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1 online resource.
[Place of publication not identified] : The Funambulist, 2014.
The Feminist Comic Strip : From Guantanamo to your Relationship.
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2014.
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dpr-barcelona Future Architecture Platform 2020
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dpr-barcelona Future Architecture Platform 2020
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1 online resource (274 pages) : illustrations
Amsterdam : Amsterdam University Press, [2008], ©2008
Transfigurations : violence, death and masculinity in American cinema / Asbjørn Grønstad.
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1 online resource (274 pages) : illustrations
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Amsterdam : Amsterdam University Press, [2008], ©2008
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207 pages : illustrations (chiefly color) ; 27 cm
London : Fuel : Distributed by Thames & Hudson/D.A.P., 2009.
Spirit : garden inspiration / Dan Pearson.
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207 pages : illustrations (chiefly color) ; 27 cm
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London : Fuel : Distributed by Thames & Hudson/D.A.P., 2009.
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191 pages : color illustrations ; 30 cm
[France] : Éditions de La Martinière, [2022]
Merveilles de la nature : sept sites exceptionnels à protéger / Éric Ellena, Guillaume de Ginestel, Grégory Maitre, Arthur Gal, Matthias Abrantes, Rémy Ismaïl
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191 pages : color illustrations ; 30 cm
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[France] : Éditions de La Martinière, [2022]
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare(...)
No is not an answer : on the work of Marie-Louise Ekman
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No Is Not an Answer presents Marie-Louise Ekman’s art. As one of the most influential artists in Sweden in the postwar period, Ekman was both part of Swedish pop and the rebellious underground in the ’60s and ’70s. She created a unique body of proto-feminist work, which draws equally from the playful imagination of a young woman and popular culture in the social welfare state. She has directed more than a dozen films, TV series, and plays, and since 2009 she has been the director of the Royal Dramatic Theatre in Stockholm.
Texte zur kunst 121 : comedy
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The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
Texte zur kunst 121 : comedy
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The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Revues
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In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the(...)
Richard Prince: untitled (couple)
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In Richard Prince's 1977 work Untitled (couple), difference mixes uncannily with sameness. We can't quite tell whether the shiny couple we see is human or android; their clothing seems curiously out of date. Why do they fascinate us? What is it about their typicality that produces an impression of strangeness? Michael Newman explores Prince's work and his revival of the image through photography—rephotographed reproduced photographs—after the impasses of conceptualism. Newman examines the relation of Prince's work to images appearing in illustrated magazines, advertising, and television during the artist's formative years and argues that the vintage TV series The Twilight Zone is crucial to understanding Prince's use of images in his work. Michael Newman is Associate Professor of Art History, Theory, and Criticism in the School of the Art Institute of Chicago. He has published in ArtForum, Art in America, Parachute, and other journals and is coeditor of the book Rewriting Conceptual Art.
Théorie de l’art
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Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners. Conceived as platforms that consciously create autonomous spaces in(...)
avril 2024
Joar Nango: Girjegumpi, The Sámi Architectural Library
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Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners. Conceived as platforms that consciously create autonomous spaces in which Sámi and indigenous cultures can grow, Nango's projects seek encounters and open processes, developing new forms of expression and alliance with non-Sámi contexts. Often developed in collaboration with practitioners from a range of fields including architecture, art, theory, and crafts, Nango's practice operates between institutional and public spaces. Featured projects include ongoing discursive social platforms such as the mobile Sámi architecture library Girjegumpi, a series of films and conversations titled ''Post-Capitalist Architecture TV'', image archives documenting contemporary expressions of Sámi architectural principles in Northern Scandinavia and beyond, and European Everything, first presented at documenta 14, for which Nango traveled by van along the borders of Europe from his home in Tromsø, Northern Norway to Athens in Greece, mapping the fringe and the excluded of this political and cultural terrain.
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American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to(...)
Joseph Grigely: Otherhow: Essays and documents on art and disability, 1985-2024
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American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to examine and scrutinize the ableism embedded in cultural and media production. ''Otherhow'' interrogates modes of access and analyzes how issues of accessibility and their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to art, access and advocacy underpin the interconnected nature of these issues. Letters of complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on equality and access: each provides a glimpse into how Grigely’s work has been shaped by—or constructed from—the "tangled process" of opening access. The book is rounded out by a series of visual inventories: collections of images that document failures of access or, in the case of the obituaries, highlight those who had a disability or were activists working to establish greater access for those with disabilities.