The orange book
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Here is a tree with 14 juicy oranges. One by one, their fates are revealed by glancing through the book: the first has been given to an ill friend ... the seventh has been divided between workmates ... the tenth has been eaten by a famous pianist ... And of course, the fourteenth has been bought by someone you know... and could be the next one that you’re going to(...)
The orange book
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Here is a tree with 14 juicy oranges. One by one, their fates are revealed by glancing through the book: the first has been given to an ill friend ... the seventh has been divided between workmates ... the tenth has been eaten by a famous pianist ... And of course, the fourteenth has been bought by someone you know... and could be the next one that you’re going to eat. The orange book” has been Richard McGuire’s first book. Conceived from an orange on the railway lines, this book has been awarded the Gold Medal by the Society of Illustrators. Richard McGuire was born in New Jersey, he lives and works in New York. After studies in music and art, he collaborates as illustrator and graphic designer with animation studios, movie productions and renowned magazines such as The New Yorker.
Littérature jeunesse
livres
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x, 186 pages : illustrations ; 25 cm.
Milton Park, Abingdon, Oxon ; New York : Routledge, 2012.
Builders : class, gender and ethnicity in the construction industry / Darren Thiel.
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x, 186 pages : illustrations ; 25 cm.
livres
Milton Park, Abingdon, Oxon ; New York : Routledge, 2012.
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Catalog of the exhibition Radically Modern : Planning and Construction in 1960s Berlin at the Berlinische Galerie, Berlin from 29th May to 26th October 2015. Destroyed in the Second World War and divided by the Wall, Berlin experienced a veritable construction boom during the 1960s. Inspired by the spirit of a new beginning and technological euphoria, urban planners and(...)
Radically modern: Urban plannning and architecture in 1960s Berlin
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Catalog of the exhibition Radically Modern : Planning and Construction in 1960s Berlin at the Berlinische Galerie, Berlin from 29th May to 26th October 2015. Destroyed in the Second World War and divided by the Wall, Berlin experienced a veritable construction boom during the 1960s. Inspired by the spirit of a new beginning and technological euphoria, urban planners and architects designed radical new cityscapes for a modern society. Often unjustly criticized as inhumane or unsightly, important examples from this period of architecture have often already been torn down, disfigured by later alterations, or are threatened with demolition today. This publication for the first time takes a look at the context of this architecture's emergence, examining formal aspects and underlying international influences on the architecture developed in both East and West Berlin.
Style and epoch
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''Style and Epoch'' by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was(...)
Style and epoch
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''Style and Epoch'' by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was an innovative approach to architecture that put people - their needs and functions - at its center. The author's understanding of global economic and cultural processes is evident in his description of the development of a style that came to define the nature of architecture in the twentieth century, which today we call modernism. The significance of this book in terms of an understanding of culture, the avant-garde and the subsequent development of modernist architecture is hard to overestimate.
Architecture, monographies
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The stepped terraced house is a type of building that meets modern housing requirements: it is economical and offers ample living space with the comfort of terrace and garden. Rising to popularity with the advent of new social movements it was forgotten with the progressive erosion of the new ideas of society and relegated them to obscurity or even to their(...)
Luxury for everyone: milestones in European stepped terrace housing
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The stepped terraced house is a type of building that meets modern housing requirements: it is economical and offers ample living space with the comfort of terrace and garden. Rising to popularity with the advent of new social movements it was forgotten with the progressive erosion of the new ideas of society and relegated them to obscurity or even to their disqualification as eyesores. Yet the enduring satisfaction of residents and ecological advantages of green houses make terraced housing as attractive as ever. The buildings studied in the book are not only architectural icons today; even today, one can still learn from them about what residential buildings need. One proponent of this building style was Harry Gluck; part of his text pleading the case for a green city is printed here.
Architecture résidentielle
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Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive(...)
octobre 2021
Interventions and adaptive reuse: a decade of responsible practice
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Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive reuse practice: appropriation, ecology, equity, memory & redemption, identity and authenticity. Selected articles from the ''IntAR Interventions and Adaptive Reuse Journal'' of the last ten years speak to the social issues of the recent decade. The introductory essay positions shifting norms of working from home or remote learning in the light of their revision through adaptive reuse, for example the post-pandemic repercussions on office towers and the classroom.
livres
$34.99
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Work from the AA’s Diploma Unit 2 fuses two seemingly mutually exclusive paradigms in recent architectural discourse, mediating between technological performance as well as the manipulation of grounds, defined here as the external and internal circulatory systems that structure social organisations. In the process, the unit defines a new social agenda and aesthetic(...)
Théorie de l’architecture
juillet 2009
Articulated grounds: mediating environment and culture
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Work from the AA’s Diploma Unit 2 fuses two seemingly mutually exclusive paradigms in recent architectural discourse, mediating between technological performance as well as the manipulation of grounds, defined here as the external and internal circulatory systems that structure social organisations. In the process, the unit defines a new social agenda and aesthetic philosophy for transforming established design strategies, and lends conventional notions of sustainable design a new civic and cultural relevance. The projects are all either located within or influenced by a Brazilian context, rich in sculptural, variegated landscapes and African as well as indigenous Indian influences. Innovative design proposals shown in this book illustrate symbiotic relationships between urban society, environmental conditioning and landscape by articulating ground organisations to mediate and synchronise both environmental and cultural flows.
livres
juillet 2009
Théorie de l’architecture
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A successful urban environment is one that cultivates, fosters and attracts talent, one that generates research and is able to establish a bond with academics, and one which is open to outsiders: a tolerant society. This development presents myriad new opportunities for cities: redevelopment of former industrial zones, new business activity in the old city centres and(...)
Théorie de l’urbanisme
janvier 2005, Rotterdam
Creativity and the city : how the creative economy is changing the city
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A successful urban environment is one that cultivates, fosters and attracts talent, one that generates research and is able to establish a bond with academics, and one which is open to outsiders: a tolerant society. This development presents myriad new opportunities for cities: redevelopment of former industrial zones, new business activity in the old city centres and new jobs. The book describes all these opportunities and the consequences for the spatial development of the city; at the same time it also warns about the dangers of this creating a new élite of people who isolate themselves from those who miss the boat. The new developments are considered in a series of 15 articles, describing the political, social and societal consequence and analysing the resulting spatial developments. Lastly, the book contains many tips for practical urban policy. Creativity and the City is a book for a broad group of politicians, policy-makers, urban planners, economists and sociologists. It includes contributions from Richard Florida, Charles Landry, the independent Dutch thinktank Nederland Kennisland (Knowledgeland), Jeroen Saris, Arnold Reijndorp, Robert Kloosterman, Nachtwacht Amsterdam (Amsterdam's 'Night-time Mayor'), John Tackera and others.
Théorie de l’urbanisme
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
octobre 2005, Cambridge, London
The conspiracy of art: manifestos, interviews, essays
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
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In the twenty-first century, new technologies should liberate us from work. Automation, rather than undermining an economy built on full employment, is instead the path to a world of liberty, luxury and happiness—for everyone. Technological advance will reduce the value of commodities—food, healthcare and housing—towards zero. Improvements in renewable energies will(...)
Fully automated luxury communism: a manifesto
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In the twenty-first century, new technologies should liberate us from work. Automation, rather than undermining an economy built on full employment, is instead the path to a world of liberty, luxury and happiness—for everyone. Technological advance will reduce the value of commodities—food, healthcare and housing—towards zero. Improvements in renewable energies will make fossil fuels a thing of the past. Asteroids will be mined for essential minerals. Genetic editing and synthetic biology will prolong life, virtually eliminate disease and provide meat without animals. New horizons beckon. In Fully Automated Luxury Communism, Aaron Bastani conjures a vision of extraordinary hope, showing how we move to energy abundance, feed a world of 9 billion, overcome work, transcend the limits of biology, and establish meaningful freedom for everyone. Rather than a final destination, such a society merely heralds the real beginning of history.
Théorie/ philosophie