7786 Résultats
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and(...)
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and(...)
Titre:
Topologies : The urban utopia in France, 1960-1970
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure. In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others.
Topologies : The urban utopia in France, 1960-1970
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure. In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others.
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livres
livres
Publication:
mai 2007, Massachusetts
mai 2007, Massachusetts
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$25.00
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This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
$25.00
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
Titre:
The Halifax Conference: October 5th and 6th, 1970
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This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
The Halifax Conference: October 5th and 6th, 1970
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Art canadien
Art canadien
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livres
livres
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$22.95
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Résumé:
Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias--phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and(...)
$22.95
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Résumé:
Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias--phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and(...)
Titre:
Topologies: the urban utopia in France, 1960-1970
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$22.95
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Résumé:
Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias--phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure. In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others. Even at its most fanciful, Busbea argues, the French urban utopia provided an image for social transformations that were only beginning to be described by cultural theorists and sociologists.
Topologies: the urban utopia in France, 1960-1970
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$22.95
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Résumé:
Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias--phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure. In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others. Even at its most fanciful, Busbea argues, the French urban utopia provided an image for social transformations that were only beginning to be described by cultural theorists and sociologists.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian(...)
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian(...)
Titre:
Autonomy: the cover designs of Anarchy 1961-1970
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world as it developed through those years. This book gives attention for the first time to the covers of Anarchy, designed mostly by Rufus Segar. These little-known works provided the enticing entry to the plain text pages of the journal. The book reproduces all of the covers in a sequence that suggests, incidentally, something of the history of graphic design in Britain in those years. And it goes beyond the images, with an array of supporting texts that give a full picture of Anarchy and its context.
Autonomy: the cover designs of Anarchy 1961-1970
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world as it developed through those years. This book gives attention for the first time to the covers of Anarchy, designed mostly by Rufus Segar. These little-known works provided the enticing entry to the plain text pages of the journal. The book reproduces all of the covers in a sequence that suggests, incidentally, something of the history of graphic design in Britain in those years. And it goes beyond the images, with an array of supporting texts that give a full picture of Anarchy and its context.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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$67.50
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112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and(...)
$67.50
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112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and(...)
Titre:
112 Greene Street: the early years, 1970-1974
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112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. This volume is the culmination of David Zwirner’s January 2011 exhibition of the same name, gathering a number of works exhibited at 112 Greene Street (by Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret and Richard Serra among others), alongside extensive interviews with many of the artists involved, a timeline of the early years at 112 Greene Street and installation views of the 2011 exhibition.
112 Greene Street: the early years, 1970-1974
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112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. This volume is the culmination of David Zwirner’s January 2011 exhibition of the same name, gathering a number of works exhibited at 112 Greene Street (by Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret and Richard Serra among others), alongside extensive interviews with many of the artists involved, a timeline of the early years at 112 Greene Street and installation views of the 2011 exhibition.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$63.50
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What is modern about Modern design? Most books end the discussion of Modernism in the mid-twentieth century; this one shows how it has been reborn and transformed in the last sixty years and today is being created in fresh, original, and technologically innovative forms that are iconic and quirky, innovative and nostalgic, technologically daring and warmly familiar.
$63.50
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What is modern about Modern design? Most books end the discussion of Modernism in the mid-twentieth century; this one shows how it has been reborn and transformed in the last sixty years and today is being created in fresh, original, and technologically innovative forms that are iconic and quirky, innovative and nostalgic, technologically daring and warmly familiar.
Titre:
Design after modernism: furniture and interiors 1970-2010
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$63.50
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What is modern about Modern design? Most books end the discussion of Modernism in the mid-twentieth century; this one shows how it has been reborn and transformed in the last sixty years and today is being created in fresh, original, and technologically innovative forms that are iconic and quirky, innovative and nostalgic, technologically daring and warmly familiar.
Design after modernism: furniture and interiors 1970-2010
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$63.50
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What is modern about Modern design? Most books end the discussion of Modernism in the mid-twentieth century; this one shows how it has been reborn and transformed in the last sixty years and today is being created in fresh, original, and technologically innovative forms that are iconic and quirky, innovative and nostalgic, technologically daring and warmly familiar.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Design industriel
Design industriel
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livres
livres
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$83.99
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Dinner at Australia Square’s revolving Summit restaurant, sipping cocktails at the Kings Cross Chevron-Hilton, hanging out at a Skyline drive-in: mid-20th-century Sydneysiders embraced leisure like never before. Leisure Space celebrates the architecture and interior design that transformed the city’s hotels, motels, restaurants, bars, shopping centers, drive-ins, and(...)
$83.99
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Dinner at Australia Square’s revolving Summit restaurant, sipping cocktails at the Kings Cross Chevron-Hilton, hanging out at a Skyline drive-in: mid-20th-century Sydneysiders embraced leisure like never before. Leisure Space celebrates the architecture and interior design that transformed the city’s hotels, motels, restaurants, bars, shopping centers, drive-ins, and(...)
Titre:
Leisure space: the transformation of Sydney 1945-1970
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$83.99
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Dinner at Australia Square’s revolving Summit restaurant, sipping cocktails at the Kings Cross Chevron-Hilton, hanging out at a Skyline drive-in: mid-20th-century Sydneysiders embraced leisure like never before. Leisure Space celebrates the architecture and interior design that transformed the city’s hotels, motels, restaurants, bars, shopping centers, drive-ins, and tourism offices, including landmark buildings such as Qantas House and the Wentworth Hotel.
Leisure space: the transformation of Sydney 1945-1970
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$83.99
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Dinner at Australia Square’s revolving Summit restaurant, sipping cocktails at the Kings Cross Chevron-Hilton, hanging out at a Skyline drive-in: mid-20th-century Sydneysiders embraced leisure like never before. Leisure Space celebrates the architecture and interior design that transformed the city’s hotels, motels, restaurants, bars, shopping centers, drive-ins, and tourism offices, including landmark buildings such as Qantas House and the Wentworth Hotel.
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livres
livres
Publication:
avril 2015
avril 2015
Classification:
audio
audio
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Description:
audio recording (master): 1 audiocassette (DAT) (approximately 30 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape
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audio recording (master): 1 audiocassette (DAT) (approximately 30 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape
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[Montréal?] : Canadian Centre for Architecture, 1991.
[Montréal?] : Canadian Centre for Architecture, 1991.
Titre:
Melvin Charney in conversation Phyllis Lambert.
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Description:
audio recording (master): 1 audiocassette (DAT) (approximately 30 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape
Melvin Charney in conversation Phyllis Lambert.
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Description:
audio recording (master): 1 audiocassette (DAT) (approximately 30 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape
Classification:
audio
audio
Publication:
[Montréal?] : Canadian Centre for Architecture, 1991.
[Montréal?] : Canadian Centre for Architecture, 1991.
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livres
livres
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Description:
viii, 137 pages : illustrations ; 28 cm.
Description:
viii, 137 pages : illustrations ; 28 cm.
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Ottawa : Direction des lieux et des parcs historiques nationaux, Ministère des Affaires indiennes et du Nord, 1976.
Ottawa : Direction des lieux et des parcs historiques nationaux, Ministère des Affaires indiennes et du Nord, 1976.
Titre:
Parc de l'Artillerie, zone civile : fouilles d'une partie du stationnement de la rue McMahon, été 1975 / par Michel Lafrenière.
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viii, 137 pages : illustrations ; 28 cm.
Parc de l'Artillerie, zone civile : fouilles d'une partie du stationnement de la rue McMahon, été 1975 / par Michel Lafrenière.
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viii, 137 pages : illustrations ; 28 cm.
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livres
livres
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Ottawa : Direction des lieux et des parcs historiques nationaux, Ministère des Affaires indiennes et du Nord, 1976.
Ottawa : Direction des lieux et des parcs historiques nationaux, Ministère des Affaires indiennes et du Nord, 1976.
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livres
livres
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Description:
135 pages (1 folded) : illustrations, maps ; 28 cm
Description:
135 pages (1 folded) : illustrations, maps ; 28 cm
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[Montréal] : INRS-Urbanisation, 1997.
[Montréal] : INRS-Urbanisation, 1997.
Titre:
Projet de réaménagement du port de Montréal, secteur sud-ouest : dossier final / équipe, Nathalie Gagnon [and others].
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Description:
135 pages (1 folded) : illustrations, maps ; 28 cm
Projet de réaménagement du port de Montréal, secteur sud-ouest : dossier final / équipe, Nathalie Gagnon [and others].
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Description:
135 pages (1 folded) : illustrations, maps ; 28 cm
Classification:
livres
livres
Publication:
[Montréal] : INRS-Urbanisation, 1997.
[Montréal] : INRS-Urbanisation, 1997.
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