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Lina Bo Bardi (1914–1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from(...)
Lina Bo Bardi: Material ideologies
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Lina Bo Bardi (1914–1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from elitist institutions, embodying an aesthetic that stood out among the modernist movement in Brazil and abroad. This collection of essays presents new perspectives on Bo Bardi from leading contemporary artists, architects, curators, and scholars. Contributors engage with the conceptual, social, and political philosophies latent in the architectural materials she chose—from her application of concrete to her implementation of nature and her reuse of vernacular materials.
Architecture, monographies
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Faced with questions about how to adapt and reuse a former industrial site in the center of town, an international insurance corporation, together with the Swiss city of Winterthur, held a competition among architecture and design firms to come up with an innovative, effective plan. The winning firm was the Vienna-based Architekt Krischanitz, and their submission,(...)
Superblock Winterthur: a project with architect Krischanitz
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Faced with questions about how to adapt and reuse a former industrial site in the center of town, an international insurance corporation, together with the Swiss city of Winterthur, held a competition among architecture and design firms to come up with an innovative, effective plan. The winning firm was the Vienna-based Architekt Krischanitz, and their submission, Superblock, is a striking idea given a brilliant execution: it combines a large workshop where diesel engines were assembled with newly constructed yet visually complementary buildings. This book details the project from concept to completion, using numerous photographs, plans, and visualizations to trace the history of the site, the genesis and development of the Superblock concept, and the revitalization of the neighborhood that it is expected to lead.
Architecture, monographies
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183 p. : illustrations (some color) ; 24 cm
Monaco ; [Paris] : Éditions du Rocher, ©2000.
Le labyrinthe, un fil d'Ariane / Myriam Philibert.
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183 p. : illustrations (some color) ; 24 cm
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Monaco ; [Paris] : Éditions du Rocher, ©2000.
Building on the built
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This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from(...)
Building on the built
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This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from speculation and ‘easy building’. The paradigm of architecture’s function is changing and the project must be in dialogue with the possibility of architecture having many more lives than what it was imagined for, perhaps returning to being what it has always been, an organism ready to be everything and composed of layers of time, just as the history of architecture has taught us by building on the built without fear.
Architecture contemporaine
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Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today,(...)
août 2020
Umbaukultur: The architecture of altering
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Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today, things have changed. The industrialization of the construction industry has led to environmental degradation, and the reform potential of modernism has been exhausted. Consequently, the existing building stock is one of the resources - perhaps even the most important resource - for the transformation of our cities. Against this backdrop, the architecture of conversion has made an unexpected comeback. Young architects in particular are providing surprising answers to the environmental and social questions of our time with their conversion projects.
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Berlin was once the biggest industrial area in Europe, home to large-scale enterprises like AEG and Siemens. Bewag, the Berlin electricity provider, laid the foundations for a modern power supply together with these companies. Power Stations in Berlin considers numerous local power stations as an integral part of the city's architectural heritage, from the period of(...)
Structures d’ingénierie
juillet 2004, Berlin
Power stations in Berlin : the electropolis heritage
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Berlin was once the biggest industrial area in Europe, home to large-scale enterprises like AEG and Siemens. Bewag, the Berlin electricity provider, laid the foundations for a modern power supply together with these companies. Power Stations in Berlin considers numerous local power stations as an integral part of the city's architectural heritage, from the period of industrialization at the beginning of the 20th century until now, giving a comprehensive overview of Berlin as an industrial city in the process. The question of how to reuse these unique plants, is raised; the right balance between preserving the facilities and finding a new economic use for them is crucial. The book includes essays by Klaus Bürgel, Hilmar Bärthel, Hans-Achim Grube, Christina Keseberg, Matthias Dunger, Herbert Strobel, Jörg Haspel, and Hubert Staroste
Structures d’ingénierie
Midcentury houses today
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This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy. A(...)
Architecture résidentielle
avril 2024
Midcentury houses today
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This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy. A representative group of 17 houses reveals an evolving legacy, now adapting to contemporary life. Each is examined in detail, with plans, timelines, and both archival and new photography, capturing the clean, minimalist look of the initial construction and re-imagining by significant architects of our time. Today preservation and renovation of older buildings has new visibility as a sustainable approach. As the National Trust for Historic Preservation has said, "The greenest building is the one that is already built."
Architecture résidentielle
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Chicago photographer Brad Temkin (born 1956) brings attention to the visual and ecological beauty of the transformation of water, by showing the structures and processes that most people do not even think about. Most storm water runoff is considered waste, yet more than 700 cities reclaim and reuse wastewater and storm water with combined sewer systems, recycling it for(...)
Brad Temkin: the state of water
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Chicago photographer Brad Temkin (born 1956) brings attention to the visual and ecological beauty of the transformation of water, by showing the structures and processes that most people do not even think about. Most storm water runoff is considered waste, yet more than 700 cities reclaim and reuse wastewater and storm water with combined sewer systems, recycling it for agricultural uses and even drinking water. As we mimic nature and separate the impurities like sludge, salt or chemicals, a transformation occurs. Temkin believes it matters less what each structure really is used for, or whether the water pictured is pure or waste. He is drawn to the strangeness of these forms and the distorted sense of scale. Moving beyond mere description, he embraces the abstract and surreal landscape of water transformation.
Monographies photo
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This issue of the Cornell Journal of Architecture is about the now, the new, and the next in architecture, while simultaneously acknowledging that every possible future is intrinsically linked to the existent, to the present and its attendant past. At the heart of issue 8: RE is the understanding that the creative act itself is reiterative; that in rethinking,(...)
The Cornell journal of architecture 8: RE
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This issue of the Cornell Journal of Architecture is about the now, the new, and the next in architecture, while simultaneously acknowledging that every possible future is intrinsically linked to the existent, to the present and its attendant past. At the heart of issue 8: RE is the understanding that the creative act itself is reiterative; that in rethinking, recombining, reshuffling, recycling, and reimagining aspects of the world around us, we produce work that both belongs to the current moment and establishes new future trajectories. The texts reflect the interconnected strands of technology, history, theory, and intuition that necessarily reinforce each other in architectural education and practice today: issues of reuse and recycling; of feedback loops and regression; of dialogue, criticism, and correspondence; and of the role that changing technologies have in restructuring the way we think, see, and remember.
Revues
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by(...)
octobre 2012
Theaster Gates, 12 ballads for Huguenot House
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by migrant workers, as were so many of the houses in Gates’ own neighborhood in Chicago, and today is in a state of disrepair. Gates therefore proposed a unique architectural exchange, transporting materials from a large, dilapidated building in Chicago to renovate Huguenot House, while also reusing materials from Huguenot House to reconstruct the Chicago building. In this volume, Gates documents his plans for the exchange in 12 thematic “ballads” that elucidate the project’s rich historical and architectural resonances.