Cabinet 37: Bubbles
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37,(...)
Cabinet 37: Bubbles
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A child's plaything and an object of study for scientists; a space of protection but also of isolation: the “bubble” has a cultural significance far more substantial than its fleeting form suggests. Bubbles percolate through the hydrology studies of Leonardo da Vinci, the optical experiments of Newton and the architectural theories of Buckminster Fuller. Cabinet issue 37, with its special section on “Bubbles,” features an interview with Richard Julin, the world's foremost authority on champagne; Susan Schuppli on Michael Jackson's orphaned chimpanzee Bubbles; Eben Klemm on the culinary applications of fizz; and Simon Schaffer on rationality and the physics of bubbles. Elsewhere in the issue: Paul Maliszewski on the color green; an interview with “nasalnaut” George Aldrich, the NASA employee whose nose has to approve every item sent into space; Adam Jasper on the cat paintings of schizophrenic artist Louis Wain; Jocko Weyland on the history of U.S. highway dividers; and an interview with Catalin Avramescu on the intellectual history of cannibalism.
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Oase 80: On territories
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As rural landscapes in the West and elsewhere are increasingly encroached upon by urban expansion, this issue of Oase explores the potential significance of architectonic design for the overhauling of this process. From local to national governments, from environmental factions to the road-user's lobby, everybody has something to say about this process, which tends to(...)
Oase 80: On territories
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As rural landscapes in the West and elsewhere are increasingly encroached upon by urban expansion, this issue of Oase explores the potential significance of architectonic design for the overhauling of this process. From local to national governments, from environmental factions to the road-user's lobby, everybody has something to say about this process, which tends to divide debate between ecology and mobility.
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Hunch 13: Consensus
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Hunch 13 critically examines worldwide issues and ideas that shape the built environment and the international architecture discourse from a Dutch perspective. Hunch is an architecture journal that reconsiders the evolving disciplines of the built environment to seek alternative modes of production and consumption. Hunch merges topical, theoretical and practical content(...)
Hunch 13: Consensus
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Hunch 13 critically examines worldwide issues and ideas that shape the built environment and the international architecture discourse from a Dutch perspective. Hunch is an architecture journal that reconsiders the evolving disciplines of the built environment to seek alternative modes of production and consumption. Hunch merges topical, theoretical and practical content into a valuable sourcebook of analytical ideas and generative strategies.
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Ga houses 114
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Tadao Ando, Studio Mumbal, Elements on Residence, Who is Bawa?, Kengo Kuma, Kelsuke Maeda, Yuusuke Karasawa, and Masahiro Harada + MAO.
Ga houses 114
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Tadao Ando, Studio Mumbal, Elements on Residence, Who is Bawa?, Kengo Kuma, Kelsuke Maeda, Yuusuke Karasawa, and Masahiro Harada + MAO.
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C3 303
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Six projects are introduced in this edition of C3 that challenge the concept of the house and its interaction with surrounding spaces. In this context Sou Fujimoto’s House before House, spbr arcquitetos’ House in Carapicuiba, and the Lampyris House by S+PBA are examined. Further, eight projects that have embraced unusual treatments of walls are examined, including Isay(...)
C3 303
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Six projects are introduced in this edition of C3 that challenge the concept of the house and its interaction with surrounding spaces. In this context Sou Fujimoto’s House before House, spbr arcquitetos’ House in Carapicuiba, and the Lampyris House by S+PBA are examined. Further, eight projects that have embraced unusual treatments of walls are examined, including Isay Weinfeld’s Midrash Cultural Center, Rio de Janeiro; Allies and Morrison Architects’ Multi-story Car Park in Sheffield; the design for 41 Cooper Square, New York by Morphosis; and, Baumschlager Eberle’s Nordwesthaus. The issue also includes reviews of newly announced projects and of the Museum of Atacama Desert by Coz-Polidura-Volante Arquitectos. All works are accompanied by colour photographs, plans, elevations and introductory texts. English and Korean
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Monu 11: clean urbanism
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Clean urbanism is a broad term that covers a range of ideas, yet clearly involves a minimalisation of such inputs as energy, water and food and equally of waste outputs found in heat, CO2 and water pollution. MONU presents a collection of essays and research based around this subject that features pieces from 18 authors. Highlights include: Randall Teal on the issue on(...)
Monu 11: clean urbanism
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Clean urbanism is a broad term that covers a range of ideas, yet clearly involves a minimalisation of such inputs as energy, water and food and equally of waste outputs found in heat, CO2 and water pollution. MONU presents a collection of essays and research based around this subject that features pieces from 18 authors. Highlights include: Randall Teal on the issue on the sustainability of a growing world population, Gerd Hauser on the implementation of the EU Directive on Energy Performance Buildings, Nathalie Frankowski and Cruz Garcia (WAI) on the technical possibility of energy self-sufficient cities and Rogier van de Berg on triggering initiative and cooperation between city dwellers.
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Monu 12: real urbanism
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Most of our cities are shaped by a particular set of values that does not necessarily lead to high quality urban spaces, but instead to scary, ethically unacceptable and distorted forms. To prevent our cities from turning into monstrous “Ideal Cities” all parties involved that are shaping the cities – the developers, the municipalities and the planners – have to accept(...)
Monu 12: real urbanism
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Most of our cities are shaped by a particular set of values that does not necessarily lead to high quality urban spaces, but instead to scary, ethically unacceptable and distorted forms. To prevent our cities from turning into monstrous “Ideal Cities” all parties involved that are shaping the cities – the developers, the municipalities and the planners – have to accept their interdependencies, and have to try to understand the different interests of each party and to dare to navigate into unknown territory. Texts by Jason Lee, Doreen Jakob, Mammoth, Karl Johann Hakken, Maximilian Mendel, Yim Dongwoo, MVRDV, and many others. Interviews with Magriet Smit, Bjarke Ingels, Andre Kempe.
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2G 52: Sauerbruch Hutton
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Sauerbruch Hutton is a practice founded by Matthias Sauerbruch and Louisa Hutton with its main offices in Berlin and London. Active as an independent concern for upwards of twenty years, they have developed a personal language that is essentially characterised by two evident features: the free, sinuous forms of some of their buildings and a bold, emphatic use of colour.
2G 52: Sauerbruch Hutton
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Sauerbruch Hutton is a practice founded by Matthias Sauerbruch and Louisa Hutton with its main offices in Berlin and London. Active as an independent concern for upwards of twenty years, they have developed a personal language that is essentially characterised by two evident features: the free, sinuous forms of some of their buildings and a bold, emphatic use of colour.
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The aim of publishing projects and works of this nature, especially in these times of crisis, is to bring to the forefront those interventions that, with a limited budget for their execution, use imagination and reason to reinvent our landscapes; to highlight interventions which emerge from the shadows of multi-million projects to show us that there is another way to work(...)
Paisea: Landscape architecture review 012: Low cost
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The aim of publishing projects and works of this nature, especially in these times of crisis, is to bring to the forefront those interventions that, with a limited budget for their execution, use imagination and reason to reinvent our landscapes; to highlight interventions which emerge from the shadows of multi-million projects to show us that there is another way to work on landscape.
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$48.00
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Haruka Sugita, Tokyo Pistol, So Hashizume, Yuma Harada (UMA / design farm), Hiroshi Iguchi, Koh Chihara, Akira Sasaki, Kenjiro Harigai (ANSWR), Shun Kawakami (artless), Yoshio Nakano, Yuri Suyama, SKKY / iTohen, Semitransparent Design, Midori Kawano, GraphersRock, Yoshimitsu Sakoda (1057)
Idea 339: Privately public, publicly private
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Haruka Sugita, Tokyo Pistol, So Hashizume, Yuma Harada (UMA / design farm), Hiroshi Iguchi, Koh Chihara, Akira Sasaki, Kenjiro Harigai (ANSWR), Shun Kawakami (artless), Yoshio Nakano, Yuri Suyama, SKKY / iTohen, Semitransparent Design, Midori Kawano, GraphersRock, Yoshimitsu Sakoda (1057)
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