4079 Résultats
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livres
livres
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$61.00
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In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into(...)
$61.00
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Résumé:
In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into(...)
Titre:
Project without form OMA: Rem Koolhaas and the 1989 laboratorium
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In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into increasingly abstract systems and representations. The ''project without form'' is not built in any of the three cases. The book not only follows the progress of the laboratory in 1989 but also reflects on its prehistory and aftermath, drawing on interviews with various actors at OMA conducted by Holger Schurk. The publication focuses on the hybrid processes of production and representation in the OMA project Très Grande Bibliothèque (TGB) in Paris: these are visualized by means of numerous hitherto unpublished sketches, drawings, and photographs as well as sequences of video stills.
Project without form OMA: Rem Koolhaas and the 1989 laboratorium
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In 1989, the Office for Metropolitan Architecture (OMA) developed a daring architectural typology—a ''project without form''. The setting is a laboratory headed by Rem Koolhaas, in which actors from different disciplines work on three competition challenges at the same time. In the process, the mechanisms of project development and knowledge acquisition merge into increasingly abstract systems and representations. The ''project without form'' is not built in any of the three cases. The book not only follows the progress of the laboratory in 1989 but also reflects on its prehistory and aftermath, drawing on interviews with various actors at OMA conducted by Holger Schurk. The publication focuses on the hybrid processes of production and representation in the OMA project Très Grande Bibliothèque (TGB) in Paris: these are visualized by means of numerous hitherto unpublished sketches, drawings, and photographs as well as sequences of video stills.
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livres
livres
Publication:
avril 2022
avril 2022
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$25.00
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This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
$25.00
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
Titre:
The Halifax Conference: October 5th and 6th, 1970
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
The Halifax Conference: October 5th and 6th, 1970
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Art canadien
Art canadien
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livres
livres
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$56.95
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
Titre:
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Titre:
Space is the place
Space is the place
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$28.00
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on(...)
$28.00
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on(...)
Publication:
novembre 2007
novembre 2007
Titre:
Space is the place
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$28.00
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on paper, and sound and video works made during the past 15 years by Laurie Anderson, Nina Katchadourian, Oleg Kulik, Julian LaVerdiere, Aleksandra Mir and Damian Ortega, among others, and investigates global attitudes from the time the Soviets launched Sputnik nearly 50 years ago to the era of the explosion of the Columbia space shuttle in 2003. While the featured artworks are united by the theme of outer space, the open-ended parameters of the subject also invite consideration of the technological, environmental and sociopolitical forces affecting life on earth today.
Space is the place
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on paper, and sound and video works made during the past 15 years by Laurie Anderson, Nina Katchadourian, Oleg Kulik, Julian LaVerdiere, Aleksandra Mir and Damian Ortega, among others, and investigates global attitudes from the time the Soviets launched Sputnik nearly 50 years ago to the era of the explosion of the Columbia space shuttle in 2003. While the featured artworks are united by the theme of outer space, the open-ended parameters of the subject also invite consideration of the technological, environmental and sociopolitical forces affecting life on earth today.
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livres
livres
Publication:
novembre 2007
novembre 2007
Classification:
livres
livres
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$40.00
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
$40.00
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
Publication:
septembre 2023
septembre 2023
Titre:
Humane ecology: Eight positions
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
Humane ecology: Eight positions
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
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livres
livres
Publication:
septembre 2023
septembre 2023
Classification:
livres
livres
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$59.95
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His(...)
$59.95
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His(...)
Titre:
Abstraction and the holocaust
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His thought-provoking conclusions will alter the way we understand abstraction, the place of abstract artists in art history, and “Holocaust art.” The book considers works from 1951 to the present and includes, among others, paintings by Morris Louis, Frank Stella, and Barnett Newman; Louis Kahn’s proposal for New York City’s first Holocaust memorial; and United States Holocaust Memorial Museum commissions by Richard Serra, Joel Shapiro, Sol Lewitt, and Ellsworth Kelly. The book concludes with a thoughtful discussion of Peter Eisenman’s Berlin Holocaust memorial and Susan Hiller’s photographic and video work, The J. Street Project, and shows how these works extend the possibilities of abstraction as a form of Holocaust representation.
Abstraction and the holocaust
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His thought-provoking conclusions will alter the way we understand abstraction, the place of abstract artists in art history, and “Holocaust art.” The book considers works from 1951 to the present and includes, among others, paintings by Morris Louis, Frank Stella, and Barnett Newman; Louis Kahn’s proposal for New York City’s first Holocaust memorial; and United States Holocaust Memorial Museum commissions by Richard Serra, Joel Shapiro, Sol Lewitt, and Ellsworth Kelly. The book concludes with a thoughtful discussion of Peter Eisenman’s Berlin Holocaust memorial and Susan Hiller’s photographic and video work, The J. Street Project, and shows how these works extend the possibilities of abstraction as a form of Holocaust representation.
Classification:
livres
livres
Publication:
octobre 2007, New Haven London
octobre 2007, New Haven London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
The gatherers
The gatherers
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$45.00
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
$45.00
(disponible en magasin)
Résumé:
Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
Titre:
The gatherers
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$45.00
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
The gatherers
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$45.00
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Résumé:
Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
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livres
livres
Publication:
octobre 2025
octobre 2025
Classification:
livres
livres
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$68.95
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of(...)
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of(...)
Publication:
janvier 1900, London
janvier 1900, London
Titre:
Bartlett works : architecture, buildings, projects
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of the architect generally and in specific aspects of architectural practice, the construction industry, academia and public discourse. "Bartlett Works" explores the links between education and practice and brings together such disparate work as building design, architectural education, film direction, furniture design, architectural journalism, history and theory, arts and architecture policy formulation, video production and website design. Emphasis is placed on recently completed projects and work-in-progress. This book is a useful guide for anyone interested in pursuing a career in architecture or in the subject generally. Contributors include Foster & Partners, Softroom, Ushida Findlay, Allford Hall Monaghan Morris, David Chipperfield Architects, Block Architecture and filmmaker Patrick Keiller.
Bartlett works : architecture, buildings, projects
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$68.95
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of the architect generally and in specific aspects of architectural practice, the construction industry, academia and public discourse. "Bartlett Works" explores the links between education and practice and brings together such disparate work as building design, architectural education, film direction, furniture design, architectural journalism, history and theory, arts and architecture policy formulation, video production and website design. Emphasis is placed on recently completed projects and work-in-progress. This book is a useful guide for anyone interested in pursuing a career in architecture or in the subject generally. Contributors include Foster & Partners, Softroom, Ushida Findlay, Allford Hall Monaghan Morris, David Chipperfield Architects, Block Architecture and filmmaker Patrick Keiller.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Classification:
livres
livres
Titre:
Incoming
Incoming
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$72.95
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and(...)
$72.95
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and(...)
Titre:
Incoming
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$72.95
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and the philosopher Giorgio Agamben, the 576-page book combines film stills from the artist’s latest video work made in collaboration with electronic composer Ben Frost and cinematographer Trevor Tweeten – a haunting and searing multi-channel film installation, accompanied by a visceral soundtrack. Journeys made by refugees and migrants across the Middle East, North Africa, and Europe are captured with a new weapons-grade surveillance technology that can detect the human body from 30.3km. Blind to skin colour, this camera technology registers only the contours of relative heat difference within a given scene, foregrounding the fragile human body’s struggle for survival in hostile environments.
Incoming
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and the philosopher Giorgio Agamben, the 576-page book combines film stills from the artist’s latest video work made in collaboration with electronic composer Ben Frost and cinematographer Trevor Tweeten – a haunting and searing multi-channel film installation, accompanied by a visceral soundtrack. Journeys made by refugees and migrants across the Middle East, North Africa, and Europe are captured with a new weapons-grade surveillance technology that can detect the human body from 30.3km. Blind to skin colour, this camera technology registers only the contours of relative heat difference within a given scene, foregrounding the fragile human body’s struggle for survival in hostile environments.
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livres
livres
Publication:
février 2017
février 2017
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Titre:
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Classification:
livres
livres
Publication:
novembre 2008
novembre 2008
