DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
architecture, architecture de paysage, ingénierie
published 1884
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
architecture, architecture de paysage, ingénierie
DR1984:0569
Description:
- An engraved map of Marylebone Park and the streets bordering it to the south, with the outline of the street system for an early version of Nash's plan for Regent's Park superimposed in pen and coloured wash.
architecture, architecture de paysage, urbanisme
1811-1812 over a print of ca. 1805
A preliminary design for Regent's Park drawn over a map of the existing site
Actions:
DR1984:0569
Description:
- An engraved map of Marylebone Park and the streets bordering it to the south, with the outline of the street system for an early version of Nash's plan for Regent's Park superimposed in pen and coloured wash.
architecture, architecture de paysage, urbanisme
DR1984:0570
Description:
- An early plan for John Nash's Regent's Park, canal, and connecting streets. The canal, which circles the park to the north, is lined on either side by terrace housing, and the park is traversed by an artificial water system that connects in the northeast with the canal.
architecture, architecture de paysage, urbanisme
1812-1814
A preliminary design for Regent's Park
Actions:
DR1984:0570
Description:
- An early plan for John Nash's Regent's Park, canal, and connecting streets. The canal, which circles the park to the north, is lined on either side by terrace housing, and the park is traversed by an artificial water system that connects in the northeast with the canal.
architecture, architecture de paysage, urbanisme
Monadnock Building, Chicago: Elevations, plan, section and detail for a counter for General Torrence
DR1986:0767:040
design d'intérieur
printed 1891-1892
Monadnock Building, Chicago: Elevations, plan, section and detail for a counter for General Torrence
Actions:
DR1986:0767:040
design d'intérieur
DR1986:0767:213
Description:
- The signature "Albert Buihung" apparently indicates the future tenant's approval of the layout.
architecture, design d'intérieur
1891-1892
Monadnock Building, Chicago: Plan for commercial spaces
Actions:
DR1986:0767:213
Description:
- The signature "Albert Buihung" apparently indicates the future tenant's approval of the layout.
architecture, design d'intérieur
dessins
DR1986:0767:018
design d'intérieur
1891-1892
Monadnock Building, Chicago: Elevation and section for a counter for General Torrence
Actions:
DR1986:0767:018
dessins
1891-1892
design d'intérieur
dessins
Monadnock and Kearsarge Buildings, Chicago: Plan and elevations for the sixteenth floor barbershop
DR1986:0767:439
architecture, design d'intérieur
printed 1891-1892
Monadnock and Kearsarge Buildings, Chicago: Plan and elevations for the sixteenth floor barbershop
Actions:
DR1986:0767:439
dessins
printed 1891-1892
architecture, design d'intérieur
dessins
DR1986:0767:441
architecture, design d'intérieur
printed 1891-1892
dessins
printed 1891-1892
architecture, design d'intérieur
ARCH256296
Description:
"Les Jamaicains ont fait construire à l'Expo 67 un pavillon, réplique fascinante de ces célèbres auberges du siècle dernier, qui ont fait la renommée du pays auprès des estivants. Erigé sur une sorte de presqu'île dans l'Ile Notre-Dame, le pavillon de la Jamaique est voisin du pavillon des Indiens du Canada et de celui de Monaco. / Jamaica bringsto [sic] Expo 67 a classic Jamaican inn, a reproduction of one of the many inns that served the islanders and visitors in the late 18th and 19th centuries. Situated on Ile Notre-Dame, the inn has a shingled roof, shuttered upper windows and an elegant courtyard. Smaller thatched buildings on the perimeter are reminiscent of those on the old sugar plantations."--Description.
1967
View of the Jamaica's Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256296
Description:
"Les Jamaicains ont fait construire à l'Expo 67 un pavillon, réplique fascinante de ces célèbres auberges du siècle dernier, qui ont fait la renommée du pays auprès des estivants. Erigé sur une sorte de presqu'île dans l'Ile Notre-Dame, le pavillon de la Jamaique est voisin du pavillon des Indiens du Canada et de celui de Monaco. / Jamaica bringsto [sic] Expo 67 a classic Jamaican inn, a reproduction of one of the many inns that served the islanders and visitors in the late 18th and 19th centuries. Situated on Ile Notre-Dame, the inn has a shingled roof, shuttered upper windows and an elegant courtyard. Smaller thatched buildings on the perimeter are reminiscent of those on the old sugar plantations."--Description.
Sous-série
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
[1840-1860]
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
File 4
[1840-1860]