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The creative forms of literature and architecture appear to be distinct, one constructing a world on the page, the other producing the world in which we live. It is a conscious act to read literature, but the effects of architecture can pass by unnoticed. Yet, despite such obvious differences, writers and architects share a dynamic with their readers and visitors that is(...)
Théorie de l’architecture
avril 2008, Minneapolis
Writing and seeing architecture
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The creative forms of literature and architecture appear to be distinct, one constructing a world on the page, the other producing the world in which we live. It is a conscious act to read literature, but the effects of architecture can pass by unnoticed. Yet, despite such obvious differences, writers and architects share a dynamic with their readers and visitors that is unpredictably similar. Writing and Seeing Architecture unveils a candid conversation between Christian de Portzamparc, celebrated French architect, and influential theorist Philippe Sollers that challenges us to see the analogous nature of writing and architecture. Their fascinating discussion offers a renewal of visionary architectural thinking by invoking past literary ideals that sought to liberate society through the reinvention of writing itself. Urging that new rules be set for each creation rather than resorting to limitations of the capitalist society, the authors’ daring confrontation of the interactions between writing and designing a space forcefully demonstrates the importance of intellectuals and practitioners intervening in the public sphere.
Théorie de l’architecture
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This book presents a terrestrial description of the Seagram Building. It aims to describe how humans and nature interact with the thin crust of the planet. Architecture reorganizes nature and society in particular ways that today demand overt attention and new methods of description. ''The immense material, energy and labor involved in building require a fresh(...)
Unless: the Seagram building construction ecology
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This book presents a terrestrial description of the Seagram Building. It aims to describe how humans and nature interact with the thin crust of the planet. Architecture reorganizes nature and society in particular ways that today demand overt attention and new methods of description. ''The immense material, energy and labor involved in building require a fresh interpretation that better situates the ecological and social potential of design. Architecture and society would benefit from alternative descriptions of building and architecture as terrestrial activities that help imagine how to maximize the impact of architecture on its environment. I argue that the enhancement of a particular building should be inextricable from the enhancement of its world-system and construction ecology. A 'beautiful' building engendered through the vulgarity of uneven exchanges and processes of underdevelopment is no longer a tenable conceit in such a framework. Design can and should evince the inherent solidarity and reciprocity of people, places and politics involved in building architecture.''
Structures d’ingénierie
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to(...)
octobre 2011
Fiber futures: Japan's textile pioneers
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to stainless-steel wire and synthetic fiber. Their methods are sometimes traditional, but can also incorporate the latest weaving and dyeing technology, often with the goal of expressing an environmentally conscious green ethic. The thirty artists were selected for "Fiber Futures: Japan's Textile Pioneers," an exhibition at New York's Japan Society Gallery. Introductory essays by Hiroko Watanabe, President of International Textile Network, and Gallery Director Joe Earle provide the context for these innovative, beautiful, and sometimes challenging works of art. The catalogue section features artist statements, informative commentary, and lavish photography, much of it commissioned especially by Japan Society.
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3 volumes : illustrations (some color) ; 25 cm.
New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
Fragments for a history of the human body / edited by Michel Feher with Ramona Naddaff and Nadia Tazi.
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3 volumes : illustrations (some color) ; 25 cm.
livres
New York, N.Y. : Zone ; Cambridge, Mass. : Distributed by the MIT Press, ©1989.
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily(...)
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily biological and social rhythm. We need a new approach to time to overcome our temporal system of clocks and calendars. This book investigates a new perception of time by exploring the concept of uchronia, a term derived from the Greek u-topos and meaning 'no time' or 'non-time'. Uchronia is a way of questioning, speculating on and designing new kinds of temporal systems that are more about being in tune than on time.
Théorie du design
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xviii, 214 pages : illustrations, plans ; 21 cm
New York : Columbia University Press, [2017], ©1994
The seeds of time / Fredric Jameson.
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xviii, 214 pages : illustrations, plans ; 21 cm
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New York : Columbia University Press, [2017], ©1994
Giuseppe Ripa: Moondance
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Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Giuseppe Ripa: Moondance
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Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Monographies photo
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Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his(...)
DD 25: Internet suburbia, Andreas Angelidakis, Greece-Norway
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Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his exhibition and installation design, furniture, urban planning and housing projects. Many of the designs are reproduced here with the help of images, photographs and models.
Revues
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the(...)
Ugliness and judgement: on architecture in the public eye
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.
Théorie de l’architecture
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Monnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book. In the fifty-year building history of Monnikenheide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has(...)
Living in Monnikenheide: Care, inclusion and architecture
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Monnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book. In the fifty-year building history of Monnikenheide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has created a unique landscape that transcends the boundaries of care architecture. Monnikenheide is a powerful architectural statement about the place of people in society who depend on care.