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Paul Shepheard's previous book, What is Architecture?, was about making real, material things in the world -- landscapes, buildings, and machines. The Cultivated Wilderness is about those landscapes, and about the strategies that govern what we've done in shaping them.In the author's words, this book is about "seeing things that are too big to see." His emphasis on(...)
The cultivated wilderness or, what is landscape?
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Paul Shepheard's previous book, What is Architecture?, was about making real, material things in the world -- landscapes, buildings, and machines. The Cultivated Wilderness is about those landscapes, and about the strategies that govern what we've done in shaping them.In the author's words, this book is about "seeing things that are too big to see." His emphasis on strategy makes landscape fundamental -- he says that every architectural move is set in a landscape. Norman England, for example, was constructed as a network of strong points, in a strategy of occupation. The eighteenth-century grid cities of the New World reflect a strategy of reason. Our current strategy is the economic exploitation of the Earth, an intricately woven blanket of commerce that covers up a multitude of other possibilities, many other ways to treat the surface of the globe -- some of which are the landscapes revealed in this book.In a series of first-person narratives, reminiscent of his last book, the author pairs six landscapes, in order of descending scale from global to local, from the seven wonders of the ancient world to the condensed destruction of World War I's Western Front. In an engaging style, Shepheard takes the reader on an odyssey through these landscapes, meeting people and seeing places. He states that now, at the end of a century in which the appropriate landscape was sought but never found, the strategy of turning the land to profit is under review -- and offers this book as his contribution to that review.
Théorie du paysage
livres
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x, 196 pages : illustrations ; 26 cm
New Haven : Yale University Press, ©2002.
Ansel Adams : divine performance / Anne Hammond.
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Description:
x, 196 pages : illustrations ; 26 cm
livres
New Haven : Yale University Press, ©2002.
livres
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xii, 191 pages ; 22 cm.
New York : Columbia University Press, 2016.
Dark ecology : for a logic of future coexistence / Timothy Morton.
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xii, 191 pages ; 22 cm.
livres
New York : Columbia University Press, 2016.
livres
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xvii, 320 pages : illustrations ; 24 cm
Princeton, N.J. : Princeton University Press, ©1981.
Witnesses to a vanishing America : the nineteenth-century response / Lee Clark Mitchell.
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xvii, 320 pages : illustrations ; 24 cm
livres
Princeton, N.J. : Princeton University Press, ©1981.
$49.95
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most(...)
Accidental wilderness: The origins and ecology of Toronto's Tommy Thompson Park
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most densely populated areas of North America’s fourth-largest city. ''Accidental wilderness'' is a collection of essays curated by internationally recognized landscape architect and original designer of Tommy Thompson Park, Walter H. Kehm, complemented by a collection of photographs by renowned landscape photographer Robert Burley. The book explores the city’s port origins; the park’s master plan principles and design; the native-plant succession process; the park’s unique flora and fauna; public advocacy; and public recreation in the park and its effect on mental, physical, and spiritual health.
Jardins
livres
Dartmouth College : an architectural tour / by Scott Meacham ; with photographs by Joseph Mehling.
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249, [3] pages : illustrations (chiefly color), color maps ; 26 cm.
New York : Princeton Architectural Press, ©2008.
Dartmouth College : an architectural tour / by Scott Meacham ; with photographs by Joseph Mehling.
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249, [3] pages : illustrations (chiefly color), color maps ; 26 cm.
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New York : Princeton Architectural Press, ©2008.
$49.95
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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
Architecture du Canada
septembre 2007, Montreal Kingston
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Architecture du Canada
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What is our relationship with physical and emotional environments? How do we react to and live in the world around us? This book explores the dimensions of how geography affects the psyche, from the known to the unknown. In colorful, gorgeous pen-and-ink illustrations, the transformation of landscapes from immediate and personal to fantastical and nostalgic captures(...)
Claire Scully: The wilderness collection
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What is our relationship with physical and emotional environments? How do we react to and live in the world around us? This book explores the dimensions of how geography affects the psyche, from the known to the unknown. In colorful, gorgeous pen-and-ink illustrations, the transformation of landscapes from immediate and personal to fantastical and nostalgic captures the sense of place. Viewing each image creates your own personal experience of space. Starting with more immediate spaces and ending with faraway planets, this book is an emotional, creative journey.
Illustration
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they(...)
A manufactured wilderness: summer camps and the shaping of american youth
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.
Théorie de l’architecture
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and(...)
A manufactured wilderness: Summer camps and the shaping of American youth, 1890-1960
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children.
Théorie de l’architecture