archives
Niveau de description archivistique:
Fonds
Fonds Álvaro Siza
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
1958-2002
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
archives
Niveau de description archivistique:
Fonds
1958-2002
dessins
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
Elevations and a section for the east side of the south elevation, and a section for the south wall through the drawing room balcony, Fonthill House
Actions:
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
dessins
October 1849
architecture
dessins
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849 ?
Elevations and a section for details of the west elevation for Fonthill House
Actions:
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
dessins
October 1849 ?
architecture
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
17 novembre 2011
Urgence 2011 : Jean-Philippe Vassal et Giancarlo Mazzanti
Actions:
Description:
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
archives
Niveau de description archivistique:
Fonds
Fonds Myron Goldsmith
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
1933-1996
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
archives
Niveau de description archivistique:
Fonds
1933-1996
archives
Niveau de description archivistique:
Fonds
Fonds Arthur Erickson
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
1947-2002 (predominant 1963-2000)
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
archives
Niveau de description archivistique:
Fonds
1947-2002 (predominant 1963-2000)
DR1989:0015:002
Description:
- Ground plan for the contract drawings DR1989:0015:001 and DR1989:0015:003 - DR1989:0015:009,. Both the scale used in all nine drawings (1¼" = 10') and the section lines corresponding to the sections DR1989:0015:005 and DR1989:0015:007 - DR1989:0015:009, appear on this drawing. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
1867-1868
St. Peter's Home, Kilburn: Ground plan
Actions:
DR1989:0015:002
Description:
- Ground plan for the contract drawings DR1989:0015:001 and DR1989:0015:003 - DR1989:0015:009,. Both the scale used in all nine drawings (1¼" = 10') and the section lines corresponding to the sections DR1989:0015:005 and DR1989:0015:007 - DR1989:0015:009, appear on this drawing. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Salles principales
18 juin 1996 au 29 septembre 1996
Frank Lloyd Wright : inventer un paysage américain, 1922-1932
Actions:
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Salles principales
DR1989:0015:001
Description:
- This drawing is part of an incomplete set of numbered contract drawings for St. Peter's Home, Kilburn: DR1989:0015:001 - DR1989:0015:009. All nine drawings are done to the scale of 1¼" = 10', which figures on the ground plan, DR1989:0015:002, along with the section lines corresponding to sections DR1989:0015:005, DR1988:0015:007 - DR1989:0015:009. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
1867-1868
St. Peter's Home, Kilburn: Basement plan
Actions:
DR1989:0015:001
Description:
- This drawing is part of an incomplete set of numbered contract drawings for St. Peter's Home, Kilburn: DR1989:0015:001 - DR1989:0015:009. All nine drawings are done to the scale of 1¼" = 10', which figures on the ground plan, DR1989:0015:002, along with the section lines corresponding to sections DR1989:0015:005, DR1988:0015:007 - DR1989:0015:009. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
DR1989:0015:003
Description:
- This drawing is part of an incomplete set of numbered contract drawings for St. Peter's Home, Kilburn: DR1989:0015:001 - DR1989:0015:009. All nine drawings are done to the scale of 1¼" = 10', which figures on the ground plan, DR1989:0015:002, along with the section lines corresponding to the sections, DR1989:0015:005, DR1989:0015:007 - DR1989:0015:009. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture
1867-1868
St. Peter's Home, Kilburn: First floor plan
Actions:
DR1989:0015:003
Description:
- This drawing is part of an incomplete set of numbered contract drawings for St. Peter's Home, Kilburn: DR1989:0015:001 - DR1989:0015:009. All nine drawings are done to the scale of 1¼" = 10', which figures on the ground plan, DR1989:0015:002, along with the section lines corresponding to the sections, DR1989:0015:005, DR1989:0015:007 - DR1989:0015:009. - This drawing is part of a group of drawings for St. Peter's Home, Kilburn, from the office of John Loughborough Pearson, composed of nine orthographic contract drawings dated 1867-1868 (DR1989:0015:001 - DR1989:0015:009) and one elevation for an addition in 1878 (DR1989:0015:010). These drawings were sold at auction by St. Peter's Convent, Woking, along with drawings for that institution (DR1989:0015:011 - DR1989:0015:089 R/V). Both institutions were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and the lay nursing order which ran it. Woking was founded by Lancaster as a home for incurables in 1882, and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
architecture