Everyman's castle: the story of our cottages, country houses, terraces, flats, semis and bungalows
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Everyman's Castle restores people to the panorama of domestic architecture. Philippa Lewis turns an affectionate eye to the characteristics of British types of houses - cottages, farmhouses, semi-detached, suburban, flats, terraces, bungalows, country houses - and charts their rise and fall. How were they perceived when they were built, and what happened to them(...)
Everyman's castle: the story of our cottages, country houses, terraces, flats, semis and bungalows
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$29.99
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Everyman's Castle restores people to the panorama of domestic architecture. Philippa Lewis turns an affectionate eye to the characteristics of British types of houses - cottages, farmhouses, semi-detached, suburban, flats, terraces, bungalows, country houses - and charts their rise and fall. How were they perceived when they were built, and what happened to them subsequently? How were the interior spaces used and altered over time? This books provides insight to all these questions, even what sort of message the design of a house sends about the inhabitants, from stairs up to the front door (implying servants living below) in a Victorian terrace to bay windows (implying private ownership) in the twentieth century.
Architecture résidentielle
$89.95
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There are infinitive ways to build a community, yet the defining feature of any community is characteristically the landscape. Whether it is a park, a river corridor, community gardens, a plaza or a streetscape, the public spaces where people interact provide a shared sense of ownership. In a systematic overview, following the workflow sequences of open space projects,(...)
All we need: operative landscapes, building communities through public space
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There are infinitive ways to build a community, yet the defining feature of any community is characteristically the landscape. Whether it is a park, a river corridor, community gardens, a plaza or a streetscape, the public spaces where people interact provide a shared sense of ownership. In a systematic overview, following the workflow sequences of open space projects, the author explores the various types and levels of intervention: from master planning to guerrilla gardening and from land reclamation to building in existing fabric. The emphasis is on strategies of interaction between landscape projects, building development, and urban planning, resulting in neighbourhoods and city quarters that offer a higher quality of life.
Paysages urbains
$74.95
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London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. Private ownership has shaped the city, and architects have served a wide variety of(...)
avril 2006, New Haven / London
London : an architectural history
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London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement. "In London : an architectural history", the author takes the reader through two thousand years of architecture from the sublime to the mundane.
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As urban life is reimagined for greater sustainability, resilience, and adaptation, this publication invites readers to fully engage with the possibilities of how we can coexist with our urban habitats. Ursula Lang uses the yard as a faceted lens through which to examine the multiple and contradictory ways people live in urban environments, and how perceptions of those(...)
Living with yards: negotiating nature and the habits of home
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As urban life is reimagined for greater sustainability, resilience, and adaptation, this publication invites readers to fully engage with the possibilities of how we can coexist with our urban habitats. Ursula Lang uses the yard as a faceted lens through which to examine the multiple and contradictory ways people live in urban environments, and how perceptions of those environments are shaped by contemporary environmental policies and projects. Visual ethnography and narrative illustrate how inhabitants of Minneapolis live with their yards as sites of social and environmental care while also negotiating difference. Throughout, Lang’s subjects engage in diverse and creative everyday practices of cultivation and property ownership, often quite distinct from the environmental policies and projects in place.
Paysages urbains
Trespass/ L'intrusion
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Trespassing is an action that runs counter to the design of a city. Trespassing means physically to enter without permission, but also metaphorically, to subvert and ignore the rules and norms of the city. To trespass is to critique the concept of ownership, the idea that we must pay, obey, or ask permission to occupy urban space. / L’intrusion illégale va à l’encontre(...)
Trespass/ L'intrusion
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Trespassing is an action that runs counter to the design of a city. Trespassing means physically to enter without permission, but also metaphorically, to subvert and ignore the rules and norms of the city. To trespass is to critique the concept of ownership, the idea that we must pay, obey, or ask permission to occupy urban space. / L’intrusion illégale va à l’encontre de la conception même d’une ville. Elle signifie non seulement entrer physiquement sans autorisation, mais aussi, de manière métaphorique, subvertir et ignorer les règles et normes urbaines. C’est une remise en question du concept de propriété, de l’idée que nous devons payer, obéir ou demander la permission pour occuper l’espace public.
Consignation
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a(...)
Design, époques et styles
septembre 2022
Beirut: The eras of design
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This publication analyzes Lebanon’s unique situation—a convergence of economic and architectural reconstruction, social awareness and international development. It also testifies to the designers’ determination to take ownership of their destiny and image by presenting objects and forms that are simultaneously aware of their diverse heritage and are deeply rooted in a complex reality. Prior to the development of this exhibition and publication project, no extensive research has been undertaken on the history of design in Lebanon. This book aims to fill that gap, presenting the state of design based on extensive documentation. It is the first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.
Design, époques et styles
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What makes us love our things? Why do we attach certain sentiments to certain items? How is it that sometimes objects can tell stories more eloquently than people? These are questions explored and answered in "The uncommon life of common objects". Author Akiko Busch devotes a chapter to each of 12 common objects, and discusses her and others’ experiences that give(...)
The uncommon life of common objects : essays on design and the everyday
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What makes us love our things? Why do we attach certain sentiments to certain items? How is it that sometimes objects can tell stories more eloquently than people? These are questions explored and answered in "The uncommon life of common objects". Author Akiko Busch devotes a chapter to each of 12 common objects, and discusses her and others’ experiences that give everyday things their significance. Through her examination of : a video camera, a cellular phone, a vegetable peeler, a snowboard, a baby carriage, a chair, a refrigerator, a mailbox, a medicine cabinet, a cereal box, a backpack, and a desk, Busch illuminates the social and personal issues that shape our lives and the ownership of our things. Each of the 12 chapters is accompanied by a four-color drawing. Edited by Diana Murphy. Foreword by Susan S. Szenasy. Original illustrations by George Skelcher.
Design d’intérieur
The tenant class
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What if there is no housing crisis, but instead a housing market working exactly as intended? What if rent hikes and eviction notices aren’t the work of the invisible hand of the market, but of a parasitic elite systematically funneling wealth away from working-class families? With clarity and precision, Tranjan breaks down pervasive myths about renters, mom-and-pop(...)
The tenant class
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What if there is no housing crisis, but instead a housing market working exactly as intended? What if rent hikes and eviction notices aren’t the work of the invisible hand of the market, but of a parasitic elite systematically funneling wealth away from working-class families? With clarity and precision, Tranjan breaks down pervasive myths about renters, mom-and-pop landlords, and housing affordability. In a society where home ownership is seen as the most important hallmark of a successful life, Tranjan refuses to absolve the landlords and governments that reap massive profits from the status quo. The tenant class must face powerful systems of disinformation and exploitation to secure decent homes and fair rent. Drawing upon a long, inspiring history of collective action in Canada, Tranjan argues that organized tenants have the power to fight back.
L'humain et la ville
Landscape theory
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Artistic representations of landscape are studies in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have(...)
Théorie du paysage
janvier 2008, London, New York
Landscape theory
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Artistic representations of landscape are studies in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have written extensively on landscape, but there have not been any recent synthetic attemps or theoretical overviews. At the same time, painters, and other artists often feel they 'possess' the landscape of the region in which they live; that ownership takes place at a non-verbal level, and seems incommensurate with the discourses of art history or geography. Landscape Theory, volume 6 in The Art Seminar series, is the first book to bring together different disciplines and practices, in order to understand how best to conceptualize landscape in art.
Théorie du paysage
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni(...)
Black gathering: Art, ecology, ungiven life
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Théorie de l’art