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Carol Mavor’s first "happy accident" occurred in 1980 when visiting New York’s Serendipity 3, a dessert café favored by Andy Warhol. Mavor’s memory of eating a frozen hot chocolate became food for thought, nurturing accidental discoveries about art and literature. This book’s happy, yet dark, accidents include Anne Frank’s journal, discovered in the Secret Annex after the(...)
Serendipity: The afterlife of the object
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Carol Mavor’s first "happy accident" occurred in 1980 when visiting New York’s Serendipity 3, a dessert café favored by Andy Warhol. Mavor’s memory of eating a frozen hot chocolate became food for thought, nurturing accidental discoveries about art and literature. This book’s happy, yet dark, accidents include Anne Frank’s journal, discovered in the Secret Annex after the Second World War; Emily Dickinson’s poems, scribbled on salvaged envelopes, hidden in a drawer; and "Lolita", rescued from incineration by Nabokov’s wife Véra. Mavor’s writing is dependent on serendipity’s layers of happenstance, rousing feelings of something that she did not exactly know she was looking for until she found it. All history is about loss, and in the case of this book, much of it is tragic—but "Serendipity" also offers the happiness that can be found in unexpected discoveries.
Théorie de l’art
Trans hirstory in 99 objects
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Spanning over four centuries, this volume brings together a wide-ranging selection of artworks and artifacts that highlight the under-recognized histories of trans and gender-nonconforming communities. Through the contributions of artists, writers, poets, activists, and scholars, this title reflects on historical erasure and imagines trans futures. An expansive array of(...)
Théorie de l’art
juin 2024
Trans hirstory in 99 objects
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Spanning over four centuries, this volume brings together a wide-ranging selection of artworks and artifacts that highlight the under-recognized histories of trans and gender-nonconforming communities. Through the contributions of artists, writers, poets, activists, and scholars, this title reflects on historical erasure and imagines trans futures. An expansive array of objects chart not a patriarchal history but a gender-neutral, trans-centric hirstory. The first publication of its kind, this survey celebrates trans forebearers, highlights struggles and triumphs, and reflects on the legacies of trans creative expression. Contributions by Kate Bornstein, Ria Brodell, Vaginal Davis, Leah DeVun, Mo B. Dick, Zackary Drucker, David Getsy, Martine Gutierrez, Andrea Jenkins, Jade Guarano Kuriki-Olivo (Puppies Puppies), Thomas (T.) Jean Lax, Abram J. Lewis, Miguel A. López, Amos Mac, Cyle Metzger, Deborah A. Miranda, Morgan M Page, SA Smythe, C. Riley Snorton, Dean Spade, Sandy Stone, Jeannine Tang, Michelle Tea, McKenzie Wark, and many others probe new horizons where institutional critique and trans culture meet. This book is copublished by the Museum of Trans Hirstory & Art (MOTHA), a conceptual art project of artist Chris E. Vargas that is forever "under construction" by design to allow continual transformation.
Théorie de l’art
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Théorie de l’art
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how(...)
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how women's needs were marginalised within mainstream culture and reveals how artists used radical ideas and methods to confront issues that will resonate with contemporary audiences — from access to healthcare and class struggles to ecological disaster, racism and misogyny. Featuring essays on feminist film distribution, the visibility of Black and South Asian women artists, Section 28 and the AIDS pandemic, Greenham Common and the peace movement, and the intersection of punk, feminism and art, ''Women in Revolt!'' celebrates the full diversity of what was a highly creative, politically engaged and determined community of women that paved the way for future generations and, ultimately, changed the face of British culture.
Théorie de l’art
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Jorge Silvetti looks back on a long career as both a designing architect and as an architectural teacher and theoretician. Born in Argentina he was educated in music, the visual arts, and architecture amidst the vibrant culture and political turmoil of Buenos Aires in the 1950s and 60s. Silvetti continued his studies and began teaching at the University of California(...)
Théorie de l’architecture
mai 2025
Large, lasting and invevitable: Jorge Silvetti in dialogues and writings on architecture
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Jorge Silvetti looks back on a long career as both a designing architect and as an architectural teacher and theoretician. Born in Argentina he was educated in music, the visual arts, and architecture amidst the vibrant culture and political turmoil of Buenos Aires in the 1950s and 60s. Silvetti continued his studies and began teaching at the University of California Berkeley after 1967, where his professional association with Rodolfo Machado began. Their work together continues until today as Machado Silvetti Associates, with offices in Boston and Buenos Aires. Silvetti’s teaching, projects, and writings have significantly shaped contemporary architectural discourse.
Théorie de l’architecture
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"Transversal Territory" is a laboratory of urban, environmental, and artistic experimentation at the renowned Academy of Architecture in Mendrisio, Switzerland. It undertakes transdisciplinary and participatory research on the relationship between us, our bodies, and our built and natural environments. Its unique approach is to explore experiences of—and reflections(...)
Transversal territory: A transdiciplinary and participatory approaches on urban research
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"Transversal Territory" is a laboratory of urban, environmental, and artistic experimentation at the renowned Academy of Architecture in Mendrisio, Switzerland. It undertakes transdisciplinary and participatory research on the relationship between us, our bodies, and our built and natural environments. Its unique approach is to explore experiences of—and reflections on—urban space through performative bodywork and on-site artistic installations. This process aims at transcending the conventional paradigms of perception and the understanding of urban space, and at creating a new imagination of it—an augmented reality.
Théorie de l’urbanisme
De la verticalité
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Empruntant au pamphlet la forme et l'ambition, ce recueil confronte idées vagues et images claires pour exprimer une perspective critique sur les stratégies contemporaines en matière d'urbanisme et d'architecture. Sa structure discursive met en relation une étude de cas spécifique et une réflexion théorique : le rapport remis par MADE IN en réponse à l'étude comparative(...)
Théorie de l’urbanisme
décembre 2024
De la verticalité
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Empruntant au pamphlet la forme et l'ambition, ce recueil confronte idées vagues et images claires pour exprimer une perspective critique sur les stratégies contemporaines en matière d'urbanisme et d'architecture. Sa structure discursive met en relation une étude de cas spécifique et une réflexion théorique : le rapport remis par MADE IN en réponse à l'étude comparative mandatée par la Ville de Zurich et visant à la révision des lignes directrices réglant la construction des immeubles de grande hauteur (de mai 2019 à août 2020); un essai épistolaire traitant de la Verticalité au sens large, des analogies formelles aux projections mythopoétiques. Un double commentaire évocatoire qui met en exergue les enjeux inhérents à la mutation de la ville, par-delà le quantifiable et le raisonnable.
Théorie de l’urbanisme
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This book is an original and accessible history of the modern playground in Britain and beyond, charting its journey from marginal obscurity to popular ubiquity. Tracing the playground’s history from the mid-nineteenth century to 2010, ''Designed for Play'' demonstrates how a diverse set of actors across the philanthropic, voluntary, state, and commercial sectors all(...)
Designed for play: Children's playgrounds and the politics of urban space. 1840-2010.
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This book is an original and accessible history of the modern playground in Britain and beyond, charting its journey from marginal obscurity to popular ubiquity. Tracing the playground’s history from the mid-nineteenth century to 2010, ''Designed for Play'' demonstrates how a diverse set of actors across the philanthropic, voluntary, state, and commercial sectors all sought to reimagine and reshape the urban landscape to improve childhood outcomes.
Théorie de l’urbanisme
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The notion of “Baukultur” marked a fundamental step towards a comprehensive definition of the environment. The idea that landscape, historical architectural heritage, and the existing built context could converge to portray the richness and complexity of our future habitat now points to a collective strategic approach to design. In this context, the value of architecture(...)
Théorie de l’architecture
septembre 2024
Baukultur: Architecture revalued
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The notion of “Baukultur” marked a fundamental step towards a comprehensive definition of the environment. The idea that landscape, historical architectural heritage, and the existing built context could converge to portray the richness and complexity of our future habitat now points to a collective strategic approach to design. In this context, the value of architecture emerges in several economic aspects, but also and essentially as a tool to convey the culture of transition within the Baukultur. Baukultur structures a theoretical framework around these concepts leaning on the research, design, and academic experience of six architectural and urban design practices, as specific readings of the existing built environment.
Théorie de l’architecture
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
Sensing the future: Experiments in Art and Technology (E.A.T)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Théorie de l’art