RCMP Relocation, Lester B. Pearson International Airport, Mississauga, Ontario (1984)
Actions:
AP018.S1.1984.PR04
Description:
This project series documents a study to determine the location of the RCMP building at the Lester B. Pearson International Airport in Mississauga, Ontario in 1984. The office identified the project number as 8406. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine the best location for the RCMP at the airport. At the time of the study, the RCMP were located in terminal one, but the growing needs of other airport departments had pushed them into a temporary location. This study investigated two possible options, the construction of a new police building or the renovation of the central workshop facility. The report suggested the latter option, which could house the RCMP offices, technical and exhibit spaces, holding cells, storage and support facilities. The project is recorded through textual records dating from 1984, which consist of the project proposal and risk and cost analysis sheets.
Niveau de description archivistique:
Project
Project
Date:
1984
1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Personnes et institutions:
Date:
1982-1987
1982-1987
Titre:
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Hamilton Trade Centre and Arena, Hamilton, Ontario (1982-1985)
Actions:
AP018.S1.1982.PR07
Description:
This project series documents the design and construction of the Hamilton Trade Centre and Arena in Hamilton, Ontario from 1982-1985. The office identified the project number as 8207. The project consisted of a 60,000 square foot exhibition hall and arena, which had a capacity of 18,000. Opening in November 1985, the building was designed to host sports events (primarily hockey) and concerts. The project was reported to have cost $42 million. Along with Parkin Partnership as the architecture firm, John C. Parkin’s engineering company Parkin Engineers Ltd. worked as structural engineers on the project. The building, commissioned by the city of Hamilton, was officially called Copps Coliseum after the former Hamilton mayor, Victor Copps, who pushed for its creation throughout his career. In 2014, the name was changed to FirstOntario Centre. The project is recorded through reprographic copies of construction drawings, research, construction and presentation photographs, and textual records dating from 1982-1987. The textual records show design research, client correspondence, contractor work, specifications, publicity, and financial records. Any original drawings for this project are arranged within the textual records.
Niveau de description archivistique:
Project
Project
Date:
1982-1987
1982-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
Personnes et institutions:
Date:
1988-1989
1988-1989
Titre:
The Broadcast Centre Development, Toronto (1989)
Actions:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
The Broadcast Centre Development, Toronto (1989)
Actions:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
Niveau de description archivistique:
Project
Project
Date:
1988-1989
1988-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR03
Description:
This project series documents the Plano de Urbanização da Nova Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90. The office assigned the date 1999 to this project. This project is part of the city's larger urbanization plan. The city council commissioned Álvaro Siza along with two other Portugeuese architects, Eduardo Souto de Moura and João Álvaro Rocha to carry out the urban plan for Nova Maia. Siza is responsible for Parque do Millenium, an area of 320 hectres, which includes a multi-purpose space with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, a pavillion, and a new stadium. The project is in progress. Documenting this project are exisiting studies and plans from the Câmara Municipal da Maia, working plans, a study model, elevations and measurements for the project site. Photographic material includes photographs of the model and aerial views of the project site. Textual material includes project documentation, contracts, and correpondence with the Câmara Municipal da Maia and Mergarden Imobiliaria, S.A.
AP178.S1.1999.PR03
Description:
This project series documents the Plano de Urbanização da Nova Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90. The office assigned the date 1999 to this project. This project is part of the city's larger urbanization plan. The city council commissioned Álvaro Siza along with two other Portugeuese architects, Eduardo Souto de Moura and João Álvaro Rocha to carry out the urban plan for Nova Maia. Siza is responsible for Parque do Millenium, an area of 320 hectres, which includes a multi-purpose space with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, a pavillion, and a new stadium. The project is in progress. Documenting this project are exisiting studies and plans from the Câmara Municipal da Maia, working plans, a study model, elevations and measurements for the project site. Photographic material includes photographs of the model and aerial views of the project site. Textual material includes project documentation, contracts, and correpondence with the Câmara Municipal da Maia and Mergarden Imobiliaria, S.A.
Personnes et institutions:
Date:
1999-2011
1999-2011
Titre:
Plano de Urbanização da Nova Maia, Parque do Millenium [Urban plan for Nova Maia, Millenium Park], Maia, Portugal (1999)
Actions:
AP178.S1.1999.PR03
Description:
This project series documents the Plano de Urbanização da Nova Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90. The office assigned the date 1999 to this project. This project is part of the city's larger urbanization plan. The city council commissioned Álvaro Siza along with two other Portugeuese architects, Eduardo Souto de Moura and João Álvaro Rocha to carry out the urban plan for Nova Maia. Siza is responsible for Parque do Millenium, an area of 320 hectres, which includes a multi-purpose space with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, a pavillion, and a new stadium. The project is in progress. Documenting this project are exisiting studies and plans from the Câmara Municipal da Maia, working plans, a study model, elevations and measurements for the project site. Photographic material includes photographs of the model and aerial views of the project site. Textual material includes project documentation, contracts, and correpondence with the Câmara Municipal da Maia and Mergarden Imobiliaria, S.A.
Plano de Urbanização da Nova Maia, Parque do Millenium [Urban plan for Nova Maia, Millenium Park], Maia, Portugal (1999)
Actions:
AP178.S1.1999.PR03
Description:
This project series documents the Plano de Urbanização da Nova Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90. The office assigned the date 1999 to this project. This project is part of the city's larger urbanization plan. The city council commissioned Álvaro Siza along with two other Portugeuese architects, Eduardo Souto de Moura and João Álvaro Rocha to carry out the urban plan for Nova Maia. Siza is responsible for Parque do Millenium, an area of 320 hectres, which includes a multi-purpose space with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, a pavillion, and a new stadium. The project is in progress. Documenting this project are exisiting studies and plans from the Câmara Municipal da Maia, working plans, a study model, elevations and measurements for the project site. Photographic material includes photographs of the model and aerial views of the project site. Textual material includes project documentation, contracts, and correpondence with the Câmara Municipal da Maia and Mergarden Imobiliaria, S.A.
Niveau de description archivistique:
Project
Project
Date:
1999-2011
1999-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Personnes et institutions:
Date:
1974-1985
1974-1985
Titre:
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Niveau de description archivistique:
Project
Project
Date:
1974-1985
1974-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Weavers' Studio
Weavers' Studio
Numéro de référence:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Quelques 22 photographies positionnent le pavillon central de l’Université de Montréal, que l’on doit à l’architecte Ernest Cormier, comme partie intégrale du panorama urbain montréalais, et comme un espace physique complexe et varié. L’exposition est le résultat d’une commande passée par le CCA à Gabor Szilasi alors que les recherches effectuées dans le fonds Cormier(...)
Quelques 22 photographies positionnent le pavillon central de l’Université de Montréal, que l’on doit à l’architecte Ernest Cormier, comme partie intégrale du panorama urbain montréalais, et comme un espace physique complexe et varié. L’exposition est le résultat d’une commande passée par le CCA à Gabor Szilasi alors que les recherches effectuées dans le fonds Cormier(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
2 mai 1990 au 28 octobre 1990
2 mai 1990 au 28 octobre 1990
Titre:
Passages à l'Université de Montréal : photographies de Gabor Szilasi
Actions:
Description:
Quelques 22 photographies positionnent le pavillon central de l’Université de Montréal, que l’on doit à l’architecte Ernest Cormier, comme partie intégrale du panorama urbain montréalais, et comme un espace physique complexe et varié. L’exposition est le résultat d’une commande passée par le CCA à Gabor Szilasi alors que les recherches effectuées dans le fonds Cormier(...)
Passages à l'Université de Montréal : photographies de Gabor Szilasi
Actions:
Description:
Quelques 22 photographies positionnent le pavillon central de l’Université de Montréal, que l’on doit à l’architecte Ernest Cormier, comme partie intégrale du panorama urbain montréalais, et comme un espace physique complexe et varié. L’exposition est le résultat d’une commande passée par le CCA à Gabor Szilasi alors que les recherches effectuées dans le fonds Cormier(...)
Classification:
expositions
expositions
Date:
2 mai 1990 au
28 octobre 1990
2 mai 1990 au
28 octobre 1990
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Personnes et institutions:
Date:
1994-2014
1994-2014
Titre:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Niveau de description archivistique:
Project
Project
Date:
1994-2014
1994-2014
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH259321
Description:
Divers sujets, incluant consultations, travaux, offres de services, notes d'entrevues, coupures de presse, dans un dossier « Affaires en vue, ant. à 1943 ». Parmi les sujets et les correspondants: R.A. Rankin, 1936; Ontario Paper Company, 1936; la Commission Scolaire de Verdun, 1932; Église Cote des Neiges, 1931; Pont Aylmer à Sherbrooke, PQ, 1920-1928; le hangar pour hydravion, Pointe-aux-Trembles, 1929; autel gothique, 1928; garage Champ de Mars, 1927; bureau de poste centrale de Montréal, PQ, 1930-1934; Victor [Leault?], 1928.
ARCH259321
Description:
Divers sujets, incluant consultations, travaux, offres de services, notes d'entrevues, coupures de presse, dans un dossier « Affaires en vue, ant. à 1943 ». Parmi les sujets et les correspondants: R.A. Rankin, 1936; Ontario Paper Company, 1936; la Commission Scolaire de Verdun, 1932; Église Cote des Neiges, 1931; Pont Aylmer à Sherbrooke, PQ, 1920-1928; le hangar pour hydravion, Pointe-aux-Trembles, 1929; autel gothique, 1928; garage Champ de Mars, 1927; bureau de poste centrale de Montréal, PQ, 1930-1934; Victor [Leault?], 1928.
Personnes et institutions:
Date:
1920-1936
1920-1936
Titre:
Correspondance d'affaire
Actions:
ARCH259321
Description:
Divers sujets, incluant consultations, travaux, offres de services, notes d'entrevues, coupures de presse, dans un dossier « Affaires en vue, ant. à 1943 ». Parmi les sujets et les correspondants: R.A. Rankin, 1936; Ontario Paper Company, 1936; la Commission Scolaire de Verdun, 1932; Église Cote des Neiges, 1931; Pont Aylmer à Sherbrooke, PQ, 1920-1928; le hangar pour hydravion, Pointe-aux-Trembles, 1929; autel gothique, 1928; garage Champ de Mars, 1927; bureau de poste centrale de Montréal, PQ, 1930-1934; Victor [Leault?], 1928.
Correspondance d'affaire
Actions:
ARCH259321
Description:
Divers sujets, incluant consultations, travaux, offres de services, notes d'entrevues, coupures de presse, dans un dossier « Affaires en vue, ant. à 1943 ». Parmi les sujets et les correspondants: R.A. Rankin, 1936; Ontario Paper Company, 1936; la Commission Scolaire de Verdun, 1932; Église Cote des Neiges, 1931; Pont Aylmer à Sherbrooke, PQ, 1920-1928; le hangar pour hydravion, Pointe-aux-Trembles, 1929; autel gothique, 1928; garage Champ de Mars, 1927; bureau de poste centrale de Montréal, PQ, 1930-1934; Victor [Leault?], 1928.
Classification:
documents textuels
documents textuels
Date:
1920-1936
1920-1936
Personnes et institutions:
