Décoloniser l'architecture
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L’avènement d’une société écologique ne peut passer que par une refonte majeure de nos manières de concevoir et de bâtir. Cependant, les logiques de mise en ordre du monde dont l’architecture a hérité la rendent difficilement conciliable avec une véritable écologie sociale. Que faire alors ? Dans une démonstration à la fois érudite et sensible, Mathias Rollot,(...)
Décoloniser l'architecture
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L’avènement d’une société écologique ne peut passer que par une refonte majeure de nos manières de concevoir et de bâtir. Cependant, les logiques de mise en ordre du monde dont l’architecture a hérité la rendent difficilement conciliable avec une véritable écologie sociale. Que faire alors ? Dans une démonstration à la fois érudite et sensible, Mathias Rollot, chercheur et architecte, nous propose de transformer l’architecture en un outil de résistance aux systèmes de domination en place – sur la nature, les humains, les animaux – afin de réinventer une manière non extractiviste de construire. En faisant dialoguer philosophie, sciences sociales et architecture, l’auteur esquisse les contours d’architectures plurielles, qui appartiendraient réellement aux peuples et aux milieux dans leur diversité : des architectures décoloniales, vivantes, libérées.
Théorie de l’architecture
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Published in Icelandic in 1994, ''Under the Wings of the Valkyrie'' is the work that established Sjón's literary career. Short and intense, the story unfolds through a letter from Icelandic architect Fridjón B. Fridriksson to his wife, revealing his lifelong obsession with German militant Gudrun Ensslin, of the Baader-Meinhof gang. He first glimpsed her on TV as a child(...)
Under the wings of the Valkyrie
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Published in Icelandic in 1994, ''Under the Wings of the Valkyrie'' is the work that established Sjón's literary career. Short and intense, the story unfolds through a letter from Icelandic architect Fridjón B. Fridriksson to his wife, revealing his lifelong obsession with German militant Gudrun Ensslin, of the Baader-Meinhof gang. He first glimpsed her on TV as a child and now Ensslin lingers in his dreams and has become the defining fixture of his psyche. To break free from Ensslin, and salvage his marriage, Fridjón resorts to drastic measures. Disturbing yet captivating, ''Under the Wings of the Valkyrie'' blurs the lines between passion and madness, fantasy and reality.
Théorie de l’art
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Ce livre, titré Aménager l'espace, orner les lieux, composé par Michel Guérin, est le premier numéro (cahier #01) de la collection « Arrangements » aux éditions Athom. Il se compose de trois textes : le premier titré « Le secret de la parure » ; le second « Arrangements avec le ciel » ; le troisième est un long entretien donné par l'auteur à Olivier Koettlitz des éditions Athom.
Aménager l'espace, orner les lieux
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Ce livre, titré Aménager l'espace, orner les lieux, composé par Michel Guérin, est le premier numéro (cahier #01) de la collection « Arrangements » aux éditions Athom. Il se compose de trois textes : le premier titré « Le secret de la parure » ; le second « Arrangements avec le ciel » ; le troisième est un long entretien donné par l'auteur à Olivier Koettlitz des éditions Athom.
Théorie de l’architecture
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En s'appuyant sur deux rassemblements publics observés dans la ville de Tianjin, l'auteure montre comment les citoyens s'accordent sur des compréhensions et des savoir-faire partagés, sur des types de jugement et de discernement, dans une situation où les distinctions entre vérité et mensonge, justice et injustice, réel et imaginaire, sont déterminés.
Des lieux en commun :Une ethnographie des rassemblements publics en Chine
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En s'appuyant sur deux rassemblements publics observés dans la ville de Tianjin, l'auteure montre comment les citoyens s'accordent sur des compréhensions et des savoir-faire partagés, sur des types de jugement et de discernement, dans une situation où les distinctions entre vérité et mensonge, justice et injustice, réel et imaginaire, sont déterminés.
Théorie de l’urbanisme
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Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging(...)
Any day now: toward a Black aesthetic
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Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging with fiction, music, drama, and poetry in his texts, he challenged the dominance of the Western art-historical canon and charged Black artists and writers with reshaping artistic traditions according to their own history. As he proclaimed in his essay "The Black Writer’s Role," written in 1966, "Black writers must listen to the world with their whole selves––their entire bodies. Must make literature move people. Must want to make our people feel, the way our music makes them feel."
Théorie de l’art
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In "The surrounds" renowned urbanist AbdouMaliq Simone offers a new theorization of the interface of the urban and the political. Working at the intersection of Black studies, urban theory, and decolonial and Islamic thought, Simone centers the surrounds—those urban spaces beyond control and capture that exist as a locus of rebellion and invention. He shows that even in(...)
The surrounds: Urban life within and beyond capture
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In "The surrounds" renowned urbanist AbdouMaliq Simone offers a new theorization of the interface of the urban and the political. Working at the intersection of Black studies, urban theory, and decolonial and Islamic thought, Simone centers the surrounds—those urban spaces beyond control and capture that exist as a locus of rebellion and invention. He shows that even in clearly defined city environments, whether industrial, carceral, administrative, or domestic, residents use spaces for purposes they were not designed for: schools become housing, markets turn into classrooms, tax offices transform into repair shops. The surrounds, Simone contends, are where nothing fits according to design. They are where forgotten and marginalized populations invent new relations and ways of living and being, continuously reshaping what individuals and collectives can do. Focusing less on what new worlds may come to be and more on what people are creating now, Simone shows how the surrounds are an integral part of the expansiveness of urban imagination.
Théorie de l’urbanisme
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
Architecture from below: An anthology
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
Théorie de l’architecture
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How can urban housing, and the land underneath, now account for half of all global wealth? According to Patrick Condon in ''Broken City'', the simple answer is that land has become an asset rather than a utility. If the rich only indulged themselves with gold, jewels, and art, we wouldn’t have a global housing crisis. But once global capital markets realized land was a(...)
Broken city: Land speculation, inequality, and urban crisis
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How can urban housing, and the land underneath, now account for half of all global wealth? According to Patrick Condon in ''Broken City'', the simple answer is that land has become an asset rather than a utility. If the rich only indulged themselves with gold, jewels, and art, we wouldn’t have a global housing crisis. But once global capital markets realized land was a good speculative investment, runaway housing costs ensued. For example, in Vancouver, land prices increased by six hundred percent between 2008 and 2016. How much wealth have investors extracted from urban land? In this engaging, readable, and insightful treatise, Patrick Condon explains how we have let land, our most durable resource, shift away from the common good and proposes bold strategies for how cities in North America can shift it back.
Théorie de l’urbanisme
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"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book(...)
A shadow of a man in the mirror
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"A shadow of a man in the mirror" present stills taken from the 1934 experimental film "Hands" captioned with 'subtitles' created using image-to-text software. The captioning program, NeuralTalk, is one of the first machine vision models designed to write sentences that describe images' contents rather than simply identifying the objects present within them. This book exposes the limits of object recognition technologies; the inaccurate outcomes make explicit the unstable relation between images and what they are deemed to represent. An accidental poetry often arises from the erratic space of the machine.
Théorie de l’art
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In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little(...)
Building Little Saigon: Refugee urbanism in American cities and suburbs
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In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events. "Building Little Saigon" examines nearly fifty years of city building by Vietnamese Americans-who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings-who made them and what they mean for those who know them-"Building Little Saigon" shows us the complexities of migration unfolding across lifetimes and generations.
Théorie de l’urbanisme