403 Résultats
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
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livres
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mars 2018
mars 2018
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viii, 212 pages : illustrations, maps ; 24 cm
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viii, 212 pages : illustrations, maps ; 24 cm
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Baltimore : The Johns Hopkins University Press, 2013.
Baltimore : The Johns Hopkins University Press, 2013.
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The housing bomb : why our addiction to houses is destroying the environment and threatening our society / M. Nils Peterson, Tarla Rai Peterson, Jianguo Liu.
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viii, 212 pages : illustrations, maps ; 24 cm
The housing bomb : why our addiction to houses is destroying the environment and threatening our society / M. Nils Peterson, Tarla Rai Peterson, Jianguo Liu.
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viii, 212 pages : illustrations, maps ; 24 cm
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Baltimore : The Johns Hopkins University Press, 2013.
Baltimore : The Johns Hopkins University Press, 2013.
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67 pages : illustrations (chiefly color) ; 18 cm
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67 pages : illustrations (chiefly color) ; 18 cm
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Berlin : Aedes, [2022], ©2022
Berlin : Aedes, [2022], ©2022
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neri&hu design and research office : reflective nostalgia / [Preface: Kristin Feireiss and Hans-Jürgen Commerell].
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67 pages : illustrations (chiefly color) ; 18 cm
neri&hu design and research office : reflective nostalgia / [Preface: Kristin Feireiss and Hans-Jürgen Commerell].
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67 pages : illustrations (chiefly color) ; 18 cm
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Berlin : Aedes, [2022], ©2022
Berlin : Aedes, [2022], ©2022
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xii, 212 pages : illustrations, plans ; 29 cm
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xii, 212 pages : illustrations, plans ; 29 cm
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New York : McGraw-Hill, ©1994.
New York : McGraw-Hill, ©1994.
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Preserving American mansions and estates / William C. Shopsin.
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xii, 212 pages : illustrations, plans ; 29 cm
Preserving American mansions and estates / William C. Shopsin.
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xii, 212 pages : illustrations, plans ; 29 cm
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New York : McGraw-Hill, ©1994.
New York : McGraw-Hill, ©1994.
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297 pages : illustrations ; 19 cm.
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297 pages : illustrations ; 19 cm.
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Genève : MetisPresses, 2018., copyright 2018
Genève : MetisPresses, 2018., copyright 2018
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Synergies urbaines : pour un métabolisme collectif des villes / Roberto d' Arienzo.
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297 pages : illustrations ; 19 cm.
Synergies urbaines : pour un métabolisme collectif des villes / Roberto d' Arienzo.
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297 pages : illustrations ; 19 cm.
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Genève : MetisPresses, 2018., copyright 2018
Genève : MetisPresses, 2018., copyright 2018
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$102.00
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Résumé:
Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2006, Göttingen
janvier 2006, Göttingen
Titre:
Burtynsky - China : the photographs of Edward Burtynsky
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$102.00
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
Burtynsky - China : the photographs of Edward Burtynsky
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
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livres
livres
Publication:
janvier 2006, Göttingen
janvier 2006, Göttingen
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Monographies photo
Monographies photo
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livres
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$52.00
(disponible en magasin)
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from(...)
$52.00
(disponible en magasin)
Résumé:
The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from(...)
Titre:
Detail 6 2025 : Circular construction
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from demolished buildings. But this, too, is complex – components are often scarce and costly to extract and and make fit for new applications. To facilitate recycling, some structures are being designed for disassembly. Yet even timber joints fixed with screws can prove difficult to undo after years in place. A research group in Arles sees itself as a recycler of remnants, developing new materials from construction debris and agricultural waste: sunflower stalks become acoustic panels, while rice straw from cultivation is turned into insulation. The team also experiments with local resources: in nearby salt pans, salt crystallises on metal racks to form tiles, while algae are used to make lamps, vases, and wall finishes. Architecture made from rubble, clad in salt, rice, and seaweed – a compelling vision of the future. Perhaps the most promising path lies in combining these diverse strategies.
Detail 6 2025 : Circular construction
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$52.00
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from demolished buildings. But this, too, is complex – components are often scarce and costly to extract and and make fit for new applications. To facilitate recycling, some structures are being designed for disassembly. Yet even timber joints fixed with screws can prove difficult to undo after years in place. A research group in Arles sees itself as a recycler of remnants, developing new materials from construction debris and agricultural waste: sunflower stalks become acoustic panels, while rice straw from cultivation is turned into insulation. The team also experiments with local resources: in nearby salt pans, salt crystallises on metal racks to form tiles, while algae are used to make lamps, vases, and wall finishes. Architecture made from rubble, clad in salt, rice, and seaweed – a compelling vision of the future. Perhaps the most promising path lies in combining these diverse strategies.
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livres
livres
Publication:
juin 2025
juin 2025
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Revues
Revues
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livres
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$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
Publication:
août 2016
août 2016
Titre:
Gordon Matta-Clark: Experience becomes the object
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$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
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livres
livres
Publication:
août 2016
août 2016
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 30 cm
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 30 cm
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Barcelona, Spain : Hoaki Books, S.L., 2021., ©2021
Barcelona, Spain : Hoaki Books, S.L., 2021., ©2021
Titre:
Sustainable architecture : contemporary architecture in detail / edited by The Plan ; translators, Kieren Edward Bailey, Mariarosa Cirillo, Stephanie Johnson, Chris Turner.
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 30 cm
Sustainable architecture : contemporary architecture in detail / edited by The Plan ; translators, Kieren Edward Bailey, Mariarosa Cirillo, Stephanie Johnson, Chris Turner.
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 30 cm
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Barcelona, Spain : Hoaki Books, S.L., 2021., ©2021
Barcelona, Spain : Hoaki Books, S.L., 2021., ©2021
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livres
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Public space? Lost and found
Public space? Lost and found
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$52.50
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
$52.50
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2017
juillet 2017
Titre:
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
Public space? Lost and found
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$52.50
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
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livres
livres
Publication:
juillet 2017
juillet 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
