4935 Résultats
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
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janvier 1900, Barcelona
janvier 1900, Barcelona
Titre:
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
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janvier 1900, Barcelona
janvier 1900, Barcelona
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
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Oscar Niemeyer : Serpentine Gallery Pavillion 2003
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
Oscar Niemeyer : Serpentine Gallery Pavillion 2003
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
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juin 2003, London
juin 2003, London
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The Architecture Annual offers a selection of articles on the school's progress in research and education. Embracing a broad range of topical issues, it includes a cross-section of research performed by Faculty members and coverage of the graduation projects carried out by students in the academic year 2001-2002. This year, design research has been the main focus of(...)
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The Architecture Annual offers a selection of articles on the school's progress in research and education. Embracing a broad range of topical issues, it includes a cross-section of research performed by Faculty members and coverage of the graduation projects carried out by students in the academic year 2001-2002. This year, design research has been the main focus of(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
The architecture annual 2001-2002 : Delft University of Technology.
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The Architecture Annual offers a selection of articles on the school's progress in research and education. Embracing a broad range of topical issues, it includes a cross-section of research performed by Faculty members and coverage of the graduation projects carried out by students in the academic year 2001-2002. This year, design research has been the main focus of activity. In addition, extensive attention has been devoted to new developments in the field of building technology, computer use, and management. The current discourse on planning issues, the network society, problems of integration, increasing individualisation, and the rise of ICT does much to define the research themes treated within its pages.
The architecture annual 2001-2002 : Delft University of Technology.
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The Architecture Annual offers a selection of articles on the school's progress in research and education. Embracing a broad range of topical issues, it includes a cross-section of research performed by Faculty members and coverage of the graduation projects carried out by students in the academic year 2001-2002. This year, design research has been the main focus of activity. In addition, extensive attention has been devoted to new developments in the field of building technology, computer use, and management. The current discourse on planning issues, the network society, problems of integration, increasing individualisation, and the rise of ICT does much to define the research themes treated within its pages.
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janvier 1900, Rotterdam
janvier 1900, Rotterdam
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"Museum Studies: An Anthology of Contexts" provides a comprehensive interdisciplinary collection of approaches to museums and their relation to history, culture, philosophy and their adoring or combative publics. This book brings together for the first time a wide array of texts that mix contemporary analysis with historical documentation. It includes five sections(...)
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"Museum Studies: An Anthology of Contexts" provides a comprehensive interdisciplinary collection of approaches to museums and their relation to history, culture, philosophy and their adoring or combative publics. This book brings together for the first time a wide array of texts that mix contemporary analysis with historical documentation. It includes five sections(...)
Publication:
décembre 2003, Oxford
décembre 2003, Oxford
Titre:
Museum studies : an anthology of contexts
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"Museum Studies: An Anthology of Contexts" provides a comprehensive interdisciplinary collection of approaches to museums and their relation to history, culture, philosophy and their adoring or combative publics. This book brings together for the first time a wide array of texts that mix contemporary analysis with historical documentation. It includes five sections that highlight central themes in museum studies: issue-oriented contexts in museology; states of "nature"; the status of nations; history, memory and other locations; and arts, crafts and visitors. It also addresses the development of museums, the role of the museum in society, and issues central to contemporary museum studies opening with an introductory essay that situates museum studies in a truly interdisciplinary context and including an opening essay for each section that guides the reader through the selections. Finally, the anthology includes a bibliography and list of resources devoted to museum studies that makes the volume an authoritative guide on the subject.
Museum studies : an anthology of contexts
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"Museum Studies: An Anthology of Contexts" provides a comprehensive interdisciplinary collection of approaches to museums and their relation to history, culture, philosophy and their adoring or combative publics. This book brings together for the first time a wide array of texts that mix contemporary analysis with historical documentation. It includes five sections that highlight central themes in museum studies: issue-oriented contexts in museology; states of "nature"; the status of nations; history, memory and other locations; and arts, crafts and visitors. It also addresses the development of museums, the role of the museum in society, and issues central to contemporary museum studies opening with an introductory essay that situates museum studies in a truly interdisciplinary context and including an opening essay for each section that guides the reader through the selections. Finally, the anthology includes a bibliography and list of resources devoted to museum studies that makes the volume an authoritative guide on the subject.
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décembre 2003, Oxford
décembre 2003, Oxford
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Cosmocaixa: the total museum
Cosmocaixa: the total museum
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic(...)
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic(...)
Publication:
octobre 2007, Barcelona
octobre 2007, Barcelona
Titre:
Cosmocaixa: the total museum
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site. Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site.
Cosmocaixa: the total museum
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site. Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site.
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Publication:
octobre 2007, Barcelona
octobre 2007, Barcelona
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Titre:
When space meets art
When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many(...)
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many(...)
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When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many of us who usually focus only on the exhibited items or the subject of events, few of us ever pay attention to the whole design environment. This title will guide you to look and feel it through two key components: spatial design and graphic elements. From 3D to 2D, it demonstrates how structural work including venue setups from exterior to interior makes the whole event outstanding and turn into exceptional eye-catching fascination and how graphic elements from venue decorations to promotional items makes consistency to reflect the whole event concept and affect the affiliation from the exhibited subjects to audience. By that, the title ultimately reveals how these objects affect your sense and blow up your impression to particular events.
When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many of us who usually focus only on the exhibited items or the subject of events, few of us ever pay attention to the whole design environment. This title will guide you to look and feel it through two key components: spatial design and graphic elements. From 3D to 2D, it demonstrates how structural work including venue setups from exterior to interior makes the whole event outstanding and turn into exceptional eye-catching fascination and how graphic elements from venue decorations to promotional items makes consistency to reflect the whole event concept and affect the affiliation from the exhibited subjects to audience. By that, the title ultimately reveals how these objects affect your sense and blow up your impression to particular events.
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Publication:
novembre 2007, Hong Kong
novembre 2007, Hong Kong
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
Publication:
avril 2006, Ostfildern-Ruit
avril 2006, Ostfildern-Ruit
Titre:
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
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avril 2006, Ostfildern-Ruit
avril 2006, Ostfildern-Ruit
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Spectaculaires, les expositions universelles parisiennes ont marqué la mémoire collective et demeurent des témoins précieux de leurs époques. 185 photographies issues principalement des collections de la Médiathèque de l'architecture et du patrimoine et des Archives nationales illustrent l'édification de bâtiments insolites et grandioses, pour beaucoup aujourd'hui(...)
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Spectaculaires, les expositions universelles parisiennes ont marqué la mémoire collective et demeurent des témoins précieux de leurs époques. 185 photographies issues principalement des collections de la Médiathèque de l'architecture et du patrimoine et des Archives nationales illustrent l'édification de bâtiments insolites et grandioses, pour beaucoup aujourd'hui(...)
Titre:
Paris et ses expositions universelles, architectures, 1855-1937
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Spectaculaires, les expositions universelles parisiennes ont marqué la mémoire collective et demeurent des témoins précieux de leurs époques. 185 photographies issues principalement des collections de la Médiathèque de l'architecture et du patrimoine et des Archives nationales illustrent l'édification de bâtiments insolites et grandioses, pour beaucoup aujourd'hui disparus. Palais et pavillons se succèdent et ne se ressemblent pas.
Paris et ses expositions universelles, architectures, 1855-1937
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Spectaculaires, les expositions universelles parisiennes ont marqué la mémoire collective et demeurent des témoins précieux de leurs époques. 185 photographies issues principalement des collections de la Médiathèque de l'architecture et du patrimoine et des Archives nationales illustrent l'édification de bâtiments insolites et grandioses, pour beaucoup aujourd'hui disparus. Palais et pavillons se succèdent et ne se ressemblent pas.
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Publication:
avril 2009
avril 2009
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This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty(...)
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This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty(...)
Titre:
Inside the Getty : the fascinating story of the Getty - its origins and programs, two campuses, art and architecture, and inner workings
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This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty Conservation Institute to the worldwide philanthropy of the Getty Foundation; and from the public places and programs of the J. Paul Getty Trust to the secret spaces and stories of this landmark organization.
Inside the Getty : the fascinating story of the Getty - its origins and programs, two campuses, art and architecture, and inner workings
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This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty Conservation Institute to the worldwide philanthropy of the Getty Foundation; and from the public places and programs of the J. Paul Getty Trust to the secret spaces and stories of this landmark organization.
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Publication:
décembre 2008
décembre 2008
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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
Publication:
janvier 2009, Berlin, Amsterdam
janvier 2009, Berlin, Amsterdam
Titre:
Grand stand 2 : design for trafe fair stands
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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
Grand stand 2 : design for trafe fair stands
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
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livres
Publication:
janvier 2009, Berlin, Amsterdam
janvier 2009, Berlin, Amsterdam
