200 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Rose
Fonds Peter Rose
Numéro de référence:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
événements
événements
Titre:
La connaissance du bâti
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
16 avril 2015 , 18h
16 avril 2015 , 18h
Titre:
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Classification:
événements
événements
Date:
16 avril 2015
18h
16 avril 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
articles
articles
Titre:
Nouveau documentaire
Nouveau documentaire
Actions:
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Takashi Homma, conversation, histoire orale, vagues, champignons
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Takashi Homma, conversation, histoire orale, vagues, champignons
Publié:
15 mai 2023
15 mai 2023
Titre:
Nouveau documentaire
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Actions:
Nouveau documentaire
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
expositions
expositions
Actions:
Description:
Située à Paris, la Bibliothèque nationale de France, super-bibliothèque combinant cinq collections nationales sous un même toit, a été l’étape finale des grands travaux lancés par le président François Mitterrand. Organisé à l’origine pour offrir un lieu à toute la production de mots, d’images et de sons depuis 1945, le concours d’architecture a révélé la diversité et(...)
Située à Paris, la Bibliothèque nationale de France, super-bibliothèque combinant cinq collections nationales sous un même toit, a été l’étape finale des grands travaux lancés par le président François Mitterrand. Organisé à l’origine pour offrir un lieu à toute la production de mots, d’images et de sons depuis 1945, le concours d’architecture a révélé la diversité et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
15 mai 2012 au 9 septembre 2012
15 mai 2012 au 9 septembre 2012
Titre:
Très Grande Bibliothèque (Very Big Library)
Actions:
Description:
Située à Paris, la Bibliothèque nationale de France, super-bibliothèque combinant cinq collections nationales sous un même toit, a été l’étape finale des grands travaux lancés par le président François Mitterrand. Organisé à l’origine pour offrir un lieu à toute la production de mots, d’images et de sons depuis 1945, le concours d’architecture a révélé la diversité et(...)
Très Grande Bibliothèque (Very Big Library)
Actions:
Description:
Située à Paris, la Bibliothèque nationale de France, super-bibliothèque combinant cinq collections nationales sous un même toit, a été l’étape finale des grands travaux lancés par le président François Mitterrand. Organisé à l’origine pour offrir un lieu à toute la production de mots, d’images et de sons depuis 1945, le concours d’architecture a révélé la diversité et(...)
Classification:
expositions
expositions
Date:
15 mai 2012 au
9 septembre 2012
15 mai 2012 au
9 septembre 2012
Localisation:
Salle octogonale
Salle octogonale
Classification:
dessins
Quantité:
18 File
dessins
Quantité:
18 File
Numéro de référence:
ARCH33470
Description:
squash court, operating room, janitor's kitchen, encephalography room, dark room, stair, shelves, library, lecture room, reception room, photographer's room, main vestibule, reflector plate, rubber tile floor, steps, bracket, gallery screen
ARCH33470
Description:
squash court, operating room, janitor's kitchen, encephalography room, dark room, stair, shelves, library, lecture room, reception room, photographer's room, main vestibule, reflector plate, rubber tile floor, steps, bracket, gallery screen
Personnes et institutions:
Titre:
Squash court, operating room, janitor's kitchen, encephalography room
Actions:
ARCH33470
Description:
squash court, operating room, janitor's kitchen, encephalography room, dark room, stair, shelves, library, lecture room, reception room, photographer's room, main vestibule, reflector plate, rubber tile floor, steps, bracket, gallery screen
Squash court, operating room, janitor's kitchen, encephalography room
Actions:
ARCH33470
Description:
squash court, operating room, janitor's kitchen, encephalography room, dark room, stair, shelves, library, lecture room, reception room, photographer's room, main vestibule, reflector plate, rubber tile floor, steps, bracket, gallery screen
Classification:
dessins
Quantité:
18 File
dessins
Quantité:
18 File
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR02
Description:
This project series documents the design of Cité Collégiale in Ottawa, Ontario from in 1991. The project number assigned by the office is unidentifiable. This project consisted of a competition entry for the first French language community college to be built in Ontario. The design proposed focused on the balance between the natural landscape of the site, located on Montreal Road at Aviation Parkway, the rigor of the study program and the relaxation of student life. Large wooded areas surrounding the campus would be preserved and four functional outdoor spaces would be created: La Place des Festivals (an esplanade), the theatre (for outdoor festivities), Le Carrefour des Étudiants (the student square), and le Foyer (next to the cafeteria). The campus also proposed la Grande Galerie, a triple-height space filled with natural light to serve as the main area where students could meet and study. Two types of school buildings were included in the proposal, consisting of a long, rectangular building for classrooms and offices, and the other, a less formal, open space with classrooms, amphitheatres, studios and laboratories. The scheme had two main entrances, with a large central tower that was visible when arriving from either direction. This was not the winning entry for the competition and the campus was eventually built by Brook, Brisbin and Baynon. The project is recorded through drawings, presentation paintings and a model dating from 1991. The drawings include site condition maps, sketches, perspectives, plans, elevations, axonometric drawings and presentation panels.
AP056.S1.1991.PR02
Description:
This project series documents the design of Cité Collégiale in Ottawa, Ontario from in 1991. The project number assigned by the office is unidentifiable. This project consisted of a competition entry for the first French language community college to be built in Ontario. The design proposed focused on the balance between the natural landscape of the site, located on Montreal Road at Aviation Parkway, the rigor of the study program and the relaxation of student life. Large wooded areas surrounding the campus would be preserved and four functional outdoor spaces would be created: La Place des Festivals (an esplanade), the theatre (for outdoor festivities), Le Carrefour des Étudiants (the student square), and le Foyer (next to the cafeteria). The campus also proposed la Grande Galerie, a triple-height space filled with natural light to serve as the main area where students could meet and study. Two types of school buildings were included in the proposal, consisting of a long, rectangular building for classrooms and offices, and the other, a less formal, open space with classrooms, amphitheatres, studios and laboratories. The scheme had two main entrances, with a large central tower that was visible when arriving from either direction. This was not the winning entry for the competition and the campus was eventually built by Brook, Brisbin and Baynon. The project is recorded through drawings, presentation paintings and a model dating from 1991. The drawings include site condition maps, sketches, perspectives, plans, elevations, axonometric drawings and presentation panels.
Personnes et institutions:
Date:
1991
1991
Titre:
Cité Collégiale Competition, Ottawa, Ontario (1991)
Actions:
AP056.S1.1991.PR02
Description:
This project series documents the design of Cité Collégiale in Ottawa, Ontario from in 1991. The project number assigned by the office is unidentifiable. This project consisted of a competition entry for the first French language community college to be built in Ontario. The design proposed focused on the balance between the natural landscape of the site, located on Montreal Road at Aviation Parkway, the rigor of the study program and the relaxation of student life. Large wooded areas surrounding the campus would be preserved and four functional outdoor spaces would be created: La Place des Festivals (an esplanade), the theatre (for outdoor festivities), Le Carrefour des Étudiants (the student square), and le Foyer (next to the cafeteria). The campus also proposed la Grande Galerie, a triple-height space filled with natural light to serve as the main area where students could meet and study. Two types of school buildings were included in the proposal, consisting of a long, rectangular building for classrooms and offices, and the other, a less formal, open space with classrooms, amphitheatres, studios and laboratories. The scheme had two main entrances, with a large central tower that was visible when arriving from either direction. This was not the winning entry for the competition and the campus was eventually built by Brook, Brisbin and Baynon. The project is recorded through drawings, presentation paintings and a model dating from 1991. The drawings include site condition maps, sketches, perspectives, plans, elevations, axonometric drawings and presentation panels.
Cité Collégiale Competition, Ottawa, Ontario (1991)
Actions:
AP056.S1.1991.PR02
Description:
This project series documents the design of Cité Collégiale in Ottawa, Ontario from in 1991. The project number assigned by the office is unidentifiable. This project consisted of a competition entry for the first French language community college to be built in Ontario. The design proposed focused on the balance between the natural landscape of the site, located on Montreal Road at Aviation Parkway, the rigor of the study program and the relaxation of student life. Large wooded areas surrounding the campus would be preserved and four functional outdoor spaces would be created: La Place des Festivals (an esplanade), the theatre (for outdoor festivities), Le Carrefour des Étudiants (the student square), and le Foyer (next to the cafeteria). The campus also proposed la Grande Galerie, a triple-height space filled with natural light to serve as the main area where students could meet and study. Two types of school buildings were included in the proposal, consisting of a long, rectangular building for classrooms and offices, and the other, a less formal, open space with classrooms, amphitheatres, studios and laboratories. The scheme had two main entrances, with a large central tower that was visible when arriving from either direction. This was not the winning entry for the competition and the campus was eventually built by Brook, Brisbin and Baynon. The project is recorded through drawings, presentation paintings and a model dating from 1991. The drawings include site condition maps, sketches, perspectives, plans, elevations, axonometric drawings and presentation panels.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1978:0014:010
Description:
- A student project for a glass exhibition building entitled "Exp[osition] d'Horticulture" and described in elevation, plan, and section. The plan shows a square structure with circular pavilions in the corners and entrances in the middle of each side. The elevation (showing the principal façade) indicates that the main hall is a tripartite structure with a tall, barrel-vaulted mid-section flanked by two lower, semi-barrel-vaulted sections. This main hall is encased by a one-storey gallery connecting the four pavilions in the corners.
DR1978:0014:010
Description:
- A student project for a glass exhibition building entitled "Exp[osition] d'Horticulture" and described in elevation, plan, and section. The plan shows a square structure with circular pavilions in the corners and entrances in the middle of each side. The elevation (showing the principal façade) indicates that the main hall is a tripartite structure with a tall, barrel-vaulted mid-section flanked by two lower, semi-barrel-vaulted sections. This main hall is encased by a one-storey gallery connecting the four pavilions in the corners.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1887
1887
Titre:
Student project for an exhibition greenhouse
Actions:
DR1978:0014:010
Description:
- A student project for a glass exhibition building entitled "Exp[osition] d'Horticulture" and described in elevation, plan, and section. The plan shows a square structure with circular pavilions in the corners and entrances in the middle of each side. The elevation (showing the principal façade) indicates that the main hall is a tripartite structure with a tall, barrel-vaulted mid-section flanked by two lower, semi-barrel-vaulted sections. This main hall is encased by a one-storey gallery connecting the four pavilions in the corners.
Student project for an exhibition greenhouse
Actions:
DR1978:0014:010
Description:
- A student project for a glass exhibition building entitled "Exp[osition] d'Horticulture" and described in elevation, plan, and section. The plan shows a square structure with circular pavilions in the corners and entrances in the middle of each side. The elevation (showing the principal façade) indicates that the main hall is a tripartite structure with a tall, barrel-vaulted mid-section flanked by two lower, semi-barrel-vaulted sections. This main hall is encased by a one-storey gallery connecting the four pavilions in the corners.
Classification:
dessins
dessins
Date:
1887
1887
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
articles
articles
Titre:
Pèlerinage photographique
Pèlerinage photographique
Actions:
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Guido Guidi, conversation, histoire orale
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Guido Guidi, conversation, histoire orale
Publié:
27 juin 2023
27 juin 2023
Titre:
Pèlerinage photographique
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Actions:
Pèlerinage photographique
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
articles
articles
Titre:
Observations familières
Observations familières
Actions:
Tokuko Ushioda en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani, Bas Princen, Tokuko Ushioda, Ice Box, My Husband
La vie des documents, la photographie en tant que projet, Stefano Graziani, Bas Princen, Tokuko Ushioda, Ice Box, My Husband
Publié:
17 juillet 2023
17 juillet 2023
Titre:
Observations familières
Tokuko Ushioda en conversation avec Stefano Graziani et Bas Princen
Actions:
Observations familières
Tokuko Ushioda en conversation avec Stefano Graziani et Bas Princen
Actions:
