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livres
livres
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Versailles : l'Opéra royal / Jean-Paul Gousset, Raphaël Masson ; portfolio de Patrick Tourneboeuf.
Versailles : l'Opéra royal / Jean-Paul Gousset, Raphaël Masson ; portfolio de Patrick Tourneboeuf.
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223 pages : color illustrations ; 31 cm
Description:
223 pages : color illustrations ; 31 cm
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[Paris] : Artlys, ©2010.
[Paris] : Artlys, ©2010.
Titre:
Versailles : l'Opéra royal / Jean-Paul Gousset, Raphaël Masson ; portfolio de Patrick Tourneboeuf.
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223 pages : color illustrations ; 31 cm
Versailles : l'Opéra royal / Jean-Paul Gousset, Raphaël Masson ; portfolio de Patrick Tourneboeuf.
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223 pages : color illustrations ; 31 cm
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livres
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[Paris] : Artlys, ©2010.
[Paris] : Artlys, ©2010.
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48 pages : illustrations (chiefly color), map, plans, portraits ; 23 cm
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48 pages : illustrations (chiefly color), map, plans, portraits ; 23 cm
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Langres : Dominique Guéniot, 2005.
Langres : Dominique Guéniot, 2005.
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Joinville, le château de Grand Jardin, Haute-Marne / [textes, Hélène Billat ; photographies, Jacques Philippot].
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48 pages : illustrations (chiefly color), map, plans, portraits ; 23 cm
Joinville, le château de Grand Jardin, Haute-Marne / [textes, Hélène Billat ; photographies, Jacques Philippot].
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48 pages : illustrations (chiefly color), map, plans, portraits ; 23 cm
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Langres : Dominique Guéniot, 2005.
Langres : Dominique Guéniot, 2005.
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423 pages : illustrations (chiefly color), facsimiles, maps, plans ; 33 cm
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423 pages : illustrations (chiefly color), facsimiles, maps, plans ; 33 cm
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Paris : Mengès, ©1996.
Paris : Mengès, ©1996.
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Versailles / texte de Jean-Marie Pérouse de Montclos ; photographies de Robert Polidori.
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423 pages : illustrations (chiefly color), facsimiles, maps, plans ; 33 cm
Versailles / texte de Jean-Marie Pérouse de Montclos ; photographies de Robert Polidori.
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423 pages : illustrations (chiefly color), facsimiles, maps, plans ; 33 cm
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livres
livres
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Paris : Mengès, ©1996.
Paris : Mengès, ©1996.
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livres
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$65.00
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and(...)
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and(...)
Titre:
Jürgen Beck: Sun Breakers. Late August, Roquebrune-Cap-Martin
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author Dorothee Elmiger, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.
Jürgen Beck: Sun Breakers. Late August, Roquebrune-Cap-Martin
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author Dorothee Elmiger, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Michael Yuan: The bridge
Michael Yuan: The bridge
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"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From(...)
$65.00
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"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From(...)
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Michael Yuan: The bridge
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"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From the opening in 1937 until this day forward, the overpass has been photographed and illustrated immeasurable times, mystifying an achievement no one ever considered possible. Every year forty million vehicles travel between the orange cables, welcoming visitors from around the world. With "The bridge" Michael Yuan (CA) paints an intimate portrait of the Golden Gate Bridge, a challenge towards the well-known perspectives of the monument, often observed in its mind-blowing entirety and completeness. The bridge in all its characteristic faces that have never been presented before. A study of its form, lines, shapes and distinctive colour: the imposing towers, stylised street lamps, gigantic cables, bolts, plates – each with their own distinctive geometry and shape, colour, sound and light.
Michael Yuan: The bridge
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$65.00
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Résumé:
"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From the opening in 1937 until this day forward, the overpass has been photographed and illustrated immeasurable times, mystifying an achievement no one ever considered possible. Every year forty million vehicles travel between the orange cables, welcoming visitors from around the world. With "The bridge" Michael Yuan (CA) paints an intimate portrait of the Golden Gate Bridge, a challenge towards the well-known perspectives of the monument, often observed in its mind-blowing entirety and completeness. The bridge in all its characteristic faces that have never been presented before. A study of its form, lines, shapes and distinctive colour: the imposing towers, stylised street lamps, gigantic cables, bolts, plates – each with their own distinctive geometry and shape, colour, sound and light.
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livres
livres
Publication:
juin 2024
juin 2024
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Monographies photo
Monographies photo
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livres
livres
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$48.95
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains(...)
$48.95
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains(...)
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To reach the source: The stepwells of India
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains connected to the sun and sky above. There are thousands of stepwells across the Indian Subcontinent, many of them 500-1,000 years old, each one different from the other. Most lie abandoned and overlooked, in varying states of preservation or, more often, disrepair, but they remain beautiful and compelling. The 48 photographs in this book were made across India to convey the beauty and diversity of these structures and the striking ambiances they elicit. A brief text accompanies the images to provide history and context, interspersed with several architectural drawings by Tanvi Jain. The images seek to give readers a sense of what it feels like to immerse oneself in such a unique, meditative space, and to be impelled towards the very source of life: water.
To reach the source: The stepwells of India
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$48.95
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains connected to the sun and sky above. There are thousands of stepwells across the Indian Subcontinent, many of them 500-1,000 years old, each one different from the other. Most lie abandoned and overlooked, in varying states of preservation or, more often, disrepair, but they remain beautiful and compelling. The 48 photographs in this book were made across India to convey the beauty and diversity of these structures and the striking ambiances they elicit. A brief text accompanies the images to provide history and context, interspersed with several architectural drawings by Tanvi Jain. The images seek to give readers a sense of what it feels like to immerse oneself in such a unique, meditative space, and to be impelled towards the very source of life: water.
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livres
livres
Publication:
janvier 2025
janvier 2025
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Monographies photo
Monographies photo
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livres
livres
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$69.95
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first(...)
$69.95
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Résumé:
The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first(...)
Titre:
Paul Virilio: Bunker archeology
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as “harbingers of a new architecture”, which he sought to capture in the term “cryptic architecture”. The first exhibition of Virilio’s ''Bunker Archeology'' was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, ''Bunker Archeology'' is still full of connections to the present.
Paul Virilio: Bunker archeology
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$69.95
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Résumé:
The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as “harbingers of a new architecture”, which he sought to capture in the term “cryptic architecture”. The first exhibition of Virilio’s ''Bunker Archeology'' was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, ''Bunker Archeology'' is still full of connections to the present.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$70.00
(disponible en magasin)
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd(...)
$70.00
(disponible en magasin)
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd(...)
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A field measure survey of American architecture
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$70.00
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled. Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. ''A field measure survey of American architecture'' sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.
A field measure survey of American architecture
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$70.00
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled. Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. ''A field measure survey of American architecture'' sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Islamabad today
Islamabad today
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$39.95
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At(...)
$39.95
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At(...)
Titre:
Islamabad today
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$39.95
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At some moments, five thousand workers were on site at the same time. Project manager Alberto Rosselli declared that the idea was not to transfer their Western knowledge to Pakistan, but to create a new Pakistan. Moved by this incredible project, where the personal stories of the Ponti and Rosselli families crossed paths against a backdrop of architectural and political history, Giovanna Silva traveled to Islamabad in 2020 with Paolo Rosselli, nephew of Gio Ponti and son of Alberto Rosselli. Silva's photographs show the buildings in their everyday public function, with a focus on the spaces as performed by their users. The book also features archival images of the building site and construction, and a narrative text by Paolo Rosselli tracing the story of the project and his reactions during his first visit to his father’s work in Islamabad.
Islamabad today
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$39.95
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At some moments, five thousand workers were on site at the same time. Project manager Alberto Rosselli declared that the idea was not to transfer their Western knowledge to Pakistan, but to create a new Pakistan. Moved by this incredible project, where the personal stories of the Ponti and Rosselli families crossed paths against a backdrop of architectural and political history, Giovanna Silva traveled to Islamabad in 2020 with Paolo Rosselli, nephew of Gio Ponti and son of Alberto Rosselli. Silva's photographs show the buildings in their everyday public function, with a focus on the spaces as performed by their users. The book also features archival images of the building site and construction, and a narrative text by Paolo Rosselli tracing the story of the project and his reactions during his first visit to his father’s work in Islamabad.
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livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$58.00
(disponible sur commande)
Résumé:
It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to(...)
$58.00
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It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to(...)
Titre:
Olivo Barbieri: the waterfall project
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It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to such touristy waterfalls as Victoria (Zambia/ Zimbabwe), Iguazu (Argentina, Brazil), Khone Papeng (Laos/Cambodia) and Niagara (USA/Canada). In these disorienting images, the spectators on the crowded viewing platforms look like M & M's in a candy bowl, a cluster of toytown Pointillistic color against a backdrop of watery froth. The results are vertiginous and wonderfully bizarre. Critic Walter Guadagnini writes in the introduction: There is an evident technical expedient in this, and it is the choice to photograph from above, to place oneself in a privileged and anomalous condition. In the past, this expedient already gave rise to numerous readings, which range from acknowledging the historical roots of this perspective (going back all the way to Nadar's photographs from a hot-air balloon) up to the socio-political implications deriving from 9/11."
Olivo Barbieri: the waterfall project
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$58.00
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Résumé:
It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to such touristy waterfalls as Victoria (Zambia/ Zimbabwe), Iguazu (Argentina, Brazil), Khone Papeng (Laos/Cambodia) and Niagara (USA/Canada). In these disorienting images, the spectators on the crowded viewing platforms look like M & M's in a candy bowl, a cluster of toytown Pointillistic color against a backdrop of watery froth. The results are vertiginous and wonderfully bizarre. Critic Walter Guadagnini writes in the introduction: There is an evident technical expedient in this, and it is the choice to photograph from above, to place oneself in a privileged and anomalous condition. In the past, this expedient already gave rise to numerous readings, which range from acknowledging the historical roots of this perspective (going back all the way to Nadar's photographs from a hot-air balloon) up to the socio-political implications deriving from 9/11."
Classification:
livres
livres
Publication:
octobre 2008, Bologna
octobre 2008, Bologna
Sujet:
Monographies photo
Monographies photo
