4079 Résultats
Classification:
livres
livres
Titre:
Lucifer rising
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
$14.00
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
Titre:
Lucifer rising
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$14.00
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Lucifer rising
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$14.00
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
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livres
livres
Publication:
janvier 2008, Zürich
janvier 2008, Zürich
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livres
livres
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$69.95
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This is the first book to examine the space and idea of the camp as a defining dimension of 21st-century life, and to consider why camps are now at the center of emerging questions of identity, residency, safety, and mobility. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor(...)
$69.95
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This is the first book to examine the space and idea of the camp as a defining dimension of 21st-century life, and to consider why camps are now at the center of emerging questions of identity, residency, safety, and mobility. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor(...)
Titre:
Camps: a guide to 21st-century space
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$69.95
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This is the first book to examine the space and idea of the camp as a defining dimension of 21st-century life, and to consider why camps are now at the center of emerging questions of identity, residency, safety, and mobility. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor permanent: camps of choice, including summer camps, protest camps, drift camps (research stations on Arctic ice floes), and LTVA (Long-Term Visitor Area) camps; strategic camps regulated by power - boot camps, GTMO, immigrant camps, and others. Including more than 150 diagrams, sketches, building and site plans, photographs, video game screenshots, aerial and satellite images, and maps.
Camps: a guide to 21st-century space
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$69.95
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This is the first book to examine the space and idea of the camp as a defining dimension of 21st-century life, and to consider why camps are now at the center of emerging questions of identity, residency, safety, and mobility. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor permanent: camps of choice, including summer camps, protest camps, drift camps (research stations on Arctic ice floes), and LTVA (Long-Term Visitor Area) camps; strategic camps regulated by power - boot camps, GTMO, immigrant camps, and others. Including more than 150 diagrams, sketches, building and site plans, photographs, video game screenshots, aerial and satellite images, and maps.
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livres
livres
Publication:
avril 2009
avril 2009
Sujet:
Maisons mobiles
Maisons mobiles
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livres
livres
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$18.95
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada,(...)
$18.95
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada,(...)
Publication:
février 2012
février 2012
Titre:
Foreclosed : between crisis and possibility
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada, Tania Bruguera, Claude Closky, Harun Farocki, Allan Sekula, and David Shrigley) investigate the expanded meaning of foreclosure by reexamining the systems that have produced crises, instead of focusing on the aftermath. Four essays from a team of international curators discuss foreclosure as both a generative concept and a curatorial strategy, allowing the text itself to become a platform for critique.
Foreclosed : between crisis and possibility
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$18.95
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada, Tania Bruguera, Claude Closky, Harun Farocki, Allan Sekula, and David Shrigley) investigate the expanded meaning of foreclosure by reexamining the systems that have produced crises, instead of focusing on the aftermath. Four essays from a team of international curators discuss foreclosure as both a generative concept and a curatorial strategy, allowing the text itself to become a platform for critique.
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livres
livres
Publication:
février 2012
février 2012
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livres
livres
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$43.95
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Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and(...)
$43.95
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Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and(...)
Publication:
mars 2006, Cambridge, Mass.
mars 2006, Cambridge, Mass.
Titre:
Languages to cover a page : the early writings of Vito Acconci
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Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the period, but demonstrates the continuity of his early writing with his later work in film, video, and performance. "Language to cover a page" documents a key moment in the unprecedented intersection of artists and poets in the late 1960s - as seen in the Dwan Gallery's series of "Language" shows (1967-1970) and in Acconci's own journal 0 to 9. Indeed, as Acconci moved from the poetry scene to the art world, his poetry became increasingly performative while his artwork was often structured and motivated by linguistic play. Acconci's early writing recalls the work of Samuel Beckett, the deadpan voice of the nouveau roman, and the jump cuts and fraught permutations of the nouvelle vague. Poems in "Language to cover a page" explore the materiality of language ("language as matter and not ideas," as Robert Smithson put it), the physical space of the page, and the physicality of source texts (phonebooks, thesauruses, dictionaries). Other poems take the space of the page as an analogue to performance space or implicate the poem in a network of activity (as in his "Dial-a-Poem" pieces).
Languages to cover a page : the early writings of Vito Acconci
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$43.95
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Résumé:
Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the period, but demonstrates the continuity of his early writing with his later work in film, video, and performance. "Language to cover a page" documents a key moment in the unprecedented intersection of artists and poets in the late 1960s - as seen in the Dwan Gallery's series of "Language" shows (1967-1970) and in Acconci's own journal 0 to 9. Indeed, as Acconci moved from the poetry scene to the art world, his poetry became increasingly performative while his artwork was often structured and motivated by linguistic play. Acconci's early writing recalls the work of Samuel Beckett, the deadpan voice of the nouveau roman, and the jump cuts and fraught permutations of the nouvelle vague. Poems in "Language to cover a page" explore the materiality of language ("language as matter and not ideas," as Robert Smithson put it), the physical space of the page, and the physicality of source texts (phonebooks, thesauruses, dictionaries). Other poems take the space of the page as an analogue to performance space or implicate the poem in a network of activity (as in his "Dial-a-Poem" pieces).
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livres
livres
Publication:
mars 2006, Cambridge, Mass.
mars 2006, Cambridge, Mass.
Classification:
livres
livres
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$59.95
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games.(...)
$59.95
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Résumé:
Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games.(...)
Titre:
The monster Leviathan: Anarchitecture
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.
The monster Leviathan: Anarchitecture
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$59.95
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Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.
Classification:
livres
livres
Publication:
décembre 2023
décembre 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$49.95
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. (...)
$49.95
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. (...)
Titre:
Digitalstructures: Data and urban strategies of the civic future
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$49.95
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. Using a mixed-media approach, this book couples a novel exploration of XR (mixed-reality) and AR (augmented reality) into several parts of the book. To prolong the shelf-life of emergent data and case-studies on the topic, the book is complemented with an open-access digital platform for readers to access video interviews with the industry experts, diagrammatic mapping and graphical cartography, and 3D artifacts that shows how data interacts with phygital properties.
Digitalstructures: Data and urban strategies of the civic future
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$49.95
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Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these ''supplies''. There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. Using a mixed-media approach, this book couples a novel exploration of XR (mixed-reality) and AR (augmented reality) into several parts of the book. To prolong the shelf-life of emergent data and case-studies on the topic, the book is complemented with an open-access digital platform for readers to access video interviews with the industry experts, diagrammatic mapping and graphical cartography, and 3D artifacts that shows how data interacts with phygital properties.
Classification:
livres
livres
Publication:
août 2023
août 2023
Sujet:
Architecture numérique
Architecture numérique
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livres
livres
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$65.00
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"Earth matter" delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick(...)
$65.00
(disponible en magasin)
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"Earth matter" delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick(...)
Publication:
avril 2026
avril 2026
Titre:
Earth matter: An index on extractivism
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$65.00
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"Earth matter" delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick examine the interconnected forces that bind Chile’s natural resources to global capital, particularly in the financial district of London. This publication offers a critical analysis of how extractivist practices have shaped both historical and contemporary life, while anticipating future forms of exploitation. An index of terms explores past and present facts, documents, sites, projects, politicians, activists, NGOs, and critical writings, forming a Benjaminian constellation that readers can connect and decipher at their own pace.
Earth matter: An index on extractivism
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$65.00
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Résumé:
"Earth matter" delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick examine the interconnected forces that bind Chile’s natural resources to global capital, particularly in the financial district of London. This publication offers a critical analysis of how extractivist practices have shaped both historical and contemporary life, while anticipating future forms of exploitation. An index of terms explores past and present facts, documents, sites, projects, politicians, activists, NGOs, and critical writings, forming a Benjaminian constellation that readers can connect and decipher at their own pace.
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livres
livres
Publication:
avril 2026
avril 2026
Classification:
périodiques
périodiques
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$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
$60.00
(disponible en magasin)
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
Titre:
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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$60.00
(disponible en magasin)
Résumé:
This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
Classification:
périodiques
périodiques
Publication:
octobre 2025
octobre 2025
Sujet:
Revues
Revues
Classification:
livres
livres
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$39.50
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI(...)
$39.50
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI(...)
Titre:
Architecture in the age of artficial intelligence: An introduction to AI for architects
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$39.50
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI technologies on architectural practice. It explores how AI transforms every part of the process-from the inspiration and brief, to regulations and copyright, to performance-driven design- and looks beyond discussions of software and functionality to ask more fundamental questions too: How did AI evolve? How does it work? What does it tell us about creativity? And what does it mean for the very future of the profession itself?
Architecture in the age of artficial intelligence: An introduction to AI for architects
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$39.50
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI technologies on architectural practice. It explores how AI transforms every part of the process-from the inspiration and brief, to regulations and copyright, to performance-driven design- and looks beyond discussions of software and functionality to ask more fundamental questions too: How did AI evolve? How does it work? What does it tell us about creativity? And what does it mean for the very future of the profession itself?
Classification:
livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Architecture numérique
Architecture numérique
Classification:
livres
livres
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$46.00
(disponible sur commande)
Résumé:
The street is the workplace of the artist Paulien Oltheten (b. Nijmegen, 1982). Seemingly in passing, she seeks out precisely those moments when there is contact between people, things and the public space with her still and moving viewfinders. She also has a remarkable eye for the small and the subtle: her photos are often profoundly touching. Street Theory brings(...)
$46.00
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The street is the workplace of the artist Paulien Oltheten (b. Nijmegen, 1982). Seemingly in passing, she seeks out precisely those moments when there is contact between people, things and the public space with her still and moving viewfinders. She also has a remarkable eye for the small and the subtle: her photos are often profoundly touching. Street Theory brings(...)
Titre:
Paulien Oltheten: Theory of the street
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$46.00
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The street is the workplace of the artist Paulien Oltheten (b. Nijmegen, 1982). Seemingly in passing, she seeks out precisely those moments when there is contact between people, things and the public space with her still and moving viewfinders. She also has a remarkable eye for the small and the subtle: her photos are often profoundly touching. Street Theory brings together about a hundred photos, video stills and drawings by Oltheten, each of which testifies to how we use, move through, sit, lounge and behave in the public domain, and above all how we relate to other people and objects. Oltheten often annotates these striking images and intriguing situations with handwritten notes that become an integral part of the whole, adding a new, narrative layer of meaning.
Paulien Oltheten: Theory of the street
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The street is the workplace of the artist Paulien Oltheten (b. Nijmegen, 1982). Seemingly in passing, she seeks out precisely those moments when there is contact between people, things and the public space with her still and moving viewfinders. She also has a remarkable eye for the small and the subtle: her photos are often profoundly touching. Street Theory brings together about a hundred photos, video stills and drawings by Oltheten, each of which testifies to how we use, move through, sit, lounge and behave in the public domain, and above all how we relate to other people and objects. Oltheten often annotates these striking images and intriguing situations with handwritten notes that become an integral part of the whole, adding a new, narrative layer of meaning.
Classification:
livres
livres
Publication:
mars 2008, Rotterdam
mars 2008, Rotterdam
Sujet:
Monographies photo
Monographies photo
