752 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Trondcomp.
Trondcomp.
Numéro de référence:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Personnes et institutions:
Date:
1967-1974, predominant 1972-1974
1967-1974, predominant 1972-1974
Titre:
Trondcomp.
Actions:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Trondcomp.
Actions:
AP144.S2.D86
Description:
File documents a competition proposal by Cedric Price, in collaboration with Archigram, Per Kartvedt, and Tony Dugdale for a combined university / community centre, in Trondheim, Norway. The programme called for a congress centre, hotel rooms, sauna, and swimming pool. The final design proposal is described in the file: "Due to economy achievable in warming and ventilation through large scale air movements it was found possible to enclose 3 conventional partitions within an enormous 'greenhouse'. Giant snow sweepers on the roof combined with heated central 'open' swimming pools are additional artificial environment manipulators'. Conceptual sketches explore the development of the site in section. Relationships between areas are shown in color: "delight" in blue; "servicing" in yellow; and "escape" in orange. Drawings also include diagrammatic plans and sections. Many original conceptual sketches by both Cedric Price and Archigram are included within the textual records. Material in this file was produced between 1967 and 1974, but predominantly between 1972 and 1974. Some drawings and notes in this file are attributed to Archigram, Per Kartvedt, and Tony Dugdale. File contains design development drawings, presentation drawings, photographic materials, models, and textual records.
Niveau de description archivistique:
File 86
File 86
Date:
1967-1974, predominant 1972-1974
1967-1974, predominant 1972-1974
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Personnes et institutions:
Date:
1946-1962
1946-1962
Titre:
Civic and Cultural Publications
Actions:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Civic and Cultural Publications
Actions:
CD046.S1
Description:
The five diverse pamphlets and publications primarily document certain architecturally-related events during Vancouver's explosive growth through the 1950s. Included are a fund-raising campaign brochure for the expansion of the Vancouver Art Gallery, 1949-1951, and an invitation to the inauguration of the Frederick Lasserre Architecture and Fine Arts Building at the University of British Columbia (UBC). The building was constructed by architects Thompson, Berwick, Pratt in 1957-1958, but officially opened in 1962 after the death of Lasserre (1911-1961), UBC's first director of the school of architecture. The series also includes "Project '58", a relatively rare privately-printed pamphlet given to Rhodri Windsor-Liscombe by architect Geoffrey Massey. Written by Wells Coates, with Massey, Arthur Erickson, Peter Oberlander, and E.J. Watkins, the illustrated proposal recommended the creation of a local urban-design centre in 1958 to forestall the rise of private development through the implimentation of a master plan strategy for Vancouver. Material in this series was produced between 1946 and 1962. Series contains a pamphlet, invitation brochures and publications.
Niveau de description archivistique:
Series
Series
Date:
1946-1962
1946-1962
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1942-1956
1942-1956
Titre:
Recreational area, 18th and Bigler Streets, Philadelphia, Pennsylvania (1954)
Actions:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Recreational area, 18th and Bigler Streets, Philadelphia, Pennsylvania (1954)
Actions:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1942-1956
1942-1956
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Date:
16 juin 1998 au 8 novembre 1998
16 juin 1998 au 8 novembre 1998
Titre:
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Classification:
expositions
expositions
Date:
16 juin 1998 au
8 novembre 1998
16 juin 1998 au
8 novembre 1998
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
