7847 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1993-2012
1993-2012
Titre:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1993-2012
1993-2012
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Le Programme virtuel de bourses de recherche CCA soutient notre investissement à long terme quant aux réflexions sur la manière dont le matériel de la collection du CCA déjà numérisé et accessible peut générer de nouvelles configurations historiques, des interprétations actuelles et une portée plus large dans le domaine de la recherche architecturale.
Le Programme virtuel de bourses de recherche CCA soutient notre investissement à long terme quant aux réflexions sur la manière dont le matériel de la collection du CCA déjà numérisé et accessible peut générer de nouvelles configurations historiques, des interprétations actuelles et une portée plus large dans le domaine de la recherche architecturale.
Mot(s)-clé(s):
Programme virtuel de bourses de recherche, Nokubekezela Mchunu, Wafa Ali, Papiers qui subsistent, post-custodial, Afrique
Programme virtuel de bourses de recherche, Nokubekezela Mchunu, Wafa Ali, Papiers qui subsistent, post-custodial, Afrique
Date:
1 mars 2022 au 23 décembre 2022
1 mars 2022 au 23 décembre 2022
Titre:
Programme virtuel de bourses de recherche CCA 2022
Actions:
Description:
Le Programme virtuel de bourses de recherche CCA soutient notre investissement à long terme quant aux réflexions sur la manière dont le matériel de la collection du CCA déjà numérisé et accessible peut générer de nouvelles configurations historiques, des interprétations actuelles et une portée plus large dans le domaine de la recherche architecturale.
Programme virtuel de bourses de recherche CCA 2022
Actions:
Description:
Le Programme virtuel de bourses de recherche CCA soutient notre investissement à long terme quant aux réflexions sur la manière dont le matériel de la collection du CCA déjà numérisé et accessible peut générer de nouvelles configurations historiques, des interprétations actuelles et une portée plus large dans le domaine de la recherche architecturale.
Classification:
recherche
recherche
Date:
1 mars 2022 au
23 décembre 2022
1 mars 2022 au
23 décembre 2022
Classification:
expositions
expositions
Description:
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
Localisation:
Salles principales
Salles principales
Date:
17 juin 1997 au 28 septembre 1997
17 juin 1997 au 28 septembre 1997
Titre:
L'architecture du réconfort : les parcs thématiques de Disney
Actions:
Description:
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
L'architecture du réconfort : les parcs thématiques de Disney
Actions:
Description:
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
Classification:
expositions
expositions
Date:
17 juin 1997 au
28 septembre 1997
17 juin 1997 au
28 septembre 1997
Localisation:
Salles principales
Salles principales
Classification:
événements
événements
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
7 juillet 2016, 18h
7 juillet 2016, 18h
Titre:
Séminaire de chercheur en résidence : Farhan Karim
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Séminaire de chercheur en résidence : Farhan Karim
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Classification:
événements
événements
Date:
7 juillet 2016
18h
7 juillet 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Personnes et institutions:
Date:
circa 1981-1988
circa 1981-1988
Titre:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Date:
5 juin 1985 au 6 septembre 1985
5 juin 1985 au 6 septembre 1985
Titre:
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Classification:
expositions
expositions
Date:
5 juin 1985 au
6 septembre 1985
5 juin 1985 au
6 septembre 1985
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Personnes et institutions:
Date:
1983-1985
1983-1985
Titre:
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Classification:
documents textuels
documents textuels
Date:
1983-1985
1983-1985
Personnes et institutions:
