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231 pages : illustrations ; 32 cm
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231 pages : illustrations ; 32 cm
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New York : Harry N. Abrams, Inc., 1986.
New York : Harry N. Abrams, Inc., 1986.
Titre:
Andreas Feininger, photographer / photographs and text by Andreas Feininger ; foreword by James L. Enyeart.
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231 pages : illustrations ; 32 cm
Andreas Feininger, photographer / photographs and text by Andreas Feininger ; foreword by James L. Enyeart.
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231 pages : illustrations ; 32 cm
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New York : Harry N. Abrams, Inc., 1986.
New York : Harry N. Abrams, Inc., 1986.
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253 pages : illustrations (chiefly color), map, plans ; 28 cm
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253 pages : illustrations (chiefly color), map, plans ; 28 cm
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Basel ; Boston : Birkhäuser, ©2001.
Basel ; Boston : Birkhäuser, ©2001.
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Composition, contrast, complexity : Mecanoo architects / Francine Houben ; photography, Christian Richters ; [English translation: Peter Mason].
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253 pages : illustrations (chiefly color), map, plans ; 28 cm
Composition, contrast, complexity : Mecanoo architects / Francine Houben ; photography, Christian Richters ; [English translation: Peter Mason].
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253 pages : illustrations (chiefly color), map, plans ; 28 cm
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livres
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Basel ; Boston : Birkhäuser, ©2001.
Basel ; Boston : Birkhäuser, ©2001.
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191 pages : illustrations (chiefly color) ; 24 cm
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191 pages : illustrations (chiefly color) ; 24 cm
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Nantes : Cosmografia, [2018]
Nantes : Cosmografia, [2018]
Titre:
Oser la ville sensible : paysage, expérience sensible et conception urbaine / sous la direction d'Émeline Bailly ; préface de Thierry Paquot ; avec les contributions de Julie Benoît, Simon Jacquemin, Théa Manola.
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191 pages : illustrations (chiefly color) ; 24 cm
Oser la ville sensible : paysage, expérience sensible et conception urbaine / sous la direction d'Émeline Bailly ; préface de Thierry Paquot ; avec les contributions de Julie Benoît, Simon Jacquemin, Théa Manola.
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191 pages : illustrations (chiefly color) ; 24 cm
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Nantes : Cosmografia, [2018]
Nantes : Cosmografia, [2018]
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audio
audio
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1 online resource.
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[Place of publication not identified] : Junior Aspirin Records, 2017.
[Place of publication not identified] : Junior Aspirin Records, 2017.
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audio
audio
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[Place of publication not identified] : Junior Aspirin Records, 2017.
[Place of publication not identified] : Junior Aspirin Records, 2017.
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Full Unemployment Cinema 2013
Full Unemployment Cinema 2013
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livres
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Full Unemployment Cinema 2013
Full Unemployment Cinema 2013
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Colour after Klein
Colour after Klein
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$53.95
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Résumé:
As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the(...)
$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the(...)
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Colour after Klein
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$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the world, but also the potential it has to open up a psychic space, a world of lost feeling; with literally the power to take us over, colour us in. "Colour after Klein" explores the significance of colour as it emerges in the work of 20 of some influential artists of the twentieth and twenty-first centuries, including Yves Klein, Donald Judd, Bruce Nauman, Louise Bourgeois, Andy Warhol and James Turrell. Featuring an introduction by curator Jane Alison, an essay that explores the place of colour in the work of Yves Klein by art historian Nuit Banai, and profiles of each of the contributing artists, this book provides a new perspective on key works of Modern and contemporary art. Also included in the book are artists' writings on the subject of colour, with pieces by Klein, Judd and Hélio Oiticica. This book accompanies the exhibition "Colour after Klein" at the Barbican Art Gallery, London, 27 May to 11 September 2005.
Colour after Klein
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$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the world, but also the potential it has to open up a psychic space, a world of lost feeling; with literally the power to take us over, colour us in. "Colour after Klein" explores the significance of colour as it emerges in the work of 20 of some influential artists of the twentieth and twenty-first centuries, including Yves Klein, Donald Judd, Bruce Nauman, Louise Bourgeois, Andy Warhol and James Turrell. Featuring an introduction by curator Jane Alison, an essay that explores the place of colour in the work of Yves Klein by art historian Nuit Banai, and profiles of each of the contributing artists, this book provides a new perspective on key works of Modern and contemporary art. Also included in the book are artists' writings on the subject of colour, with pieces by Klein, Judd and Hélio Oiticica. This book accompanies the exhibition "Colour after Klein" at the Barbican Art Gallery, London, 27 May to 11 September 2005.
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livres
livres
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septembre 2005, London
septembre 2005, London
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livres
livres
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$19.50
(disponible sur commande)
Résumé:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American(...)
$19.50
(disponible sur commande)
Résumé:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, New York, Toronto
janvier 1900, New York, Toronto
Titre:
A field guide to getting lost
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$19.50
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The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
A field guide to getting lost
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Prix:
$19.50
(disponible sur commande)
Résumé:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
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livres
livres
Publication:
janvier 1900, New York, Toronto
janvier 1900, New York, Toronto
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Théorie de l’architecture
Théorie de l’architecture
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livres
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vi, 235 pages : illustrations (black and white) ; 24 cm
Description:
vi, 235 pages : illustrations (black and white) ; 24 cm
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Minneapolis : University of Minnesota Press, [1977], ©1977
Minneapolis : University of Minnesota Press, [1977], ©1977
Titre:
Space and place : the perspective of experience / Yi-Fu Tuan.
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vi, 235 pages : illustrations (black and white) ; 24 cm
Space and place : the perspective of experience / Yi-Fu Tuan.
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vi, 235 pages : illustrations (black and white) ; 24 cm
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livres
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Minneapolis : University of Minnesota Press, [1977], ©1977
Minneapolis : University of Minnesota Press, [1977], ©1977
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Ethereum Foundation 2023
Ethereum Foundation 2023
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livres
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Ethereum Foundation 2023
Ethereum Foundation 2023
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livres
livres
Titre:
The Remembered film
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
Titre:
The Remembered film
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$24.95
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Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
The Remembered film
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$24.95
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Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
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livres
livres
Publication:
octobre 2004, London
octobre 2004, London
Sujet:
Monographies photo
Monographies photo
