3291 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.1979.PR06.003
Description:
Original file title: Concurso: Block 70 und 89 - Berlin originais. This file includes drawings signed by Siza.
AP178.S1.1979.PR06.003
Description:
Original file title: Concurso: Block 70 und 89 - Berlin originais. This file includes drawings signed by Siza.
Personnes et institutions:
Date:
circa 1979-1982
circa 1979-1982
Titre:
Elevations and plans, Blocke 70 und 89, Kreuzberg, Fränkelufer, Berlin
Actions:
AP178.S1.1979.PR06.003
Description:
Original file title: Concurso: Block 70 und 89 - Berlin originais. This file includes drawings signed by Siza.
Elevations and plans, Blocke 70 und 89, Kreuzberg, Fränkelufer, Berlin
Actions:
AP178.S1.1979.PR06.003
Description:
Original file title: Concurso: Block 70 und 89 - Berlin originais. This file includes drawings signed by Siza.
Classification:
dessins
dessins
Date:
circa 1979-1982
circa 1979-1982
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH5527
Description:
6 Copie du plan du rez-de-chaussée approuvée par Monseigneur William A. Hickey, Évêque de Providence, Rhode Island (dessin 1). Copies du plan du rez-de-chaussée et des plans de chauffage signées à l'endos par Edward Nolette, Pawtucket, Rhode Island, le Révérend Hormisdas Béland, prêtre-curé, et Cormier, 12 août 1926 (dessins 1, 1H, 2H). Copies du plan du sous-sol et de coupes signées à l'endos par Butler & Perry, Pawtucket, Rhode Island et le Révérend Hormisdas Béland, prêtre-curé
ARCH5527
Description:
6 Copie du plan du rez-de-chaussée approuvée par Monseigneur William A. Hickey, Évêque de Providence, Rhode Island (dessin 1). Copies du plan du rez-de-chaussée et des plans de chauffage signées à l'endos par Edward Nolette, Pawtucket, Rhode Island, le Révérend Hormisdas Béland, prêtre-curé, et Cormier, 12 août 1926 (dessins 1, 1H, 2H). Copies du plan du sous-sol et de coupes signées à l'endos par Butler & Perry, Pawtucket, Rhode Island et le Révérend Hormisdas Béland, prêtre-curé
Personnes et institutions:
Date:
1926
1926
Titre:
Copies de plans d'étages montrant le système de chauffage
Actions:
ARCH5527
Description:
6 Copie du plan du rez-de-chaussée approuvée par Monseigneur William A. Hickey, Évêque de Providence, Rhode Island (dessin 1). Copies du plan du rez-de-chaussée et des plans de chauffage signées à l'endos par Edward Nolette, Pawtucket, Rhode Island, le Révérend Hormisdas Béland, prêtre-curé, et Cormier, 12 août 1926 (dessins 1, 1H, 2H). Copies du plan du sous-sol et de coupes signées à l'endos par Butler & Perry, Pawtucket, Rhode Island et le Révérend Hormisdas Béland, prêtre-curé
Copies de plans d'étages montrant le système de chauffage
Actions:
ARCH5527
Description:
6 Copie du plan du rez-de-chaussée approuvée par Monseigneur William A. Hickey, Évêque de Providence, Rhode Island (dessin 1). Copies du plan du rez-de-chaussée et des plans de chauffage signées à l'endos par Edward Nolette, Pawtucket, Rhode Island, le Révérend Hormisdas Béland, prêtre-curé, et Cormier, 12 août 1926 (dessins 1, 1H, 2H). Copies du plan du sous-sol et de coupes signées à l'endos par Butler & Perry, Pawtucket, Rhode Island et le Révérend Hormisdas Béland, prêtre-curé
Classification:
dessins
dessins
Date:
1926
1926
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258812
Description:
Offres de services, incluant des catalogues, et « Rapport of the Federal Plan Commission on a General Plan for the Cities of Ottawa and Hull 1915 » (signé et donné à Cormier par un ami en 1937).
ARCH258812
Description:
Offres de services, incluant des catalogues, et « Rapport of the Federal Plan Commission on a General Plan for the Cities of Ottawa and Hull 1915 » (signé et donné à Cormier par un ami en 1937).
Personnes et institutions:
Date:
1952
1952
Titre:
Offres de services
Actions:
ARCH258812
Description:
Offres de services, incluant des catalogues, et « Rapport of the Federal Plan Commission on a General Plan for the Cities of Ottawa and Hull 1915 » (signé et donné à Cormier par un ami en 1937).
Offres de services
Actions:
ARCH258812
Description:
Offres de services, incluant des catalogues, et « Rapport of the Federal Plan Commission on a General Plan for the Cities of Ottawa and Hull 1915 » (signé et donné à Cormier par un ami en 1937).
Classification:
documents textuels
documents textuels
Date:
1952
1952
Personnes et institutions:
Numéro de référence:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
Personnes et institutions:
Date:
2007
2007
Titre:
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
Actions:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
Framed presentation drawings of Joe and Joey for a gallery exhibition in Haarlem, Netherlands
Actions:
AP173.S2.2007.D7.001
Description:
Group consists of 3 frames of printout on paper. Signed and numbered prints laminated with plexi and mounted on aluminium panels with aluminium frames.
Date:
2007
2007
Personnes et institutions:
Numéro de référence:
DR2001:0050:001
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:001
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
ca 1858-1866
ca 1858-1866
Titre:
Plan de l'Etablissement curial de la Pointe-Claire
Actions:
DR2001:0050:001
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Plan de l'Etablissement curial de la Pointe-Claire
Actions:
DR2001:0050:001
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
ca 1858-1866
ca 1858-1866
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
Personnes et institutions:
Date:
25 October 1975
25 October 1975
Titre:
Document renouncing all of Gordon Matta-Clark's rights over Marc Petitjean's film footage of the projects "Conical Intersect" and "Etant d'art"
Actions:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
Document renouncing all of Gordon Matta-Clark's rights over Marc Petitjean's film footage of the projects "Conical Intersect" and "Etant d'art"
Actions:
PHCON2002:0016:003:149
Description:
Document all states that Marc Petitjean will provide Gordon Matta-Clark with three copies of his final film. The claim is signed by Petitjean.
Classification:
documents textuels
documents textuels
Date:
25 October 1975
25 October 1975
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Divers catalogues sur l'art
Divers catalogues sur l'art
Numéro de référence:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
Personnes et institutions:
Date:
1907-1939
1907-1939
Titre:
Divers catalogues sur l'art
Actions:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
Divers catalogues sur l'art
Actions:
ARCH257374
Description:
Divers catalogues : « Corinne Dupuis-Maillet » (signé « Cocodilate »), « L'art et les artistes » (avec un article sur Henri Hébert), « Versailles et les Trianons », « Historia », « La convexité de l'atmosphère » par Ivan Jobin, des imprimés divers. Comprend aussi des renseignements sur « Chapelle Chigi », et une aquarelle d'Ernest Cormier.
Classification:
documents textuels
documents textuels
Date:
1907-1939
1907-1939
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
Personnes et institutions:
Titre:
Façades de bâtiments commerciaux de la rue Sherbrooke
Actions:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
Façades de bâtiments commerciaux de la rue Sherbrooke
Actions:
ARCH164153
Description:
20 photographies couleur: façades de bâtiments commerciaux de la rue Sherbrooke 9 x 13 cm 68 feuillets: Notes, croquis et photocopies 19 feuillets: Contrat de gestion de la construction, copie non signée 21,5 x 35,5 cm
Classification:
documents textuels, photographies
documents textuels, photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
Personnes et institutions:
Date:
1991
1991
Titre:
Projet Site Angus
Actions:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
Projet Site Angus
Actions:
AP066.S2.D28
Description:
Le dossier documente les études préliminaires pour un projet de 130 logements comportant des coopératives d'habitation et des condominiums au Site Angus, situé sur l'avenue Mont-Royal, à Montréal, Québec. Description du projet par l'architecte: "Situé aux limites nord du site Angus, le projet se pose à la fois comme clé de voûte du plan d'ensemble de l'Avenue du Mont-Royal et comme charnière permettant de désenclaver ce secteur vers le Boulevard St-Joseph au nord." Texte non signé et non paginé, probablement écrit par Rousseau, Angus 19-38: concept architectural. Le dossier contient des reprographies, des dessins, des documents textuels et des cahiers.
Niveau de description archivistique:
Projet
Projet
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
