Modern Venice map
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''Modern Venice map'' is edited by Marco Mulazzani and Elisa Pegorin with original photography by Alessandra Chemollo. The map's introduction and texts are in English and Italian. Discover remarkable architecture built in Venice from the 1930s to today, including the pavilions of the Venice Biennale, the Vatican chapels, examples of public housing, museums and more.(...)
Modern Venice map
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''Modern Venice map'' is edited by Marco Mulazzani and Elisa Pegorin with original photography by Alessandra Chemollo. The map's introduction and texts are in English and Italian. Discover remarkable architecture built in Venice from the 1930s to today, including the pavilions of the Venice Biennale, the Vatican chapels, examples of public housing, museums and more. This guide map features works by an array of international masters, including Carlo Scarpa, Santiago Calatrava, Aldo Rossi, David Chipperfield, MAP studio, Tadao Ando, Renzo Piano, Rem Koolhas, Norman Foster, Alvar Aalto, James Stirling and others.
Guides des villes
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The Rotterdam-based design and research studio of Casanova + Hernandez was founded in 2001, and works with an interdisciplinary team in its focus on rethinking and designing our urban habitat in order to create vibrant cities while promoting environmental and social sustainability. With experience in developing projects in very different cultural contexts in Europe, South(...)
DD 42: building knowledge in interdisciplinary design
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The Rotterdam-based design and research studio of Casanova + Hernandez was founded in 2001, and works with an interdisciplinary team in its focus on rethinking and designing our urban habitat in order to create vibrant cities while promoting environmental and social sustainability. With experience in developing projects in very different cultural contexts in Europe, South America, and Asia, the office is structured in two complementary platforms: C+H Projects and C+H Think Tank. Besides a critical essay on the practice, this richly illustrated volume features more than 30 projects covering the fields of collective housing, public space and buildings, and hybrid urbanism.
Revues
The unseen Saul Leiter
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Now firmly established as one of the world’s greatest photographers, Saul Leiter (1923–2013) was relatively little known until the 2006 publication of "Saul Leiter: Early Color", when he was already in his eighties. Choosing to shoot in color when black and white was the norm, Leiter portrayed midcentury New York’s street life with a gorgeous painterliness that evoked the(...)
The unseen Saul Leiter
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Now firmly established as one of the world’s greatest photographers, Saul Leiter (1923–2013) was relatively little known until the 2006 publication of "Saul Leiter: Early Color", when he was already in his eighties. Choosing to shoot in color when black and white was the norm, Leiter portrayed midcentury New York’s street life with a gorgeous painterliness that evoked the sensuality of his Abstract Expressionist contemporaries Rothko and Newman. His studio in the East Village, where he lived from 1952 until his death in 2013, is now the home of the Saul Leiter Foundation, which has commenced a full-scale survey of his more than 80,000 works. This volume contains works discovered through this project—specifically, color photography from slides never before published or seen by the public.
Monographies photo
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
juillet 2020
Sol Lewitt: Not to be sold for more than $100
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
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Olafur Eliasson (born 1967) engages the public sphere through sculpture, photography, film, installation and site-specific pieces that explore perception, movement and embodied experience. This overview of his three-decade-long practice offers a full account of his numerous projects, from early pieces such as "Beauty" (1993), in which a spotlight shines on the mist(...)
Olafur Eliasson: Reality Machines
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Olafur Eliasson (born 1967) engages the public sphere through sculpture, photography, film, installation and site-specific pieces that explore perception, movement and embodied experience. This overview of his three-decade-long practice offers a full account of his numerous projects, from early pieces such as "Beauty" (1993), in which a spotlight shines on the mist produced by thousands of droplets, to the ambitious works produced from his Berlin studio, where he collaborates with architects, art historians, technicians, engineers, designers and cooks. With essays by Eliasson, Daniel Birnbaum and Timothy Morton, "Olafur Eliasson: Reality Machines" is a new definitive account of this artist's prolific oeuvre.
Architecture, monographies
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Le Corbusier had originally intended to be a painter and his early studies were primarily focused on art and decoration. For more than five decades, Le Corbusier oscillated between contradictory poles : his fascination with mechanical objects on the one hand, and his search for poetic form on the other. The intermingling of his more private aesthetic pursuits and his more(...)
Le Corbusier's secret laboratory : from painting to architecture
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Le Corbusier had originally intended to be a painter and his early studies were primarily focused on art and decoration. For more than five decades, Le Corbusier oscillated between contradictory poles : his fascination with mechanical objects on the one hand, and his search for poetic form on the other. The intermingling of his more private aesthetic pursuits and his more public works took place in his “secret laboratory,” inside his artist’s studio. This volume consolidates the diverse facets of his oeuvre, offering a more complete understanding of his paintings, drawings, sculptures, tapestries, furniture, architectural sketches and plans - as well as his books and photographs.
Architecture, monographies
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
Expositions en cours
Food-water-life
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their(...)
Food-water-life
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Since founding Studio Orta in 1993, the Paris-based husband-and-wife team of Lucy and Jorge Orta has produced an extensive body of work that addresses universal concerns about community, shelter, migration, and sustainable development. Beyond merely addressing these issues artistically, their work suggests solutions by modeling fresh approaches to social dilemmas. Their often-playful projects incorporate elements of fashion, art, and architecture, which they combine with performances, multimedia events, and public debates. Featuring hundreds of drawings and photographs, Lucy + Jorge Orta: Food, Water, Life presents recent works that fall into the categories of food, water, and the environment. An interview by curator and critic Hou Hanru provides insight into the artists' processes and motivations.
Siri Aurdal
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Norwegian artist Siri Aurdal (born 1937) achieved prominence in her home country during the 1960s and ’70s with works that encouraged public participation. An interest in mathematics moved Aurdal to devise modular forms that could be reconceived for a range of sites, not only in the galleries and museums where they were initially exhibited. These works included(...)
Siri Aurdal
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Norwegian artist Siri Aurdal (born 1937) achieved prominence in her home country during the 1960s and ’70s with works that encouraged public participation. An interest in mathematics moved Aurdal to devise modular forms that could be reconceived for a range of sites, not only in the galleries and museums where they were initially exhibited. These works included installations made of common materials like Plexiglas or large-scale sinusoidal sculptures made of industrial tubes. The reproductions in this artist’s book include installation views, slides, drawings, collages, portraits and ephemera from the 1960s to 2016, highlighting many pieces that have never been exhibited or are no longer in existence. Aurdal collaborated with Norwegian artist Eline Mugaas on an exhibition at Kunstnernes Hus, and Mugaas extended their collaboration into book form, assembling this catalogue-cum-artist’s book. It gives a kaleidoscopic representation of Aurdal’s past ventures, her archive and her current studio work, lyrically arranged by Mugaas.
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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated(...)
Architecture, monographies
juillet 2007, Barcelona
2 G 42 : Hildundk, Obra recent work
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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated around three fundamental types of intervention. The first consists of taking some datum or other of the surroundings, in particular the city of Munich, its history and building tradition, as a point of departure. The resonance of the context enables their constructed buildings to have an evocative power that goes beyond the formal. In fact, theirs is a way of doing things that is deliberately at odds with the notion of form as a starting point. Secondly, they tackle the issue of ornamentation as a basic part of their project designs by linking it to the artisanal decorative traditions of the region. Lastly, and without losing a proximity to the simplicity of traditional buildings and their decoration, they incorporate a tremendous sensitivity towards materials and contemporary technical conditions. In the last analysis, HildundK hope their architecture is understood by its users, that its cultural contents communicate and connect the public with the discipline of architecture by providing a response to their requirements. To quote Mechthild Stuhlmacher, author of one of the introductory texts: Andreas Hild and Dionys Ottl regard it as imperative to escape from an architectural discourse that is purely internal. In their view architecture must also be comprehensible to the layman if it is to survive as a discipline.
Architecture, monographies