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livres
livres
Titre:
The society of interiors
The society of interiors
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The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial(...)
$35.95
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Résumé:
The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial(...)
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The society of interiors
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The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial practices in urban contexts that allow for a diverse public, express differences, and create other experiences and situations. Contributors: Rochus Hinkel, Peter Lang, Tor Lindstrand, Petra Pferdmenges, Tatjana Schneider
The society of interiors
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The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial practices in urban contexts that allow for a diverse public, express differences, and create other experiences and situations. Contributors: Rochus Hinkel, Peter Lang, Tor Lindstrand, Petra Pferdmenges, Tatjana Schneider
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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audio
audio
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1 online resource.
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Publication:
[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
Titre:
The Geological and Technological Landscape Production of our Cities.
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1 online resource.
The Geological and Technological Landscape Production of our Cities.
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1 online resource.
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audio
audio
Publication:
[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
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livres
livres
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$16.00
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George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors(...)
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Résumé:
George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors(...)
Titre:
Open fields : conversations on the commons
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George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors in the summer months, the project invites artists and visitors to imagine and inhabit the museum's campus as a cultural commons - a shared space for idea exchange, creative gatherings and unexpected interactions. In 2010, the Walker's backyard was home to numerous activities from conversations to performances and temporary sculptures. This volume discusses Open Field's genesis, exploring the meaning and impact of public practice for institutions.
Open fields : conversations on the commons
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$16.00
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Résumé:
George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors in the summer months, the project invites artists and visitors to imagine and inhabit the museum's campus as a cultural commons - a shared space for idea exchange, creative gatherings and unexpected interactions. In 2010, the Walker's backyard was home to numerous activities from conversations to performances and temporary sculptures. This volume discusses Open Field's genesis, exploring the meaning and impact of public practice for institutions.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
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audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Titre:
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
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audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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livres
livres
Titre:
CCA on view
CCA on view
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"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main(...)
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"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main(...)
Titre:
CCA on view
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"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main galleries of the CCA’s current building at 1920, rue Baile, each exhibition is presented through installation views, photographs of exhibition objects, previously unpublished working documents, and short descriptive statements. These artifacts, interspersed with commentary from CCA directors, curators, and collaborators, illustrate the central positions and arguments taken up in each project. "CCA on View" delves into the institutional archives to highlight the character and trajectory of the CCA’s approach to curatorial research.
CCA on view
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$10.95
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Résumé:
"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main galleries of the CCA’s current building at 1920, rue Baile, each exhibition is presented through installation views, photographs of exhibition objects, previously unpublished working documents, and short descriptive statements. These artifacts, interspersed with commentary from CCA directors, curators, and collaborators, illustrate the central positions and arguments taken up in each project. "CCA on View" delves into the institutional archives to highlight the character and trajectory of the CCA’s approach to curatorial research.
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livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Publications du CCA
Publications du CCA
Classification:
périodiques
périodiques
Titre:
Open 6 (in)security
Open 6 (in)security
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$36.00
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Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
$36.00
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Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
Sujet:
Revues
Revues
Publication:
août 2004, Rotterdam
août 2004, Rotterdam
Titre:
Open 6 (in)security
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There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Open 6 (in)security
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$36.00
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Résumé:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Classification:
périodiques
périodiques
Publication:
août 2004, Rotterdam
août 2004, Rotterdam
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Southern street
Southern street
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$39.00
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
$39.00
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
Titre:
Southern street
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$39.00
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
Southern street
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$39.00
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Résumé:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$44.00
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Résumé:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
$44.00
(disponible sur commande)
Résumé:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
Titre:
The captured museum : on Carte blanche, a research project by the Museum of contemporary art in Leipzig
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$44.00
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A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
The captured museum : on Carte blanche, a research project by the Museum of contemporary art in Leipzig
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$44.00
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Résumé:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Audi Forum Ingolstadt
Audi Forum Ingolstadt
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$43.95
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With the creation of the Audi Forum, the Audi automobile plant in Ingolstadt--which formerly consisted largely of car production halls--has been given a new focus and become an extension of public space. For many years, the steadily expanding plant was virtually isolated from the outside world. Now, with the urban restructuring of the site, the ensemble may be seen as a(...)
$43.95
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With the creation of the Audi Forum, the Audi automobile plant in Ingolstadt--which formerly consisted largely of car production halls--has been given a new focus and become an extension of public space. For many years, the steadily expanding plant was virtually isolated from the outside world. Now, with the urban restructuring of the site, the ensemble may be seen as a(...)
Titre:
Audi Forum Ingolstadt
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$43.95
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With the creation of the Audi Forum, the Audi automobile plant in Ingolstadt--which formerly consisted largely of car production halls--has been given a new focus and become an extension of public space. For many years, the steadily expanding plant was virtually isolated from the outside world. Now, with the urban restructuring of the site, the ensemble may be seen as a convincing translation into spatial form of the company's policy of opening itself to the public. The lively Forum, with its light-filled and spacious architecture, conveys a sense of urbanity.
Audi Forum Ingolstadt
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$43.95
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With the creation of the Audi Forum, the Audi automobile plant in Ingolstadt--which formerly consisted largely of car production halls--has been given a new focus and become an extension of public space. For many years, the steadily expanding plant was virtually isolated from the outside world. Now, with the urban restructuring of the site, the ensemble may be seen as a convincing translation into spatial form of the company's policy of opening itself to the public. The lively Forum, with its light-filled and spacious architecture, conveys a sense of urbanity.
Classification:
livres
livres
Publication:
décembre 2001, Munich
décembre 2001, Munich
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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audio
audio
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1 online resource.
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Publication:
[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
Titre:
Documenting the Undocumented : Carceral Architecture and Migrant Bodies.
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1 online resource.
Documenting the Undocumented : Carceral Architecture and Migrant Bodies.
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Description:
1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
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