From Lascaux to Brooklyn
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos,(...)
From Lascaux to Brooklyn
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$64.95
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Hailed upon its publication as “discriminating, erudite, and eclectic,” From Lascaux to Brooklyn is now available to readers once again. First published in 1996, the year of Paul Rand’s death, the volume embarks on a wonderful journey from the time before graphic design to the author’s own studio work and beyond. An excellent companion to Rand’s Design, Form, and Chaos, this book awakens readers to the lessons of the cave paintings of Lascaux and demonstrates how this learning is later conveyed in artworks ranging from the Tower of Pisa to a Cézanne painting, an African sculpture, or a park in Brooklyn. Topics discussed include the relationship between art and business, the presentation of design concepts to prospective clients, the debate over typographic style, and the aesthetics of combinatorial geometry. This book engages and enlightens anyone interested in the practice or theory of graphic design.
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In Unlocking the Church, William Whyte explores a forgotten revolution in social and architectural history and in the history of the Church. He details the architectural and theological debates of the day, explaining how the Tractarians of Oxford and the Ecclesiologists of Cambridge were embroiled in the aesthetics of architecture, and how the Victorians profoundly(...)
Unlocking the church: the lost secrets of Victorian sacred space
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In Unlocking the Church, William Whyte explores a forgotten revolution in social and architectural history and in the history of the Church. He details the architectural and theological debates of the day, explaining how the Tractarians of Oxford and the Ecclesiologists of Cambridge were embroiled in the aesthetics of architecture, and how the Victorians profoundly changed the ways in which buildings were understood and experienced. No longer mere receptacles for worship, churches became active agents in their own rights, capable of conveying theological ideas and designed to shape people's emotions. These church buildings are now a challenge: their maintenance, repair or repurposing are pressing problems for parishes in age of declining attendance and dwindling funds. By understanding their past, unlocking the secrets of their space, there might be answers in how to deal with the legacy of the Victorians now and into the future.
Théorie de l’architecture
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Vernon Lee-a pseudonym of Violet Paget (1856-1935)-is the most important female aesthetician to come out of 19th-century England. Though she was widely known for her supernatural fictions, Lee never gained the recognition she so clearly deserved for her contributions in the fields of aesthetics, philosophy of empathy and art criticism. An early follower of Walter Pater,(...)
The psychology of an art writer
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Vernon Lee-a pseudonym of Violet Paget (1856-1935)-is the most important female aesthetician to come out of 19th-century England. Though she was widely known for her supernatural fictions, Lee never gained the recognition she so clearly deserved for her contributions in the fields of aesthetics, philosophy of empathy and art criticism. An early follower of Walter Pater, she wrote with an extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely understudied and rarely read, her aesthetic writings long out of print. Now, David Zwirner Books reintroduces her writing through the first-ever English publication of The Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery Diaries (1901-4), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see.
Théorie de l’art
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Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions(...)
Universal design: solution for a barrier-free living
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Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions for the few, but about making life comfortable for all: clear menus, spacious rooms and sizeable objects that are easy to use. Oliver Herwig’s book provides design-related and socially conscious answers for designers and architects, for decision-makers and companies, for everyone interested in addressing the needs of this discerning target group on a long-term basis. It examines the personal situation of an ever-aging generation from head to toe and introduces design strategies, product innovations, and architectural solutions for a barrier-free world, which would benefit everyone.
Design industriel
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence(...)
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence local design approaches. Jonathan Bell and Ellie Stathaki have selected urban structures from around the world to serve as both exemplary solutions and standout works of art—in Beijing and Mexico City, Athens and Tokyo, Los Angeles and Cape Town. By examining buildings on six continents, from both emerging architects and established studios such as Zaha Hadid Architects, MVRDV, and Johnston Marklee, this stunning volume explores the many ways in which architecture can enhance the experience of dwelling in a modern city by responding to traditional styles and challenges of site and providing a broader understanding of place.
Architecture résidentielle
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
Flaka Haliti: speculating on the blue
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Théorie de l’art
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
Participation in art and architecture: spaces of interaction and occupation
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does ‘participatory’ art and architecture shape social reality, or is it shaped by it?Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.
Théorie de l’architecture
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188, 1 unnumbered pages : illustrations (some color), portraits (some color) ; 29 cm
New York : H.N. Abrams, [1976], ©1975
Pioneers of photography : an album of pictures and words / written and compiled by Aaron Scharf ; by arrangement with the British Broadcasting Corporation.
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188, 1 unnumbered pages : illustrations (some color), portraits (some color) ; 29 cm
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New York : H.N. Abrams, [1976], ©1975
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207 pages : color illustrations ; 27 cm
Berlin : Gestalten, 2020.
Dreamscapes & artificial architecture : imagined interior design in digital art / edited by Robert Klanten and Elli Stuhler ; preface by Rosie Flanagan ; texts by Alison Hugill.
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207 pages : color illustrations ; 27 cm
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Berlin : Gestalten, 2020.
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135 pages : illustrations (some color) ; 24 cm
New York : Art in General ; Milan : Mousse, ©2010.
Liquid door / Isola and Norzi.
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135 pages : illustrations (some color) ; 24 cm
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New York : Art in General ; Milan : Mousse, ©2010.