14 juillet 2023, 14h à 16h (EST)
documents textuels, né numérique
Quantité:
3 file
ARCH252182
Description:
ANY (files last modified 1991-1997) - contains file folders for Conference Journals (Anyone, Anywhere, Anyway, Anyplace), Any Magazine (issues 0-18), Applications (including illustrations), Correspondence, Ideology Seminar, Mottos, John Rajchman's book (Constructions), and Systems Folder Anyway Book (files last modified 1996-1997) - contains file folders for A- book (Anyway Conference Journal), Ads and money, Any Magazine 0-13, Any (magazine) 90, Correspondence, Distribution, General Business, Ideology, Lotus Project, [John] Rajchman Book (Constructions), [Ignasi] Solà-Morales [Rubio] Backups, TdeM--translation and other…, Timesheets, Writing A[rchitecture] Anyone - Louise's Computer Backup
1991-1997
Anyone Corporation, Computer Hard Drive Cartridges, 1991-1997
Actions:
ARCH252182
Description:
ANY (files last modified 1991-1997) - contains file folders for Conference Journals (Anyone, Anywhere, Anyway, Anyplace), Any Magazine (issues 0-18), Applications (including illustrations), Correspondence, Ideology Seminar, Mottos, John Rajchman's book (Constructions), and Systems Folder Anyway Book (files last modified 1996-1997) - contains file folders for A- book (Anyway Conference Journal), Ads and money, Any Magazine 0-13, Any (magazine) 90, Correspondence, Distribution, General Business, Ideology, Lotus Project, [John] Rajchman Book (Constructions), [Ignasi] Solà-Morales [Rubio] Backups, TdeM--translation and other…, Timesheets, Writing A[rchitecture] Anyone - Louise's Computer Backup
documents textuels, né numérique
Quantité:
3 file
1991-1997
10 juillet 2023, 14h à 16h (EST)
Projet
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
1988-1994
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Project
1988-1994
documents textuels
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
1985-2016
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
documents textuels
1985-2016
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
27 juin 2016 au 30 juin 2016
Outils d’aujourd’hui : Mots-clés pour l’environnement
Actions:
Description:
Le séminaire Outils d’aujourdhui est une partie intégrale du Programme du CCA pour les doctorants. Nous invitons des chercheurs à ouvrir leurs boîtes à outils, à partager des approches et des défis méthodologiques, et à discuter de concepts clés dans les débats contemporains en architecture et disciplines connexes. En 2016, Outils d’aujourdhui aborde les “Mots-clés pour(...)
En réaction à
En réaction à est une série de séminaires publics qui marqueront les dernières semaines de l’exposition L’architecte, autrement. Si l’exposition présente des modèles et approches alternatives qui ont remis en question les pratiques de design traditionnelles, ces séminaires offriront des points de vue de commissariat alternatifs sur l’exposition et sur la publication. Les(...)
Salles principales
10 mars 2016 au 1 avril 2016
En réaction à
Actions:
Description:
En réaction à est une série de séminaires publics qui marqueront les dernières semaines de l’exposition L’architecte, autrement. Si l’exposition présente des modèles et approches alternatives qui ont remis en question les pratiques de design traditionnelles, ces séminaires offriront des points de vue de commissariat alternatifs sur l’exposition et sur la publication. Les(...)
Salles principales
archives
Niveau de description archivistique:
Fonds
Joseph Rykwert fonds
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
1928-2022
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
archives
Niveau de description archivistique:
Fonds
1928-2022
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
20 juillet 2023, 18h à 19h30
Des cages pour les non-humains : une histoire architecturale de l'élevage
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Description:
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
Série(s)
Academic work and interviews
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
circa 1970-2015
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Series
circa 1970-2015