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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
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janvier 2009
Expositions collectives
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Expositions collectives
janvier 1900, Luzern
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Expositions collectives
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
Expositions collectives
novembre 2008, Berlin
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
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A.C.A.D.E.M.Y
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
A.C.A.D.E.M.Y
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
Expositions collectives
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized(...)
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized advocation of time.
Expositions collectives
The paper sculpture book
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29(...)
Expositions collectives
octobre 2003, Brooklyn
The paper sculpture book
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"The paper sculpture book" is published on the occasion of the traveling exhibition "The paper sculpture show", organized by Cabinet magazine, Independant Curators International (ICI), and SculptureCenter, and curated by ICI. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S.
Expositions collectives
$55.00
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
Expositions collectives
septembre 2008, Köln
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
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After nature
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original(...)
After nature
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original book, enriched with images that have been hand-placed between the pages, and a new fold-out dust jacket. The result is a singular hybrid that is part appropriation, part recycled material--informed by the artistic tradition of the found object. Conceived as an homage, the catalogue features an essay by the New Museum's Massimiliano Gioni, a complete checklist and 25 color images by each of the featured artists, who include Pawel Althamer, Huma Bhabha, Maurizio Cattelan, William Christenberry, Nathalie Djurberg, Werner Herzog, Zoe Leonard, Klara Liden, Dana Schutz and Tino Sehgal, among others.
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Amateurs
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This publication accompanies the exhibition Amateurs at the CCA Wattis Institute for Contemporary Arts, on view from April 23 through August 9, 2008, in the lower of the Logan Galleries on the San Francisco campus of California College of the Arts.
Expositions collectives
juillet 2008, San Francisco
Amateurs
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This publication accompanies the exhibition Amateurs at the CCA Wattis Institute for Contemporary Arts, on view from April 23 through August 9, 2008, in the lower of the Logan Galleries on the San Francisco campus of California College of the Arts.
Expositions collectives
Exponential future
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Tim Lee, Alex Morrison, Isabelle Pauwels, Kevin Schmidt, Mark Soo, Corin Sworn, Althea Thauberger, Elizabeth Zvonar Exhibition Catalogue : 18 January – 27 April 2008 Essays by Juan A. Gaitan, Monika Szewczyk, Scott Watson
Exponential future
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Tim Lee, Alex Morrison, Isabelle Pauwels, Kevin Schmidt, Mark Soo, Corin Sworn, Althea Thauberger, Elizabeth Zvonar Exhibition Catalogue : 18 January – 27 April 2008 Essays by Juan A. Gaitan, Monika Szewczyk, Scott Watson
Expositions collectives