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191 pages : color illustrations ; 30 cm
Description:
191 pages : color illustrations ; 30 cm
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[France] : Éditions de La Martinière, [2022]
[France] : Éditions de La Martinière, [2022]
Titre:
Merveilles de la nature : sept sites exceptionnels à protéger / Éric Ellena, Guillaume de Ginestel, Grégory Maitre, Arthur Gal, Matthias Abrantes, Rémy Ismaïl
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Description:
191 pages : color illustrations ; 30 cm
Merveilles de la nature : sept sites exceptionnels à protéger / Éric Ellena, Guillaume de Ginestel, Grégory Maitre, Arthur Gal, Matthias Abrantes, Rémy Ismaïl
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Description:
191 pages : color illustrations ; 30 cm
Classification:
livres
livres
Publication:
[France] : Éditions de La Martinière, [2022]
[France] : Éditions de La Martinière, [2022]
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livres
livres
Prix:
$49.95
(disponible sur commande)
Résumé:
No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare(...)
$49.95
(disponible sur commande)
Résumé:
No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare(...)
Titre:
No is not an answer : on the work of Marie-Louise Ekman
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$49.95
(disponible sur commande)
Résumé:
No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare state. She has directed more than a dozen films, TV series, and plays, and since 2009 she has been the director of the Royal Dramatic Theatre in Stockholm.
No is not an answer : on the work of Marie-Louise Ekman
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$49.95
(disponible sur commande)
Résumé:
No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare state. She has directed more than a dozen films, TV series, and plays, and since 2009 she has been the director of the Royal Dramatic Theatre in Stockholm.
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livres
livres
Publication:
juillet 2014
juillet 2014
Classification:
périodiques
périodiques
Titre:
Texte zur kunst 121 : comedy
Texte zur kunst 121 : comedy
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$30.00
(disponible en magasin)
Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
$30.00
(disponible en magasin)
Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
Titre:
Texte zur kunst 121 : comedy
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$30.00
(disponible en magasin)
Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Texte zur kunst 121 : comedy
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Prix:
$30.00
(disponible en magasin)
Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Classification:
périodiques
périodiques
Publication:
mars 2021
mars 2021
Sujet:
Revues
Revues
Classification:
livres
livres
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$16.95
(disponible sur commande)
Résumé:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the(...)
$16.95
(disponible sur commande)
Résumé:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the(...)
Titre:
Richard Prince: untitled (couple)
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$16.95
(disponible sur commande)
Résumé:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography—rephotographed reproduced photographs—after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. Michael Newman is Associate Professor of Art History, Theory, and Criticism in the School of the Art Institute of Chicago. He has published in ArtForum, Art in America, Parachute, and other journals and is coeditor of the book Rewriting Conceptual Art.
Richard Prince: untitled (couple)
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Prix:
$16.95
(disponible sur commande)
Résumé:
In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography—rephotographed reproduced photographs—after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. Michael Newman is Associate Professor of Art History, Theory, and Criticism in the School of the Art Institute of Chicago. He has published in ArtForum, Art in America, Parachute, and other journals and is coeditor of the book Rewriting Conceptual Art.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
