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How is being a professional skateboarder different from being, say, a professional golfer? Veteran skate journalist and the former editor of SkateBoarder magazine, Sean Mortimer has interviewed the top skaters of all time to answer that question in meaningful and often humorous ways. Tony Hawk, Stacy Peralta, Lance Mountain, and Rodney Mullen are a handful of the skaters(...)
Stalefish, skateboard culture from the rejects who made it
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How is being a professional skateboarder different from being, say, a professional golfer? Veteran skate journalist and the former editor of SkateBoarder magazine, Sean Mortimer has interviewed the top skaters of all time to answer that question in meaningful and often humorous ways. Tony Hawk, Stacy Peralta, Lance Mountain, and Rodney Mullen are a handful of the skaters who opine on sacking yourself, skate-induced ulcers, and the various ways in which skating ruins your love life. Including compelling photographs, this book documents the gritty oral history of professional skating like no other book.
Espaces Public
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold.(...)
Flaneur issue 05: Fokionos Negri, Athens
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold. As on every stage, the desire for the story is stronger than the need to subdue it to rigid logic. The magazine emerses itself in these fragments until they become our very own memory.
Revues
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Théorie de la photographie
avril 2008, Montréal, Kingston, London, Ithaca
Suspended conversations : the afterlife of memory in photographic albums
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Théorie de la photographie
The truth about stories
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Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The(...)
The truth about stories
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Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
Architecture du Canada
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native(...)
Native visual sovereignty: A reader on art and performance
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native artists. Song, dance and music are also posited as a basis for collectivity and resistance and a means to speak to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. Featuring excerpts from the 1969 document Indian Theatre: An Artistic Experiment in Process, this illustrated reader also includes four long-form essays by leading Indigenous scholars, nine artist contributions, oral history interviews and a selection of key texts from the fields of Native contemporary art, art history and theory.
Théorie de l’art
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social(...)
Countercurrents: Women's movements in postwar Montreal
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social movements, mounted a multifront campaign against social injustice. Bringing to light previously overlooked archival and oral sources, Amanda Ricci introduces a new cast of characters to the history of feminism in Quebec. The book presents a unique portrait of the resurgence of feminist activism, demonstrating its deep roots in Indigenous and Black communities, its transnational scope, and its wide-ranging inspirations and preoccupations.
Sociologie (Québec)
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What was it like to grow up in a Modernist residence? Did these radical environments shape the way that children looked at architecture later in life? The oral history in this book paint a uniquely intimate portrait of Modernism. The authors conducted interviews with people, who spent their childhood in radical Modernist domestic spaces, uncovering both serene and(...)
Growing up modern: Childhoods in iconic homes
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What was it like to grow up in a Modernist residence? Did these radical environments shape the way that children looked at architecture later in life? The oral history in this book paint a uniquely intimate portrait of Modernism. The authors conducted interviews with people, who spent their childhood in radical Modernist domestic spaces, uncovering both serene and poignant memories. The recollections range from the ambivalence of philosopher Ernst Tugendhat, now 90 years old, who lived in the famous Mies van der Rohe house in Brno (1930) to the fond reminiscing of the youngest daughter of the Schminke family, who still dreams of her Scharoun-designed ship-like villa in Löbau (1933). The book offers a unique, private and often refreshing perspective on these icons of the avant-garde.
Modernisme
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SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
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août 2004, Ostfildern-Ruit, Germany
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Acoustique
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
décembre 2007, New York
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.