4935 Résultats
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203 pages : color illustrations ; 25 x 28 cm
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203 pages : color illustrations ; 25 x 28 cm
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Paris : Hatier, ©1989.
Paris : Hatier, ©1989.
Titre:
Le grand Louvre : du donjon à la pyramide / texte, Catherine Chaine et Jean-Pierre Verdet ; photos, Marc Riboud ; préface de François Mitterrand ; avant-propos de I.M. Pei.
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203 pages : color illustrations ; 25 x 28 cm
Le grand Louvre : du donjon à la pyramide / texte, Catherine Chaine et Jean-Pierre Verdet ; photos, Marc Riboud ; préface de François Mitterrand ; avant-propos de I.M. Pei.
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203 pages : color illustrations ; 25 x 28 cm
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livres
livres
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Paris : Hatier, ©1989.
Paris : Hatier, ©1989.
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livres
livres
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Mémoires sur le Louvre.
Mémoires sur le Louvre.
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31 pages 19 cm
Description:
31 pages 19 cm
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[Paris] [publisher not identified] 1751.
[Paris] [publisher not identified] 1751.
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livres
livres
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[Paris] [publisher not identified] 1751.
[Paris] [publisher not identified] 1751.
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$27.95
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Résumé:
Le musée occidental est un champ de bataille - idéologique, politique et économique. Si à peu près tout le monde veut aujourd'hui « repenser le musée », peu ont pourtant l'audace d'interroger les présupposés mêmes du musée universel, produit des Lumières et du colonialisme, d'une Europe qui se présente comme la gardienne du patrimoine de l'humanité tout entière. En(...)
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Le musée occidental est un champ de bataille - idéologique, politique et économique. Si à peu près tout le monde veut aujourd'hui « repenser le musée », peu ont pourtant l'audace d'interroger les présupposés mêmes du musée universel, produit des Lumières et du colonialisme, d'une Europe qui se présente comme la gardienne du patrimoine de l'humanité tout entière. En(...)
Titre:
Programme de désordre absolu : décoloniser le musée
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Le musée occidental est un champ de bataille - idéologique, politique et économique. Si à peu près tout le monde veut aujourd'hui « repenser le musée », peu ont pourtant l'audace d'interroger les présupposés mêmes du musée universel, produit des Lumières et du colonialisme, d'une Europe qui se présente comme la gardienne du patrimoine de l'humanité tout entière. En arpentant l'histoire du Louvre, en discutant les impasses de la représentation de l'esclavage, en examinant des tentatives inabouties de subvertir l'institution muséale, Françoise Vergès esquisse un horizon radical : décoloniser le musée, c'est mettre en oeuvre un « programme de désordre absolu », inventer d'autres manières d'appréhender le monde humain et non humain qui nourrissent la créativité collective et rendent justice et dignité aux populations qui en ont été dépossédées.
Programme de désordre absolu : décoloniser le musée
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$27.95
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Le musée occidental est un champ de bataille - idéologique, politique et économique. Si à peu près tout le monde veut aujourd'hui « repenser le musée », peu ont pourtant l'audace d'interroger les présupposés mêmes du musée universel, produit des Lumières et du colonialisme, d'une Europe qui se présente comme la gardienne du patrimoine de l'humanité tout entière. En arpentant l'histoire du Louvre, en discutant les impasses de la représentation de l'esclavage, en examinant des tentatives inabouties de subvertir l'institution muséale, Françoise Vergès esquisse un horizon radical : décoloniser le musée, c'est mettre en oeuvre un « programme de désordre absolu », inventer d'autres manières d'appréhender le monde humain et non humain qui nourrissent la créativité collective et rendent justice et dignité aux populations qui en ont été dépossédées.
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livres
livres
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août 2025
août 2025
Sujet:
Muséologie
Muséologie
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livres
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77 pages : color illustrations ; 26 cm
Description:
77 pages : color illustrations ; 26 cm
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Québec, Québec : Musée national des beaux-arts du Québec, [2016], ©2016
Québec, Québec : Musée national des beaux-arts du Québec, [2016], ©2016
Titre:
Patrick Coutu : prix de la Fondation Monique et Robert Parizeau, 2014-2016 / [édition et coordination, Catherine Morency ; rédaction des textes, Aseman Sabet].
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77 pages : color illustrations ; 26 cm
Patrick Coutu : prix de la Fondation Monique et Robert Parizeau, 2014-2016 / [édition et coordination, Catherine Morency ; rédaction des textes, Aseman Sabet].
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77 pages : color illustrations ; 26 cm
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Québec, Québec : Musée national des beaux-arts du Québec, [2016], ©2016
Québec, Québec : Musée national des beaux-arts du Québec, [2016], ©2016
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Description:
107 pages : illustrations ; 25 cm
Description:
107 pages : illustrations ; 25 cm
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Berlin : Kunstbibliothek, Staatliche Museen zu Berlin, Preussischer Kulturbesitz ; Ostfildern-Ruit : Cantz Verlag, ©1996.
Berlin : Kunstbibliothek, Staatliche Museen zu Berlin, Preussischer Kulturbesitz ; Ostfildern-Ruit : Cantz Verlag, ©1996.
Titre:
Dieter Appelt / mit Beiträgen von Christine Kühn und Wieland Schmied ; sowie Texten von Dieter Appelt.
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107 pages : illustrations ; 25 cm
Dieter Appelt / mit Beiträgen von Christine Kühn und Wieland Schmied ; sowie Texten von Dieter Appelt.
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107 pages : illustrations ; 25 cm
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livres
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Berlin : Kunstbibliothek, Staatliche Museen zu Berlin, Preussischer Kulturbesitz ; Ostfildern-Ruit : Cantz Verlag, ©1996.
Berlin : Kunstbibliothek, Staatliche Museen zu Berlin, Preussischer Kulturbesitz ; Ostfildern-Ruit : Cantz Verlag, ©1996.
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ix, 230 pages : color illustrations ; 24 cm
Description:
ix, 230 pages : color illustrations ; 24 cm
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Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press ; [Montreal] : Musée d'art contemporain de Montréal, [2020]
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press ; [Montreal] : Musée d'art contemporain de Montréal, [2020]
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À la recherche d'Expo 67 / sous la direction de Monika Kin Gagnon et de Lesley Johnstone.
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ix, 230 pages : color illustrations ; 24 cm
À la recherche d'Expo 67 / sous la direction de Monika Kin Gagnon et de Lesley Johnstone.
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ix, 230 pages : color illustrations ; 24 cm
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livres
livres
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Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press ; [Montreal] : Musée d'art contemporain de Montréal, [2020]
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press ; [Montreal] : Musée d'art contemporain de Montréal, [2020]
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Jewish Museum Munich
Jewish Museum Munich
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$18.95
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Résumé:
The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
$18.95
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The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
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janvier 1900, Munich, Berlin, London, New York
janvier 1900, Munich, Berlin, London, New York
Titre:
Jewish Museum Munich
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$18.95
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The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
Jewish Museum Munich
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$18.95
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The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
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livres
livres
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janvier 1900, Munich, Berlin, London, New York
janvier 1900, Munich, Berlin, London, New York
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livres
livres
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$28.95
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The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
$28.95
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Résumé:
The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
Publication:
décembre 2007, London, New York
décembre 2007, London, New York
Titre:
Architecture 07: the guide to the Riba Awards
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$28.95
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The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud. This guide describes and illustrates all eighty-four RIBA, RIBA National, RIBA European and RIBA International Award-winning schemes, including the winners of the international Lubetkin Prize and a series of further prizes for conservation, client of the year, inclusive design, sustainability, houses, schools and small projects.
Architecture 07: the guide to the Riba Awards
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$28.95
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The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud. This guide describes and illustrates all eighty-four RIBA, RIBA National, RIBA European and RIBA International Award-winning schemes, including the winners of the international Lubetkin Prize and a series of further prizes for conservation, client of the year, inclusive design, sustainability, houses, schools and small projects.
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livres
livres
Publication:
décembre 2007, London, New York
décembre 2007, London, New York
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livres
livres
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$27.50
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Résumé:
The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative(...)
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative(...)
Titre:
So-called utopia of the Centre Beaubourg: an interpretation
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative Centre Beaubourg underneath the existing Parisian cultural centre.
So-called utopia of the Centre Beaubourg: an interpretation
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative Centre Beaubourg underneath the existing Parisian cultural centre.
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livres
livres
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septembre 2006, London
septembre 2006, London
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livres
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$45.00
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
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Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
Titre:
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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$45.00
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Résumé:
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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$45.00
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
Classification:
livres
livres
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
