1773 Résultats
Classification:
dessins
dessins
Titre:
Elevation - Gateway Facade
Elevation - Gateway Facade
Actions:
Numéro de référence:
DR1985:0012
DR1985:0012
Personnes et institutions:
Date:
late 17th century
late 17th century
Classification:
dessins
dessins
Date:
late 17th century
late 17th century
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1984:0638 R/V
Description:
- From a collection of drawings, books and engravings related to the theatre formerly in the collection of Edward G.B. Craig, see 'The First Five Years...', p. 42, pl. 10.
DR1984:0638 R/V
Description:
- From a collection of drawings, books and engravings related to the theatre formerly in the collection of Edward G.B. Craig, see 'The First Five Years...', p. 42, pl. 10.
Personnes et institutions:
Date:
Early 17th century
Early 17th century
Titre:
Stage Design: The Three Marys and an Angel at the Tomb.
Actions:
DR1984:0638 R/V
Description:
- From a collection of drawings, books and engravings related to the theatre formerly in the collection of Edward G.B. Craig, see 'The First Five Years...', p. 42, pl. 10.
Stage Design: The Three Marys and an Angel at the Tomb.
Actions:
DR1984:0638 R/V
Description:
- From a collection of drawings, books and engravings related to the theatre formerly in the collection of Edward G.B. Craig, see 'The First Five Years...', p. 42, pl. 10.
Classification:
dessins
dessins
Date:
Early 17th century
Early 17th century
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
Personnes et institutions:
Date:
1971-1974
1971-1974
Titre:
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank], Oliveira de Azeméis, Portugal (1971-1974)
Actions:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank], Oliveira de Azeméis, Portugal (1971-1974)
Actions:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
Niveau de description archivistique:
Project
Project
Date:
1971-1974
1971-1974
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2007:0054
DR2007:0054
Personnes et institutions:
Date:
seconde moitié du XVIIème siècle
seconde moitié du XVIIème siècle
Classification:
dessins
dessins
Date:
seconde moitié du XVIIème siècle
seconde moitié du XVIIème siècle
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1975:0018
Description:
A three-tiered tabernacle, with corinthiancolumns, caryatids, and a putto over the arched entrance,
DR1975:0018
Description:
A three-tiered tabernacle, with corinthiancolumns, caryatids, and a putto over the arched entrance,
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1580-1621
1580-1621
Titre:
Elevation and plan of a tabernacle
Actions:
DR1975:0018
Description:
A three-tiered tabernacle, with corinthiancolumns, caryatids, and a putto over the arched entrance,
Elevation and plan of a tabernacle
Actions:
DR1975:0018
Description:
A three-tiered tabernacle, with corinthiancolumns, caryatids, and a putto over the arched entrance,
Classification:
dessins
dessins
Date:
1580-1621
1580-1621
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1990:0060
DR1990:0060
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1606
1606
Classification:
oeuvres d'art
oeuvres d'art
Date:
1606
1606
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
articles
articles
Actions:
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Mot(s)-clé(s):
17th century, 18th century, BLDGBLOG, feral city, fortifications, Geoff@CCA, Geoff Manaugh, Giacomo Fusto Castriotto, Girolamo Maggi, traités, treatises, ville sauvage, XVIe siècle, XVIIe siècle
17th century, 18th century, BLDGBLOG, feral city, fortifications, Geoff@CCA, Geoff Manaugh, Giacomo Fusto Castriotto, Girolamo Maggi, traités, treatises, ville sauvage, XVIe siècle, XVIIe siècle
Publié:
22 juin 2010
22 juin 2010
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Titre:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
Numéro de référence:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
1885
1885
Titre:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Date:
1885
1885
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
designed 1733-1738
designed 1733-1738
Titre:
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Classification:
oeuvres d'art
oeuvres d'art
Date:
designed 1733-1738
designed 1733-1738
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Personnes et institutions:
Date:
ca. 1615-1650
ca. 1615-1650
Titre:
Album of architectural prints
Actions:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Album of architectural prints
Actions:
DR1988:0427:001-013
Description:
- This album is composed of thirteen architectural prints once in the possession of the stonemason Hans Görg Koch, and possibly assembled by him. The first two prints, DR1988:0427:001 and DR1988:0427:002, are the title page and a print showing examples of the Tuscan order from Rutger Kasemann's 'ARCHITETURA LEHR SEIVLEN BOCHG' of 1615 (Hollstein vol. 16, nos. 1 - 24). The prints DR1988:0427:003 - DR1988:0427:005 and DR1988:0427:007 are elevations and plans of early Baroque church façades in Rome, and the prints DR1988:0427:006 and DR1988:0427:008 - DR1988:0427:013, are orthographic designs for doorframes. The album pages bear three separate watermarks, none of which have been found in the literature: one on the flyleaves, another on the two Kasemann prints, and a third on the eleven prints showing churches and doorframes.
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1615-1650
ca. 1615-1650
Personnes et institutions:
