L'aménagement de territoire
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Un point sur les enjeux et les acteurs de l'aménagement du territoire. Des réponses sont apportées sur le plan national mais aussi européen sur les fondements, les tenants et aboutissants de cette nouvelle dimension politique. Les auteurs étudient les voies politiques, institutionnelles, économiques et dressent un bilan.
L'aménagement de territoire
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Un point sur les enjeux et les acteurs de l'aménagement du territoire. Des réponses sont apportées sur le plan national mais aussi européen sur les fondements, les tenants et aboutissants de cette nouvelle dimension politique. Les auteurs étudient les voies politiques, institutionnelles, économiques et dressent un bilan.
Théorie du paysage
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'Austere Gardens' suggests another way to look at the landscape, the garden, and perhaps the entire world around us. It suggests that being open to other ways of observing and sensing can yield new insights and rewards, and that interest is found in places unassuming and overlooked as well as those complex and assertive. Perceiving is only one half the story, however.(...)
Austere gardens: thoughts on landscape, restraint, and attending
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'Austere Gardens' suggests another way to look at the landscape, the garden, and perhaps the entire world around us. It suggests that being open to other ways of observing and sensing can yield new insights and rewards, and that interest is found in places unassuming and overlooked as well as those complex and assertive. Perceiving is only one half the story, however. Realizing places using simple acts and reduced means is the other half.
Théorie du paysage
Des jardins et des hommes
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« Le jardin nous rassemble tous, quels que soient notre culture, nos croyances ou nos métiers, c'est le lieu de la paix active, où tous ceux qui le peuplent vivent en dialogue. » Un espace où contempler la nature et en récolter ses bienfaits, où défendre la biodiversité... voilà ce que racontent dans cet ouvrage quatre personnalités très différentes en évoquant leur amour(...)
Des jardins et des hommes
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« Le jardin nous rassemble tous, quels que soient notre culture, nos croyances ou nos métiers, c'est le lieu de la paix active, où tous ceux qui le peuplent vivent en dialogue. » Un espace où contempler la nature et en récolter ses bienfaits, où défendre la biodiversité... voilà ce que racontent dans cet ouvrage quatre personnalités très différentes en évoquant leur amour des jardins.
Théorie du paysage
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and(...)
Topographical stories: studies in landscape and architecture
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions.
Théorie du paysage
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This book presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an(...)
Site, sight, insight: essays on landscape architecture
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This book presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space.
Théorie du paysage
Of gardens: selected essays
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Paula Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled(...)
Of gardens: selected essays
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Paula Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."
Théorie du paysage
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Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader(...)
The monster in the garden: the grotesque and the gigantic in Renaissance landscape design
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Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.
Théorie du paysage
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Une étude de la représentation et de la signification des jardins dans les oeuvres de romanciers tels que J.-J. Rousseau, M. Duras, Colette, P. Modiano, M. Proust, etc.
Jardins de papier : de Rousseau à Modiano
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Une étude de la représentation et de la signification des jardins dans les oeuvres de romanciers tels que J.-J. Rousseau, M. Duras, Colette, P. Modiano, M. Proust, etc.
Théorie du paysage
Thirtyfour campgrounds
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Camping can make us feel a powerful connection to nature and our rugged backwoods forebears. Campers once confronted the elemental facts of life, but now, the millions of Americans taking to the road on camping trips are more likely to drive to a campground, hook up service conduits, connect to WiFi, drop their awnings, and set out patio chairs. It is as if, Martin Hogue(...)
Thirtyfour campgrounds
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Camping can make us feel a powerful connection to nature and our rugged backwoods forebears. Campers once confronted the elemental facts of life, but now, the millions of Americans taking to the road on camping trips are more likely to drive to a campground, hook up service conduits, connect to WiFi, drop their awnings, and set out patio chairs. It is as if, Martin Hogue observes, each campsite functions as a stage upon which campers perform a series of ritualized activities (pitching the tent, building a fire, cooking over flames). In Thirtyfour Campgrounds, Hogue investigates these sites, individually and in multiples, offering a photographic and typological survey of nearly 6,500 American campsites, mapping subtle differences within the apparently identical. The central part of the book consists of color photographs of individual campsites, downloaded from such online reservation websites as reserveamerica.com and recreation.gov, organized by zip code, and arranged in grids across the pages. Hogue nods to artist Ed Ruscha's Thirtyfour Parking Lots for his title and its attitude, and to the work of Bernd and Hilla Becher for the serial arrangement of images in grids. The campsite pictures seem at first endlessly repetitious; but then the repetition makes way for difference. Time reveals itself in fading light and passing clouds, the weather changes between photographs of neighboring sites, leaves turn color and fall, in an unexpected kind of time-lapse photography. This is a book that was made so seriously that it must (not) be taken too seriously. More scientific than any campground literature, Thirtyfour Campgrounds calls the very nature of scientific survey, research, and publication into question.
Théorie du paysage
The long, long life of trees
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Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or(...)
The long, long life of trees
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Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols.
Théorie du paysage