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Alongside extensive project documentations that provide a great deal of inspiration and stimulate new ideas, theoretical contribu- tions of renowned specialist authors illumi- nate the topic in regard to planning basics, route guidance, steering of visitor fl ows, ori- entation in space, accessibility for the disa- bled and the important task of light planning.
juin 2013
In detail: designing circulation areas
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Alongside extensive project documentations that provide a great deal of inspiration and stimulate new ideas, theoretical contribu- tions of renowned specialist authors illumi- nate the topic in regard to planning basics, route guidance, steering of visitor fl ows, ori- entation in space, accessibility for the disa- bled and the important task of light planning.
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Founded by Fuensanta Nieto and Enrique Sobejano in Madrid in 1984, Nieto Sobejano Arquitectos has become known for its public buildings, museums, concert halls and convention centers, and for its spectacular treatment of roofs. This publication presents the firm's projects thematically, grouping them by "landscapes," "roofscapes," "memory and intervention," "combinatorial(...)
Architecture, monographies
janvier 2014
Nieto Sobejano : memory and invention
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Founded by Fuensanta Nieto and Enrique Sobejano in Madrid in 1984, Nieto Sobejano Arquitectos has become known for its public buildings, museums, concert halls and convention centers, and for its spectacular treatment of roofs. This publication presents the firm's projects thematically, grouping them by "landscapes," "roofscapes," "memory and intervention," "combinatorial spaces," "material" and "light."
Architecture, monographies
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Tomatsu’s photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest and counter-culture formed in response to the ongoing American military presence.
Chewing gum and chocolate, photographs by Shomei Tomatsu
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Tomatsu’s photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest and counter-culture formed in response to the ongoing American military presence.
Monographies photo
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
Photography vol. 4: the contemporary era 1981-2013
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
Photographie- collections
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive(...)
White shadows: Anneliese Hager and the camera-less photograph
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows." Hager’s photograms offer a more inclusive history of the medium, synthesizing the technique’s 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts—pursuits often coded feminine. In 1945, all Hager’s existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.
Monographies photo
My place
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Madoka Takagi’s first monograph, "My place", previously existed only as a self-published artists’ book. The Museum of Modern Art and The Getty Museum each acquired a set for their permanent collection. Traveling throughout the city with an 8 x 10-inch view camera and making elegant contact platinum prints, Takagi may not have found happiness but she did start a story: a(...)
My place
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Madoka Takagi’s first monograph, "My place", previously existed only as a self-published artists’ book. The Museum of Modern Art and The Getty Museum each acquired a set for their permanent collection. Traveling throughout the city with an 8 x 10-inch view camera and making elegant contact platinum prints, Takagi may not have found happiness but she did start a story: a tale etched in light and metal about finding a place and making it special. From the Municipal Building to the Cathedral Saint John the Divine, from Coney Island to Roosevelt Island, from East Houston Street to Frederick Douglas Boulevard, from the Brooklyn Navy Yard to the Bronx Zoo, Takagi finds a city transformed by a magical light into a place of stillness and beauty. This book is a facsimile of one of the original artists’ books, printed in a limited first edition of 1,000 copies.
Monographies photo
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
septembre 2008, Barcelona
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
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When Claude Monet settled in Giverny in 1883, he designed a flower garden full of impressive color compositions for observing light and time. The American artist Sarah Schorr understands Monet’s garden as a creative, living laboratory. Her images in this book were inspired by the movement of water in Monet’s garden – from the tiny teardrops of rain to the steady stream(...)
Sarah Schorr: Ephemeral field journal. Climate and love in Claude Monet's garden
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When Claude Monet settled in Giverny in 1883, he designed a flower garden full of impressive color compositions for observing light and time. The American artist Sarah Schorr understands Monet’s garden as a creative, living laboratory. Her images in this book were inspired by the movement of water in Monet’s garden – from the tiny teardrops of rain to the steady stream feeding the water lily pond. By collecting fallen, injured flowers in Monet’s historic green spaces, Schorr transforms them into striking works of art by bringing them to life with paint, light, paper, water, and photography: experimental still lifes. "Ephemeral Field Journal" is an evocative artist’s journal in which Schorr evokes the fragility of nature and illuminates the complex interplay of climate change, beauty, and loss. On the occasion of the 100th anniversary of Monet’s death, the project will be exhibited internationally in 2025 and 2026.
Monographies photo
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This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind(...)
Peter Bialobrzeski: paradise now
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This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind of “vernacular light” that makes the urban super-green alternate between the hyper-real and the surreal. The images in this publication celebrate this lush green as a sign of hope, but also pose the question of whether we can continue to take responsibility for this incandescence, considering the predicted climatic catastrophe. Never before have our cities been so bright—they will not be able to glow like this in the future. Taken between October 2007 and March 2008 in Hanoi, Jakarta, Singapore, Bangkok, and Kuala Lumpur,
Monographies photo
Pamela Burton: Landscapes
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For Burton, landscapes are symbolic creations—wild spaces in which the journey itself, a sequence of discrete experiences in space and time, is paramount. Her Bonhill Residence, overlooking Los Angeles's west side, was inspired by the elegant gardens of Sissinghurst Castle in Kent, England and is conceived as a series of outdoor "rooms." In her design for the Santa Monica(...)
Pamela Burton: Landscapes
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For Burton, landscapes are symbolic creations—wild spaces in which the journey itself, a sequence of discrete experiences in space and time, is paramount. Her Bonhill Residence, overlooking Los Angeles's west side, was inspired by the elegant gardens of Sissinghurst Castle in Kent, England and is conceived as a series of outdoor "rooms." In her design for the Santa Monica Public Library, Burton created a series of courtyards that weave the interior spaces together, and are integrated with the library as a metaphor for bringing light to the world beneath the surface of the ocean, in the same way that she perceives libraries bringing knowledge to light. Working with Moore, Ruble, Yudell Architects, Burton's landscape design reinforces the library's civic quality. This monograph presents nineteen of her built works for public and private clients, with sites ranging from beach to desert and from farm to city block.