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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused(...)
avril 2017
Landscapes & landmarks of Canada: real, imagined, (re)viewed
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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused on unspoiled landscape, depicted in the paintings of the Group of Seven, for example. Contemporary notions of identity, belonging, and citizenship are established, contested, and legitimized within sites and institutions of public culture, heritage, and representation that reflect integration with the land, transforming landscape into landmarks. This collection includes essays by Canadian and international scholars whose engagement with the theme stems from their disciplinary perspectives as well as from their personal and professional experience—rooted, at least partially, in their own sense of national identity and in their relationship to Canada.
Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which(...)
août 2021
Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which Oiticica’s work explored and expanded formal artistic modes, pushing past the boundaries of color and structure. Oiticica prioritized the inclusive and participatory possibilities of art, represented through his forays into environmental art and interactive installation. Large-scale projects such as his monumental installation Tropicália (1966–67), which satirizes the idea of Brazil as a tropical paradise, are documented alongside his works on paper and textile pieces. The text traces the evolution of Oiticica’s multidisciplinary practice and underlines the cosmological ideas that guided his approach to art and life, demonstrating the profound impact Oiticica's ideas had on the wider art world, both past and present.
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The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the Myths of Venice, the authors assess the significance of the(...)
décembre 2010
San Marco, Byzantium, and the myths of Venice
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The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the Myths of Venice, the authors assess the significance of the embellishment of the church and its immediate surroundings, especially during the thirteenth and fourteenth centuries, when most of the Byzantine material was acquired, largely from Constantinople. The church and its decoration are studied in relation to Venice’s interests abroad and on mainland Italy. The authors address the diverse styles, sources, meanings, and significance of this art, both individually and as an ensemble. Building upon developments in scholarship since Otto Demus’s masterly studies of the church, the book offers new insights into the inspiration, purposes, and mutability of San Marco and the myths that inspired and motivated Venetians.
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The Classroom shows how furniture designers from the late nineteenth century to the present have strived to enliven the classroom experience for children, telling for the first time the history of this neglected area of furniture design. The book is based on the collection of the VS school museum in Tauberbischofsheim, which houses a unique collection of school furniture(...)
mars 2011
The classroom: From the late 19th Century until the present day
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The Classroom shows how furniture designers from the late nineteenth century to the present have strived to enliven the classroom experience for children, telling for the first time the history of this neglected area of furniture design. The book is based on the collection of the VS school museum in Tauberbischofsheim, which houses a unique collection of school furniture from Germany and abroad. Through this collection, it draws out the history of educational theory and school architecture over the past hundred years, tracing the ascent of a child-centered approach to education and attendant developments in design, as well as such topics as the use of propaganda in Soviet- and Nazi-era schools. Chairs, desks, classrooms and entire schools by Alvar Aalto, Arne Jacobsen, Charles Rennie Mackintosh, Jean-Baptiste Mathon, Jean Prouvé, Eero + Eliel Saarinen and Bruno Taut are abundantly illustrated and examined. The Classroom looks back over this history and looks forward to possible future developments.
House of Switzerland: a dictionary of elements. Spillman Echsle Architects and Ortreport Scenograph
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The House of Switzerland is a mobile building that serves as the official visitors’ center for Switzerland at major international events. Following its debut at the 2014 Winter Olympics in Sochi, the building went on to serve events in Zurich, Milan, and Rio de Janeiro. This book takes a close look at the architectural and design challenges presented by a building that(...)
House of Switzerland: a dictionary of elements. Spillman Echsle Architects and Ortreport Scenograph
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The House of Switzerland is a mobile building that serves as the official visitors’ center for Switzerland at major international events. Following its debut at the 2014 Winter Olympics in Sochi, the building went on to serve events in Zurich, Milan, and Rio de Janeiro. This book takes a close look at the architectural and design challenges presented by a building that has to be mobile, accessible, and visually striking. Drawing on materials from the planning process conducted by Switzerland’s Federal Department of Foreign Affairs and the architectural firm Spillmann Echsle Architects, which built the house together with Ortreport scenographers, the book presents a dictionary of all elements in the building set for the house, illustrated with images and plans rendered with rich technical detail. A discussion between the key figures involved in the project rounds out the book, exploring the process of creating such an iconic representation of a nation abroad.
Architecture, monographies
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize(...)
Art, culture, and media under the Third Reich
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups, sowing the psychological seeds for the Holocaust to come. Topics covered by the essays range from the design of the Nuremberg Party Rally Grounds to Nazi experiments with radio. Contributors address nearly every facet of the arts and mass media under the Third Reich-efforts to define degenerate music; the promotion of race hatred and warfare through film, architecture, and public assemblies; visual iconography and style; views of the racially ideal garden and landscape; portrayal and reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and cult. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.
Théorie de l’architecture
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This first monograph from Dutch architect and urban planner Kees Christiaanse and his firm, Kees Christiaanse Architects & Planners, or KCAP, follows the conception and realization of their most important designs. KCAP works at the interface between urban planning and architecture, combining the fields. Their broad range of projects includes large-scale urban and(...)
Architecture, monographies
mars 2006, Rotterdam
Situation : KCAP architects and planners
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This first monograph from Dutch architect and urban planner Kees Christiaanse and his firm, Kees Christiaanse Architects & Planners, or KCAP, follows the conception and realization of their most important designs. KCAP works at the interface between urban planning and architecture, combining the fields. Their broad range of projects includes large-scale urban and landscape planning, complex inner city regeneration and restructuring, and the same sorts of new building commissions that keep conventional architects in business. As Europe’s attention has shifted to the revival of urban areas, KCAP has done pioneering work at former dockland and industrial locations and on the waterfronts of major rivers, in projects where the firm often acts as supervisor, urban planner and architect at once. In the space of 15 years, KCAP has grown into an international office with an impressive built oeuvre that challenges the way architecture and urban planning are conceived. This survey and analysis of their work brings their ideas and experience to readers curious about urban revival both abroad and at home.
Architecture, monographies
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Bauhau Dessau : architecture, design, concept
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Modernisme
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Energy performance feedback is an essential tool in addressing the current climate crisis. However, this is not simply another theoretical text about energy performance in buildings. This book is for anyone who wants to better understand how energy is used in buildings, and how to drive down operational energy use – whether you’re an architect, student, client, building(...)
Architecture écologique
avril 2021
Energy, people, buildings: making sustainable architecture work
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Energy performance feedback is an essential tool in addressing the current climate crisis. However, this is not simply another theoretical text about energy performance in buildings. This book is for anyone who wants to better understand how energy is used in buildings, and how to drive down operational energy use – whether you’re an architect, student, client, building services engineer, contractor, building operator or other stakeholder. Focusing on evidence from feedback on buildings in use, it explains what it takes to get them to perform as expected, as well as the reasons why they often fail. "Energy, people, buildings" draws extensively on the findings of studies, UK government-funded building performance evaluations and on original research into seven case studies from across the UK and abroad that have achieved exemplary energy use through building performance feedback. Providing a clear roadmap to understanding aspects that impact building users’ comfort and satisfaction, it also outlines the factors behind energy use and how to track it across the life of a project to ensure that your building performs as intended.
Architecture écologique
Scale
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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research(...)
Scale
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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research forces a heightened recognition of both the properties of materials and the deep technical knowledge of makers. A reconsideration of scalar relationships in American art and visual culture therefore reveals original insights. "Scale" is the second volume in the Terra Foundation Essays series. With eighty color illustrations and a wealth of new research from Glenn Adamson, Wendy Bellion, Wouter Davidts, Darcy Grimaldo Grigsby, Christopher P. Heuer, Joshua G. Stein, and Jason Weems, it explores viewers’ physical relationship to Barnett Newman’s abstract canvases, the arduous engineering behind the creation of Mount Rushmore, and the charged significance of liberty poles in the landscape of eighteenth-century New York, among other topics that range from studies of specific works of art to significant conceptual and theoretical concerns.
Théorie de l’art