4003 Résultats
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livres
livres
Titre:
Exhibiting the moving image
Exhibiting the moving image
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$39.95
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
$39.95
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Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
mars 2016
mars 2016
Titre:
Exhibiting the moving image
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$39.95
(disponible sur commande)
Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
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$39.95
(disponible sur commande)
Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
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$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
Publication:
août 2016
août 2016
Titre:
Gordon Matta-Clark: Experience becomes the object
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$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Gordon Matta-Clark: Experience becomes the object
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$60.00
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Résumé:
Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
Prix:
$37.95
(disponible sur commande)
Résumé:
In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
$37.95
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Résumé:
In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
Titre:
Beyond the world's end: arts of living at the crossing
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$37.95
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Beyond the world's end: arts of living at the crossing
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$37.95
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Résumé:
In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
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livres
livres
Publication:
septembre 2020
septembre 2020
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livres
livres
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$9.98
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John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he(...)
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John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he(...)
Titre:
John Soane : an accidental romantic
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$9.98
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John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he filled with treasures and left in trust to the nation. By 1800 he was rich and successful, designing both private houses for powerful clients and public works. Consummate at securing patronage, he was the personal architect to two prime ministers. He was architect to the Bank of England, to Chelsea Hospital, and to the United Grand Lodge of Freemasons. He designed the Dulwich Art Gallery, the first purpose-built art gallery in Britain. Possessed throughout his life by a dream to rebuild the Houses of Parliament, he developed many visionary schemes. Late in life, he built the new Law Courts at Westminster and many of the premises for the growing departments of state.
John Soane : an accidental romantic
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$9.98
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Résumé:
John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he filled with treasures and left in trust to the nation. By 1800 he was rich and successful, designing both private houses for powerful clients and public works. Consummate at securing patronage, he was the personal architect to two prime ministers. He was architect to the Bank of England, to Chelsea Hospital, and to the United Grand Lodge of Freemasons. He designed the Dulwich Art Gallery, the first purpose-built art gallery in Britain. Possessed throughout his life by a dream to rebuild the Houses of Parliament, he developed many visionary schemes. Late in life, he built the new Law Courts at Westminster and many of the premises for the growing departments of state.
Classification:
livres
livres
Publication:
août 2000, New Haven
août 2000, New Haven
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$29.95
(disponible sur commande)
Résumé:
John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he(...)
$29.95
(disponible sur commande)
Résumé:
John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he(...)
Titre:
John Soane : an accidental romantic
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Prix:
$29.95
(disponible sur commande)
Résumé:
John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he filled with treasures and left in trust to the nation. By 1800 he was rich and successful, designing both private houses for powerful clients and public works. Consummate at securing patronage, he was the personal architect to two prime ministers. He was architect to the Bank of England, to Chelsea Hospital, and to the United Grand Lodge of Freemasons. He designed the Dulwich Art Gallery, the first purpose-built art gallery in Britain. Possessed throughout his life by a dream to rebuild the Houses of Parliament, he developed many visionary schemes. Late in life, he built the new Law Courts at Westminster and many of the premises for the growing departments of state.
John Soane : an accidental romantic
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Prix:
$29.95
(disponible sur commande)
Résumé:
John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he filled with treasures and left in trust to the nation. By 1800 he was rich and successful, designing both private houses for powerful clients and public works. Consummate at securing patronage, he was the personal architect to two prime ministers. He was architect to the Bank of England, to Chelsea Hospital, and to the United Grand Lodge of Freemasons. He designed the Dulwich Art Gallery, the first purpose-built art gallery in Britain. Possessed throughout his life by a dream to rebuild the Houses of Parliament, he developed many visionary schemes. Late in life, he built the new Law Courts at Westminster and many of the premises for the growing departments of state.
Classification:
livres
livres
Publication:
octobre 1999, New Haven
octobre 1999, New Haven
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$49.95
(disponible en magasin)
Résumé:
In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little(...)
$49.95
(disponible en magasin)
Résumé:
In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little(...)
Titre:
Building Little Saigon: Refugee urbanism in American cities and suburbs
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$49.95
(disponible en magasin)
Résumé:
In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events. "Building Little Saigon" examines nearly fifty years of city building by Vietnamese Americans-who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings-who made them and what they mean for those who know them-"Building Little Saigon" shows us the complexities of migration unfolding across lifetimes and generations.
Building Little Saigon: Refugee urbanism in American cities and suburbs
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$49.95
(disponible en magasin)
Résumé:
In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events. "Building Little Saigon" examines nearly fifty years of city building by Vietnamese Americans-who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings-who made them and what they mean for those who know them-"Building Little Saigon" shows us the complexities of migration unfolding across lifetimes and generations.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
OMA@work.a+u : 1972-2000
OMA@work.a+u : 1972-2000
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$104.95
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Works in the Special Issue of a+u include: Patio Villa 1989; Villa DallÕAva 1991; Nexus World Housing 1991; Renovation of Hotel Furka Blick 1991; Kunsthal 1992; (...)
$104.95
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Works in the Special Issue of a+u include: Patio Villa 1989; Villa DallÕAva 1991; Nexus World Housing 1991; Renovation of Hotel Furka Blick 1991; Kunsthal 1992; (...)
Titre:
OMA@work.a+u : 1972-2000
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$104.95
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Résumé:
Works in the Special Issue of a+u include: Patio Villa 1989; Villa DallÕAva 1991; Nexus World Housing 1991; Renovation of Hotel Furka Blick 1991; Kunsthal 1992; Dutch House 1993; Euralille 1994; Congrexpo (Lille Grand Palais) 1994; Educatorium 1997; Maison à Bordeaux 1998; Second Stage Theater 1999. Recent Projects include: SchipholS (Schiphol Amsterdam Airport); Y2K (Private Residence Rotterdam); Casa Da Musica; Seattle Public Library; MAB-Tower; Chassé Campus Breda; Almere Urban Redevelopment / Block 6. Projects for international competitions include: Parc de la Villette 1982; TGB (Very Big Library) 1989; ZKM (Center for Art and Media Technology) 1989; Extension of the MoMA 1997. Texts by Rem Koolhaas in this issue include: "Junkspace"; "Transformations"; "Bigness & Velocity".
OMA@work.a+u : 1972-2000
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$104.95
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Résumé:
Works in the Special Issue of a+u include: Patio Villa 1989; Villa DallÕAva 1991; Nexus World Housing 1991; Renovation of Hotel Furka Blick 1991; Kunsthal 1992; Dutch House 1993; Euralille 1994; Congrexpo (Lille Grand Palais) 1994; Educatorium 1997; Maison à Bordeaux 1998; Second Stage Theater 1999. Recent Projects include: SchipholS (Schiphol Amsterdam Airport); Y2K (Private Residence Rotterdam); Casa Da Musica; Seattle Public Library; MAB-Tower; Chassé Campus Breda; Almere Urban Redevelopment / Block 6. Projects for international competitions include: Parc de la Villette 1982; TGB (Very Big Library) 1989; ZKM (Center for Art and Media Technology) 1989; Extension of the MoMA 1997. Texts by Rem Koolhaas in this issue include: "Junkspace"; "Transformations"; "Bigness & Velocity".
Classification:
livres
livres
Publication:
juin 2000, Tokyo
juin 2000, Tokyo
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$33.00
(disponible sur commande)
Résumé:
The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan(...)
$33.00
(disponible sur commande)
Résumé:
The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan(...)
Titre:
10 architectural walks in Manhattan
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$33.00
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Résumé:
The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan from downtown skyscrapers to Harlem by way of Madison Square, Art Deco Midtown, Grand Central Terminal, Columbus Circle, Central Park, and more.
10 architectural walks in Manhattan
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$33.00
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Résumé:
The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan from downtown skyscrapers to Harlem by way of Madison Square, Art Deco Midtown, Grand Central Terminal, Columbus Circle, Central Park, and more.
Classification:
livres
livres
Publication:
juin 2009
juin 2009
Sujet:
Guides des villes
Guides des villes
Classification:
livres
livres
Prix:
$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
Titre:
What do pictures want? : the lives and loves of images
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$43.95
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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
What do pictures want? : the lives and loves of images
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Prix:
$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
Classification:
livres
livres
Publication:
juin 2005, Chicago
juin 2005, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$49.00
(disponible sur commande)
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This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and(...)
$49.00
(disponible sur commande)
Résumé:
This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and(...)
Publication:
mars 2016
mars 2016
Titre:
Big! Bad? Modern: four megabuildings in Vienna
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Prix:
$49.00
(disponible sur commande)
Résumé:
This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and current use and to interpret the aesthetic, history, and public acceptance of four selected buildings from today's perspective. Eventually, the students created designs and proposals for moderate to radical changes for these structures. The surprising results of this undertaking offer a very differentiated picture of Vienna's General Hospital (AKH), the Austrian Broadcasting Corporation's studio complex (ORF-Zentrum), the Vienna University of Economics (WU), and the Alterlaa housing estate. Big! Bad? Modern: reflects this diversity: Arranged by keywords derived from the featured projects, it provides easy access to the rich and comprehensive collection of materials and manifold positions, and opens up new perspectives. Essays by renowned authors such as Hermann Czech, Francoise Fromont, Harry Gluck, Sabine Kraft and Michael Zinganel and a preface by Nasrine Seraji round out the book.
Big! Bad? Modern: four megabuildings in Vienna
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Prix:
$49.00
(disponible sur commande)
Résumé:
This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and current use and to interpret the aesthetic, history, and public acceptance of four selected buildings from today's perspective. Eventually, the students created designs and proposals for moderate to radical changes for these structures. The surprising results of this undertaking offer a very differentiated picture of Vienna's General Hospital (AKH), the Austrian Broadcasting Corporation's studio complex (ORF-Zentrum), the Vienna University of Economics (WU), and the Alterlaa housing estate. Big! Bad? Modern: reflects this diversity: Arranged by keywords derived from the featured projects, it provides easy access to the rich and comprehensive collection of materials and manifold positions, and opens up new perspectives. Essays by renowned authors such as Hermann Czech, Francoise Fromont, Harry Gluck, Sabine Kraft and Michael Zinganel and a preface by Nasrine Seraji round out the book.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
