Angela Glajcar
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This collection of Angela Glajcar's installations includes more than 1,000 objects, reliefs, and room installations. The artist works mostly with fragile materials: torn strips of paper, delicate glass fabrics, and plastic. Applied in layers and curved, they acquire a three-dimensional presence and are transformed by light. The result is a remarkable documentation of a(...)
Angela Glajcar
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$70.00
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This collection of Angela Glajcar's installations includes more than 1,000 objects, reliefs, and room installations. The artist works mostly with fragile materials: torn strips of paper, delicate glass fabrics, and plastic. Applied in layers and curved, they acquire a three-dimensional presence and are transformed by light. The result is a remarkable documentation of a creative oeuvre that is as fascinating as it is unique.
Gert Boon
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This monograph sheds light on the little-known work of the idiosyncratic Dutch architect Gert Boon (1921 – 2009), who throughout his career sought coherence through geometry. Boon, who belonged to the same Forum generation as Aldo van Eyck, Herman Hertzberger and Piet Blom, had quite definite views on architecture, but he rarely gave voice to them other than in his(...)
Gert Boon
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This monograph sheds light on the little-known work of the idiosyncratic Dutch architect Gert Boon (1921 – 2009), who throughout his career sought coherence through geometry. Boon, who belonged to the same Forum generation as Aldo van Eyck, Herman Hertzberger and Piet Blom, had quite definite views on architecture, but he rarely gave voice to them other than in his designs and his buildings.
Architecture, monographies
Weeds of North America
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“What is a weed,” opined Emerson, “but a plant whose virtues have not yet been discovered?” While that may be a worthy notion in theory, these plants of undiscovered virtue cause endless hours of toil for backyard gardeners. Wherever they take root, weeds compete for resources, and most often win. Richard Dickinson and France Royer shed light on this complex world with(...)
Weeds of North America
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“What is a weed,” opined Emerson, “but a plant whose virtues have not yet been discovered?” While that may be a worthy notion in theory, these plants of undiscovered virtue cause endless hours of toil for backyard gardeners. Wherever they take root, weeds compete for resources, and most often win. Richard Dickinson and France Royer shed light on this complex world with Weeds of North America.
Jardins
What art is?
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Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto considers the contributions of philosophers including Descartes, Kant and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol(...)
What art is?
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Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto considers the contributions of philosophers including Descartes, Kant and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol in this far-reaching examination of the interconnectivity and universality of aesthetic production.
Théorie de l’art
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Over more than 30 years, Karl Blossfeldt took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the(...)
Karl Blossfeldt: the complete published work
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Over more than 30 years, Karl Blossfeldt took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves.
Monographies photo
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by(...)
When the lights went out, a history of blackouts in America
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by cooperation, the second by looting and disorder); the growth in consumer demand that led to rolling blackouts made worse by energy traders' market manipulations; blackouts caused by terrorist attacks and sabotage; and, finally, the "greenout" (exemplified by the new tradition of "Earth Hour"), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
Théorie de l’urbanisme
Experiment cyclebowl
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A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
juin 2002, Ludwigsburg
Experiment cyclebowl
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$66.00
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A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
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First published in 2017 as Revisiting Postmodernism, this refreshed edition of a seminal text reflects on a design movement that changed our world. Postmodernism invites readers to explore the style in a new light, as the cultural phenomenon that it is, one which thrives on complexity and pluralism. Exploring its expression not only in architecture, but in design, urban(...)
Postmodernism: Architecture that changed our world
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First published in 2017 as Revisiting Postmodernism, this refreshed edition of a seminal text reflects on a design movement that changed our world. Postmodernism invites readers to explore the style in a new light, as the cultural phenomenon that it is, one which thrives on complexity and pluralism. Exploring its expression not only in architecture, but in design, urban planning and placemaking, Postmodernism reflects on the history of the movement and its continuing influence on design practice today. Sir Terry Farrell and Adam Nathaniel Furman present two separate but complementary perspectives of this rich period of architectural history; one account as lived experience from a protagonist and pioneer in the field of postmodern architecture, and the other analysing the movement afresh, through the lens of the 21st century. Shedding new light onto the forces and influences of the time, and offering insight into how these were transforming approaches to architecture both in the UK and internationally, this important book presents a new appreciation of this period of architectural history.
Post-modernisme
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up(...)
septembre 2006, Stuttgart
Luminous buildings : architecture of the night
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up their ever-taller works in all the major cities of the world. Both European and American architects wanted to distance their buildings from the garish electric signage that had come to dominate the street-level cityscape, so they worked with more delicately colored floodlights. Contemporary architects use many of the same techniques today, aided by technological advances that allow them to be implemented in particularly dramatic ways. "Luminous Buildings: Architecture of the NIght" opens a dialogue on the often overlooked but exciting connections between architecture, technology and light, offering points of reference in historical buildings and utopias, more recent designs, paintings and photographs of nighttime facades, and scholarly texts.
livres
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Presenting entirely new ways of seeing, interpreting and designing a ‘landscape’, "Radical Landscapes" is organized into seven significant issues and techniques: light and colour, movement, order and objects, interaction, new contexts, urban interventions and narrative. Each chapter is illustrated with works by such internationally known designers and architects as Janis(...)
Radical Landscapes: Reinventing Outdoor Space
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Presenting entirely new ways of seeing, interpreting and designing a ‘landscape’, "Radical Landscapes" is organized into seven significant issues and techniques: light and colour, movement, order and objects, interaction, new contexts, urban interventions and narrative. Each chapter is illustrated with works by such internationally known designers and architects as Janis Hall, Fernando Caruncho, Adriaan Geuze, Reiser + Umemoto, Peter Walker, and Makoto Sei Watanabe. With an introduction by Kathryn Gustafson.
livres
novembre 2001, London
Jardins