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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
Architecture du Canada
septembre 2007, Montreal Kingston
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Architecture du Canada
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects(...)
The hypospace of Japanese architecture
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects outside time—continues to inform Japanese architecture and suggests how we can rethink the history, theory, and practice of architecture more generally.
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244 pages : illustrations (chiefly color), facsimile, portrait ; 28 cm
Vienna : Verlag für moderne Kunst, [2021], ©2021
World culture districts : spaces of the 21st century / editor, MQ, Christian Strasser ; translation, Dean Kustra (German-English).
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244 pages : illustrations (chiefly color), facsimile, portrait ; 28 cm
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Vienna : Verlag für moderne Kunst, [2021], ©2021
New China architecture
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The transformation of China in the last decade is symbolized by its architecture. This book documents both the stunning designs of famed architects and the emergence of a whole new generation of Chinese architects. The selected projects cover a broad range of residential homes, public buildings, office towers and the adaptive reuse of older city precincts. The buildings(...)
New China architecture
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The transformation of China in the last decade is symbolized by its architecture. This book documents both the stunning designs of famed architects and the emergence of a whole new generation of Chinese architects. The selected projects cover a broad range of residential homes, public buildings, office towers and the adaptive reuse of older city precincts. The buildings featured include skyscrapers in Shanghai, the dazzling new designs for the Beijing Olympic Games venues, innovative private houses such as those at the Commune by the Great Wall and the now mandatory gleaming new airports and city landmarks. Photography by Patrick Bingham-Hall.
Architecture : art
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This illustrated collection features designers and projects that push the boundaries of art and architecture. "Architecture : art" explores the disparate ways in which contemporary artists and architects handle the blurring lines between their disciplines. Contemporary art often oversteps the limits of its traditional concepts and modes of presentation, increasingly(...)
septembre 2005, Munich / Berlin / London / New York
Architecture : art
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This illustrated collection features designers and projects that push the boundaries of art and architecture. "Architecture : art" explores the disparate ways in which contemporary artists and architects handle the blurring lines between their disciplines. Contemporary art often oversteps the limits of its traditional concepts and modes of presentation, increasingly moving into virtual and actual spaces. Similarly, many of today's architects depart from the principles of classical modernism and historical models to integrate artistic concepts into the design and construction of their buildings. The book highlights the most exciting examples of these interdisciplinary activities, from Zaha Hadid's Guggenheim Museum in Taichung, Taiwan to Richard Meier's Jubilee Church in Rome, Italy, and from Hiroshi Sugimoto's Go'o Shrine to Richard Serra's Torqued Ellipses. Profiles of the featured artists and architects are included, along with an introductory essay elucidating the historical foundations from which architecture and art have coevolved to the present day.
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of(...)
Architecture and anarchism: building without authority
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to reflect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise.
Architecture contemporaine
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272 pages : illustrations (some color) ; 23 cm
New York : Monacelli Press, ©2002.
American signs : form and meaning on Route 66 / Lisa Mahar.
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272 pages : illustrations (some color) ; 23 cm
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New York : Monacelli Press, ©2002.
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247, [25] pages : illustrations, plans, portraits ; 22 cm
London : Phaidon, 2000.
Breuer houses / Joachim Driller ; [translated by Mark Cole and Jeremy Verrinder ; translation edited by Mark Jarzombek].
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247, [25] pages : illustrations, plans, portraits ; 22 cm
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London : Phaidon, 2000.
$42.00
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This project began with an essay on the "McMansion" phenomenon, and it grew to become a meditation on the assorted different building types that are found in every American city and suburb. While it’s true that good buildings do exist for each of those categories, they are very much the exception, these buildings more typically ranging from dull to assertively ugly. The(...)
Everyday architecture: A vast wasteland
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This project began with an essay on the "McMansion" phenomenon, and it grew to become a meditation on the assorted different building types that are found in every American city and suburb. While it’s true that good buildings do exist for each of those categories, they are very much the exception, these buildings more typically ranging from dull to assertively ugly. The book is meant to be a fairly pitiless and revealing look at this "vast wasteland," with an architect’s hat on but without resort to the profession’s fads and verbiages. Several natural categories inform the organization of the contents, including commercial, residential, and institutional, even including cars and other manifestations of "architecture on the move" that have also lost their way in stylistic terms. The writing includes capsule histories of many of the building types included, plus some lesser-known facts and some sidebars on sociocultural aspects which make up much of one’s experience of these places. Stylistically, a bit of an acerbic tone makes for diverting as well as informative reading.
Architecture contemporaine
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''Living in nature'' showcases a selection of architect-designed houses that have something fundamental in common: a special relationship with the natural world. Each of the book's 50 homes is carefully chosen for its stunning location, whether cocooned within the earth itself or soaring high amongst treetops, surrounded by cooling waters, or resisting the desert heat.(...)
Living in nature: contemporary houses in the natural world
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''Living in nature'' showcases a selection of architect-designed houses that have something fundamental in common: a special relationship with the natural world. Each of the book's 50 homes is carefully chosen for its stunning location, whether cocooned within the earth itself or soaring high amongst treetops, surrounded by cooling waters, or resisting the desert heat. With a wealth of photographs showcasing each house inside and out, ''Living in nature'' offers inspiration — and tranquillity.
Architecture résidentielle