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viii, 330 pages : illustrations ; 24 cm.
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viii, 330 pages : illustrations ; 24 cm.
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New York : Oxford University Press, 1995.
New York : Oxford University Press, 1995.
Titre:
A dictionary of creation myths / David Adams Leeming with Margaret Adams Leeming.
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viii, 330 pages : illustrations ; 24 cm.
A dictionary of creation myths / David Adams Leeming with Margaret Adams Leeming.
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viii, 330 pages : illustrations ; 24 cm.
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New York : Oxford University Press, 1995.
New York : Oxford University Press, 1995.
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$40.95
(disponible sur commande)
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The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on(...)
$40.95
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The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on(...)
Titre:
Wasàse: indigenous pathways of action and freedom
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$40.95
(disponible sur commande)
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The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on the process of transcending colonialism in a personal and collective sense: making meaningful change in our lives and transforming society by recreating our personalities, regenerating our cultures, and surging against forces that keep us bound to our colonial past."
Wasàse: indigenous pathways of action and freedom
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$40.95
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Résumé:
The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on the process of transcending colonialism in a personal and collective sense: making meaningful change in our lives and transforming society by recreating our personalities, regenerating our cultures, and surging against forces that keep us bound to our colonial past."
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livres
livres
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novembre 2005
novembre 2005
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Social
Social
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55 pages : illustrations (some color) ; 30 cm
Description:
55 pages : illustrations (some color) ; 30 cm
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Washington : Published for the Renwick Gallery of the National Collection of Fine Arts by the Smithsonian Institution Press : For sale by the Supt. of Docs., U.S. Govt. Print. Off., 1978.
Washington : Published for the Renwick Gallery of the National Collection of Fine Arts by the Smithsonian Institution Press : For sale by the Supt. of Docs., U.S. Govt. Print. Off., 1978.
Titre:
Murals in the round : painted tipis of the Kiowa and Kiowa-Apache Indians : an exhibition of tipi models made for James Mooney of the Smithsonian Institution during his field studies of Indian history and art in southwestern Oklahoma, 1891-1904 / John C. Ewers.
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55 pages : illustrations (some color) ; 30 cm
Murals in the round : painted tipis of the Kiowa and Kiowa-Apache Indians : an exhibition of tipi models made for James Mooney of the Smithsonian Institution during his field studies of Indian history and art in southwestern Oklahoma, 1891-1904 / John C. Ewers.
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55 pages : illustrations (some color) ; 30 cm
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Washington : Published for the Renwick Gallery of the National Collection of Fine Arts by the Smithsonian Institution Press : For sale by the Supt. of Docs., U.S. Govt. Print. Off., 1978.
Washington : Published for the Renwick Gallery of the National Collection of Fine Arts by the Smithsonian Institution Press : For sale by the Supt. of Docs., U.S. Govt. Print. Off., 1978.
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144 pages : chiefly illustrations ; 25 x 31 cm
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144 pages : chiefly illustrations ; 25 x 31 cm
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San Francisco : Chronicle Books, ©2000.
San Francisco : Chronicle Books, ©2000.
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Sites & structures : the architectural photographs of Edward S. Curtis / edited by Dan Solomon and Mary Solomon ; preface by Dan Solomon ; introductory essay by Rod Slemmons.
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144 pages : chiefly illustrations ; 25 x 31 cm
Sites & structures : the architectural photographs of Edward S. Curtis / edited by Dan Solomon and Mary Solomon ; preface by Dan Solomon ; introductory essay by Rod Slemmons.
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144 pages : chiefly illustrations ; 25 x 31 cm
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San Francisco : Chronicle Books, ©2000.
San Francisco : Chronicle Books, ©2000.
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
$45.00
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2021
novembre 2021
Titre:
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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$45.00
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
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livres
livres
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novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
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24 pages : color illustrations ; 21 x 24 cm
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24 pages : color illustrations ; 21 x 24 cm
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Montreal, PQ : Tundra Books, ©1992.
Montreal, PQ : Tundra Books, ©1992.
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Houses of wood : native dwellings : the Northwest Coast / Bonnie Shemie.
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24 pages : color illustrations ; 21 x 24 cm
Houses of wood : native dwellings : the Northwest Coast / Bonnie Shemie.
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24 pages : color illustrations ; 21 x 24 cm
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Montreal, PQ : Tundra Books, ©1992.
Montreal, PQ : Tundra Books, ©1992.
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151 pages : color illustrations ; 25 cm
Description:
151 pages : color illustrations ; 25 cm
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Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
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Forest mind : on the interconnection of all life / Ursula Biemann.
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151 pages : color illustrations ; 25 cm
Forest mind : on the interconnection of all life / Ursula Biemann.
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151 pages : color illustrations ; 25 cm
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Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
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161 pages : chiefly color illustrations, portraits ; 29 cm
Description:
161 pages : chiefly color illustrations, portraits ; 29 cm
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Barcelona : RM Verlag, 2010.
Barcelona : RM Verlag, 2010.
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White mountain = Montaña blanca / Pablo Ortiz Monasterio [with] Antonio Saborit, Margo Glantz, Alfonso Morales ; [translation from Spanish, Asa Zatz].
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161 pages : chiefly color illustrations, portraits ; 29 cm
White mountain = Montaña blanca / Pablo Ortiz Monasterio [with] Antonio Saborit, Margo Glantz, Alfonso Morales ; [translation from Spanish, Asa Zatz].
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161 pages : chiefly color illustrations, portraits ; 29 cm
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Barcelona : RM Verlag, 2010.
Barcelona : RM Verlag, 2010.
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$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
Publication:
avril 2005, London
avril 2005, London
Titre:
Indigenous modernities : negotiating architecture and urbanism
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$58.50
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
Indigenous modernities : negotiating architecture and urbanism
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$58.50
(disponible en magasin)
Résumé:
This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
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livres
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avril 2005, London
avril 2005, London
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xiii, 126 pages : illustrations, maps ; 26 x 30 cm
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xiii, 126 pages : illustrations, maps ; 26 x 30 cm
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Nedlands, W.A. : University of Western Australia Press, 1986.
Nedlands, W.A. : University of Western Australia Press, 1986.
Titre:
Rottnest Island : history and architecture / R.J. Ferguson.
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xiii, 126 pages : illustrations, maps ; 26 x 30 cm
Rottnest Island : history and architecture / R.J. Ferguson.
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xiii, 126 pages : illustrations, maps ; 26 x 30 cm
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Nedlands, W.A. : University of Western Australia Press, 1986.
Nedlands, W.A. : University of Western Australia Press, 1986.
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