3314 Résultats
Classification:
maquettes
maquettes
Numéro de référence:
DR2004:0797
Description:
scaled site plan model of Magnet #2
DR2004:0797
Description:
scaled site plan model of Magnet #2
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Magnet: Presentation model for site #2, Soho Square, London
Actions:
DR2004:0797
Description:
scaled site plan model of Magnet #2
Magnet: Presentation model for site #2, Soho Square, London
Actions:
DR2004:0797
Description:
scaled site plan model of Magnet #2
Classification:
maquettes
maquettes
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
expositions
expositions
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Localisation:
Salles principales
Salles principales
Date:
15 novembre 2000 au 1 avril 2001
15 novembre 2000 au 1 avril 2001
Titre:
New York : Concours CCA pour la conception des villes
Actions:
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
New York : Concours CCA pour la conception des villes
Actions:
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Classification:
expositions
expositions
Date:
15 novembre 2000 au
1 avril 2001
15 novembre 2000 au
1 avril 2001
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Personnes et institutions:
Date:
1997-2000
1997-2000
Titre:
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1997-2000
1997-2000
Personnes et institutions:
Classification:
événements
événements
Titre:
Dénouer le paysage numérique
Dénouer le paysage numérique
Actions:
Description:
Dans cette conférence, Christophe Girot aborde les modèles de paysage numérique : Le design et l’analyse du paysage numérique ont traversé une révolution tranquille au cours des dix dernières années, suscitée par l’introduction de modèles numériques de nuages de points. La portée et la précision de ces modèles de paysages numériques créés à l’aide de lecteurs laser(...)
Dans cette conférence, Christophe Girot aborde les modèles de paysage numérique : Le design et l’analyse du paysage numérique ont traversé une révolution tranquille au cours des dix dernières années, suscitée par l’introduction de modèles numériques de nuages de points. La portée et la précision de ces modèles de paysages numériques créés à l’aide de lecteurs laser(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 octobre 2016, 18h
6 octobre 2016, 18h
Titre:
Dénouer le paysage numérique
Actions:
Description:
Dans cette conférence, Christophe Girot aborde les modèles de paysage numérique : Le design et l’analyse du paysage numérique ont traversé une révolution tranquille au cours des dix dernières années, suscitée par l’introduction de modèles numériques de nuages de points. La portée et la précision de ces modèles de paysages numériques créés à l’aide de lecteurs laser(...)
Dénouer le paysage numérique
Actions:
Description:
Dans cette conférence, Christophe Girot aborde les modèles de paysage numérique : Le design et l’analyse du paysage numérique ont traversé une révolution tranquille au cours des dix dernières années, suscitée par l’introduction de modèles numériques de nuages de points. La portée et la précision de ces modèles de paysages numériques créés à l’aide de lecteurs laser(...)
Classification:
événements
événements
Date:
6 octobre 2016
18h
6 octobre 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
expositions
expositions
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
11 décembre 1996 au 9 mars 1997
11 décembre 1996 au 9 mars 1997
Titre:
Découvrir la géométrie : Ben Nicholson et la bibliothèque Laurentienne
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Découvrir la géométrie : Ben Nicholson et la bibliothèque Laurentienne
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Classification:
expositions
expositions
Date:
11 décembre 1996 au
9 mars 1997
11 décembre 1996 au
9 mars 1997
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1915
1915
Titre:
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Classification:
dessins
dessins
Date:
1915
1915
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Localisation:
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Date:
24 septembre 2015 au 22 mai 2016
24 septembre 2015 au 22 mai 2016
Titre:
Coin, îlot, quartier, villes. Álvaro Siza à Berlin et à La Haye
Actions:
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Coin, îlot, quartier, villes. Álvaro Siza à Berlin et à La Haye
Actions:
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Classification:
expositions
expositions
Date:
24 septembre 2015 au
22 mai 2016
24 septembre 2015 au
22 mai 2016
Localisation:
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Eisenman
Fonds Peter Eisenman
Numéro de référence:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Personnes et institutions:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Titre:
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Personnes et institutions:
