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ZHdK 2015
ZHdK 2015
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ZHdK 2015
ZHdK 2015
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565 pages : illustrations (chiefly color) ; 24 cm
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565 pages : illustrations (chiefly color) ; 24 cm
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Zürich : Swiss Federal Institute of Technology (ETHZ), ©2003.
Zürich : Swiss Federal Institute of Technology (ETHZ), ©2003.
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Inchoate : an experiment in architectural education / Marc Angélil.
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565 pages : illustrations (chiefly color) ; 24 cm
Inchoate : an experiment in architectural education / Marc Angélil.
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565 pages : illustrations (chiefly color) ; 24 cm
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Zürich : Swiss Federal Institute of Technology (ETHZ), ©2003.
Zürich : Swiss Federal Institute of Technology (ETHZ), ©2003.
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audio
audio
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1 online resource.
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[Place of publication not identified] : New Models, 2023.
[Place of publication not identified] : New Models, 2023.
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audio
audio
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[Place of publication not identified] : New Models, 2023.
[Place of publication not identified] : New Models, 2023.
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$79.95
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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$79.95
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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
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Théorie de l’architecture
Théorie de l’architecture
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mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
Titre:
Uncommon ground : architecture, technology. and topography
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$79.95
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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology. and topography
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$79.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
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mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
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Théorie de l’architecture
Théorie de l’architecture
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livres
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$56.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$56.95
(disponible sur commande)
Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2000, Cambridge, Mass.
octobre 2000, Cambridge, Mass.
Titre:
Uncommon ground : architecture, technology, and topography
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$56.95
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Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology, and topography
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$56.95
(disponible sur commande)
Résumé:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
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octobre 2000, Cambridge, Mass.
octobre 2000, Cambridge, Mass.
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Théorie de l’architecture
Théorie de l’architecture
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x, 249 pages : illustrations, maps ; 24 cm.
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x, 249 pages : illustrations, maps ; 24 cm.
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New York, NY : Routledge, an imprint of the Taylor & Francis Group, [2018], ©2018
New York, NY : Routledge, an imprint of the Taylor & Francis Group, [2018], ©2018
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Planning in Indigenous Australia : from imperial foundations to postcolonial futures / Sue Jackson, Libby Porter and Louise C. Johnson.
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x, 249 pages : illustrations, maps ; 24 cm.
Planning in Indigenous Australia : from imperial foundations to postcolonial futures / Sue Jackson, Libby Porter and Louise C. Johnson.
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x, 249 pages : illustrations, maps ; 24 cm.
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New York, NY : Routledge, an imprint of the Taylor & Francis Group, [2018], ©2018
New York, NY : Routledge, an imprint of the Taylor & Francis Group, [2018], ©2018
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147 pages ; 22 cm.
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147 pages ; 22 cm.
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Paris : L'Harmattan, ©2012.
Paris : L'Harmattan, ©2012.
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Walter Benjamin et la forme plastique : architecture, technique, lieux / Jean-Louis Déotte.
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147 pages ; 22 cm.
Walter Benjamin et la forme plastique : architecture, technique, lieux / Jean-Louis Déotte.
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147 pages ; 22 cm.
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Paris : L'Harmattan, ©2012.
Paris : L'Harmattan, ©2012.
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Seth Price: Drawings.
Seth Price: Drawings.
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1 online resource
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[Place of publication not identified] : Koenig Books, 2016.
[Place of publication not identified] : Koenig Books, 2016.
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[Place of publication not identified] : Koenig Books, 2016.
[Place of publication not identified] : Koenig Books, 2016.
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52 pages : illustrations (some color) ; 25 cm
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52 pages : illustrations (some color) ; 25 cm
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[Place of publication not identified] : [publisher not identified], [1951] (London : Alabaster, Passmore)
[Place of publication not identified] : [publisher not identified], [1951] (London : Alabaster, Passmore)
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Festival Pleasure Gardens, Battersea Park, London May 3-November 3, 1951.
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52 pages : illustrations (some color) ; 25 cm
Festival Pleasure Gardens, Battersea Park, London May 3-November 3, 1951.
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52 pages : illustrations (some color) ; 25 cm
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[Place of publication not identified] : [publisher not identified], [1951] (London : Alabaster, Passmore)
[Place of publication not identified] : [publisher not identified], [1951] (London : Alabaster, Passmore)
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vidéo
vidéo
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1 streaming video file (3 min., 25 sec.) : sound, colour
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1 streaming video file (3 min., 25 sec.) : sound, colour
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[Montréal] : Canadian Centre for Architecture, [2014]
[Montréal] : Canadian Centre for Architecture, [2014]
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Jonathan Hares presents the design of Archaeology of the digital : media and machines.
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1 streaming video file (3 min., 25 sec.) : sound, colour
Jonathan Hares presents the design of Archaeology of the digital : media and machines.
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1 streaming video file (3 min., 25 sec.) : sound, colour
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vidéo
vidéo
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[Montréal] : Canadian Centre for Architecture, [2014]
[Montréal] : Canadian Centre for Architecture, [2014]
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