10735 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Personnes et institutions:
Date:
1968
1968
Titre:
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Niveau de description archivistique:
Project
Project
Date:
1968
1968
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Personnes et institutions:
Date:
1982-2012
1982-2012
Titre:
Kulturforum [Kulturforum], Berlin, Germany (1982-1986)
Actions:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Kulturforum [Kulturforum], Berlin, Germany (1982-1986)
Actions:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Niveau de description archivistique:
Project
Project
Date:
1982-2012
1982-2012
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280044
Description:
This box mostly contains transparencies and negatives of maps from various archives which the van Ginkels used for their own work and transparencies of the van Ginkels own work. They used the transparencies to present their projects and proposals. The transparencies of their work are numbered and titled, ex. Old City 193. The van Ginkels would produce their own maps prior to starting a project. Also included are about 60 slides of facades of buildings in Old Montreal. These were photos the van Ginkels took and were likely taken in the late 1950s. They likely used these as reference material.
ARCH280044
Description:
This box mostly contains transparencies and negatives of maps from various archives which the van Ginkels used for their own work and transparencies of the van Ginkels own work. They used the transparencies to present their projects and proposals. The transparencies of their work are numbered and titled, ex. Old City 193. The van Ginkels would produce their own maps prior to starting a project. Also included are about 60 slides of facades of buildings in Old Montreal. These were photos the van Ginkels took and were likely taken in the late 1950s. They likely used these as reference material.
Personnes et institutions:
Date:
circa 1950s-1960s
circa 1950s-1960s
Titre:
Reference transparencies, negatives, and photographs
Actions:
ARCH280044
Description:
This box mostly contains transparencies and negatives of maps from various archives which the van Ginkels used for their own work and transparencies of the van Ginkels own work. They used the transparencies to present their projects and proposals. The transparencies of their work are numbered and titled, ex. Old City 193. The van Ginkels would produce their own maps prior to starting a project. Also included are about 60 slides of facades of buildings in Old Montreal. These were photos the van Ginkels took and were likely taken in the late 1950s. They likely used these as reference material.
Reference transparencies, negatives, and photographs
Actions:
ARCH280044
Description:
This box mostly contains transparencies and negatives of maps from various archives which the van Ginkels used for their own work and transparencies of the van Ginkels own work. They used the transparencies to present their projects and proposals. The transparencies of their work are numbered and titled, ex. Old City 193. The van Ginkels would produce their own maps prior to starting a project. Also included are about 60 slides of facades of buildings in Old Montreal. These were photos the van Ginkels took and were likely taken in the late 1950s. They likely used these as reference material.
Classification:
photographies
photographies
Date:
circa 1950s-1960s
circa 1950s-1960s
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Personnes et institutions:
Date:
1988-2000
1988-2000
Titre:
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Niveau de description archivistique:
Project
Project
Date:
1988-2000
1988-2000
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
11 novembre 2010 au 13 novembre 2010
11 novembre 2010 au 13 novembre 2010
Titre:
Le CCA dans un champ muséologique en expansion
Actions:
Description:
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
Le CCA dans un champ muséologique en expansion
Actions:
Description:
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
Classification:
événements
événements
Date:
11 novembre 2010 au
13 novembre 2010
11 novembre 2010 au
13 novembre 2010
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Construction working files and related correspondence
Actions:
AP195.S3
Description:
Series 3: Construction working files and related correspondence, 1996 – 2015, contains CAD files and related textual records documenting the evolution of the Phaeno Science Centre project over time, particularly during the construction and post-construction phases. Formats represented include chiefly CAD drawings (plotter files, AutoCAD drawings, DXF), as well as text documents (Microsoft Word, Microsoft Excel, PDF, plain text) and images (JPEG, TIFF). There is also a significant amount of email correspondence (MSG, MBOX). The bulk of the materials dates from 2000 – 2005. The materials in this series chiefly consist of project working files by year from 2002 to 2015 (non-inclusive). These directories primarily consist of plotter files and other construction drawings in CAD formats, both sent and received by ZHA. Alongside the drawings, there is also often a significant body of textual material, including email correspondence, memoranda, meeting minutes, translations, legal documentation, and other administrative material. Taken altogether, the working files provide insight into the construction of the Phaeno Science Centre as it evolved over time. In addition to the working files, there are also a number of other files arranged topically. This includes material for construction permit applications, invoices to the client and contractors, construction schedules and pricing, materials related to consultants, and additional detail drawings. Notably, this series also contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014.
Niveau de description archivistique:
Series
Series
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
articles
articles
Classification:
articles
articles
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Personnes et institutions:
Date:
2002-2012
2002-2012
Titre:
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Niveau de description archivistique:
Project
Project
Date:
2002-2012
2002-2012
Personnes et institutions:
