24980 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Friedman Residence, Vancouver. The house was built 1953-1954, by Frederic Lasserre with Polson & Siddall, architects. The project series contains design development drawings and photographs.
AP075.S1.2000.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Friedman Residence, Vancouver. The house was built 1953-1954, by Frederic Lasserre with Polson & Siddall, architects. The project series contains design development drawings and photographs.
Personnes et institutions:
Date:
1984-2000
1984-2000
Titre:
Friedman Residence, Vancouver, British Columbia (circa 1988)
Actions:
AP075.S1.2000.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Friedman Residence, Vancouver. The house was built 1953-1954, by Frederic Lasserre with Polson & Siddall, architects. The project series contains design development drawings and photographs.
Friedman Residence, Vancouver, British Columbia (circa 1988)
Actions:
AP075.S1.2000.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Friedman Residence, Vancouver. The house was built 1953-1954, by Frederic Lasserre with Polson & Siddall, architects. The project series contains design development drawings and photographs.
Niveau de description archivistique:
Project
Project
Date:
1984-2000
1984-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
Personnes et institutions:
Date:
1925
1925
Titre:
Cabinet for the Domela Nieuwenhuis Collection, Museum Boymans, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
Cabinet for the Domela Nieuwenhuis Collection, Museum Boymans, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
Niveau de description archivistique:
project
project
Date:
1925
1925
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1917.PR3
Description:
The Seafront Terrace Housing, or "Strandboulevard" was originally designed by Oud for the property developer, Maatschappij Oostduinen Scheveningen. Oud was originally commissioned to build only for one strip of development. He designed nine three-storey luxury units that could be repeated any number of times. Oud's contemporaries viewed the design as embodying the Dutch artistic movement, De Stijl. The sea-front elevation for the design is cubic. While Oud eventually opted for an unornamented design, his original drawings featured masonry ornaments and panelling (Taverne et al. 2001, 145-148). Project series includes drawings of plans, photographs of drawings, and a photograph of a model.
CI005.S1.1917.PR3
Description:
The Seafront Terrace Housing, or "Strandboulevard" was originally designed by Oud for the property developer, Maatschappij Oostduinen Scheveningen. Oud was originally commissioned to build only for one strip of development. He designed nine three-storey luxury units that could be repeated any number of times. Oud's contemporaries viewed the design as embodying the Dutch artistic movement, De Stijl. The sea-front elevation for the design is cubic. While Oud eventually opted for an unornamented design, his original drawings featured masonry ornaments and panelling (Taverne et al. 2001, 145-148). Project series includes drawings of plans, photographs of drawings, and a photograph of a model.
Personnes et institutions:
Date:
1916
1916
Titre:
Seafront Terrace Housing (Strandboulevard), The Hague, Netherlands (1916)
Actions:
CI005.S1.1917.PR3
Description:
The Seafront Terrace Housing, or "Strandboulevard" was originally designed by Oud for the property developer, Maatschappij Oostduinen Scheveningen. Oud was originally commissioned to build only for one strip of development. He designed nine three-storey luxury units that could be repeated any number of times. Oud's contemporaries viewed the design as embodying the Dutch artistic movement, De Stijl. The sea-front elevation for the design is cubic. While Oud eventually opted for an unornamented design, his original drawings featured masonry ornaments and panelling (Taverne et al. 2001, 145-148). Project series includes drawings of plans, photographs of drawings, and a photograph of a model.
Seafront Terrace Housing (Strandboulevard), The Hague, Netherlands (1916)
Actions:
CI005.S1.1917.PR3
Description:
The Seafront Terrace Housing, or "Strandboulevard" was originally designed by Oud for the property developer, Maatschappij Oostduinen Scheveningen. Oud was originally commissioned to build only for one strip of development. He designed nine three-storey luxury units that could be repeated any number of times. Oud's contemporaries viewed the design as embodying the Dutch artistic movement, De Stijl. The sea-front elevation for the design is cubic. While Oud eventually opted for an unornamented design, his original drawings featured masonry ornaments and panelling (Taverne et al. 2001, 145-148). Project series includes drawings of plans, photographs of drawings, and a photograph of a model.
Niveau de description archivistique:
project
project
Date:
1916
1916
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR03
Description:
The project series documents "Icone Del Passato" an installation showing a hammer and sickle representing ideologies' icons described by Pettena as "icons of the past." "The time of ideologies, which deeply influenced actions of men in the nineteenth century, is now over. Just some icons remain, no longer in use, hung to a wall on a nail." [1] The project series contains photographs showing the two tools hanging on a nail and a photograph showing similar tools hanging in a room. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-icons-of-the-past-1975/ (last accessed 11 December 2019)
AP207.S1.1978.PR03
Description:
The project series documents "Icone Del Passato" an installation showing a hammer and sickle representing ideologies' icons described by Pettena as "icons of the past." "The time of ideologies, which deeply influenced actions of men in the nineteenth century, is now over. Just some icons remain, no longer in use, hung to a wall on a nail." [1] The project series contains photographs showing the two tools hanging on a nail and a photograph showing similar tools hanging in a room. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-icons-of-the-past-1975/ (last accessed 11 December 2019)
Personnes et institutions:
Date:
circa 1978-2018
circa 1978-2018
Titre:
Icone Del Passato [Icones of the Past] (1978)
Actions:
AP207.S1.1978.PR03
Description:
The project series documents "Icone Del Passato" an installation showing a hammer and sickle representing ideologies' icons described by Pettena as "icons of the past." "The time of ideologies, which deeply influenced actions of men in the nineteenth century, is now over. Just some icons remain, no longer in use, hung to a wall on a nail." [1] The project series contains photographs showing the two tools hanging on a nail and a photograph showing similar tools hanging in a room. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-icons-of-the-past-1975/ (last accessed 11 December 2019)
Icone Del Passato [Icones of the Past] (1978)
Actions:
AP207.S1.1978.PR03
Description:
The project series documents "Icone Del Passato" an installation showing a hammer and sickle representing ideologies' icons described by Pettena as "icons of the past." "The time of ideologies, which deeply influenced actions of men in the nineteenth century, is now over. Just some icons remain, no longer in use, hung to a wall on a nail." [1] The project series contains photographs showing the two tools hanging on a nail and a photograph showing similar tools hanging in a room. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-icons-of-the-past-1975/ (last accessed 11 December 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1978-2018
circa 1978-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
La Mia Scualo D'Architettura [My School of Architecture] (2011)
Actions:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
La Mia Scualo D'Architettura [My School of Architecture] (2011)
Actions:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Personnes et institutions:
Date:
1990
1990
Titre:
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
1990
1990
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1985.PR02.SS1
Description:
This project subseries documents the Recuperação da Área do Campo di Marte in Giudecca, Venice, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications. Documentation, drawings, and photographs specific to Siza's Projecto para um Edifício de Habitação em Campo di Marte can be found in project subseries AP178.S1.1985.PR02.SS2.
AP178.S1.1985.PR02.SS1
Description:
This project subseries documents the Recuperação da Área do Campo di Marte in Giudecca, Venice, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications. Documentation, drawings, and photographs specific to Siza's Projecto para um Edifício de Habitação em Campo di Marte can be found in project subseries AP178.S1.1985.PR02.SS2.
Personnes et institutions:
Date:
1984-2012
1984-2012
Titre:
Recuperação da Área do Campo di Marte [Restoration of Campo di Marte], Giudecca, Venice, Italy (1985)
Actions:
AP178.S1.1985.PR02.SS1
Description:
This project subseries documents the Recuperação da Área do Campo di Marte in Giudecca, Venice, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications. Documentation, drawings, and photographs specific to Siza's Projecto para um Edifício de Habitação em Campo di Marte can be found in project subseries AP178.S1.1985.PR02.SS2.
Recuperação da Área do Campo di Marte [Restoration of Campo di Marte], Giudecca, Venice, Italy (1985)
Actions:
AP178.S1.1985.PR02.SS1
Description:
This project subseries documents the Recuperação da Área do Campo di Marte in Giudecca, Venice, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications. Documentation, drawings, and photographs specific to Siza's Projecto para um Edifício de Habitação em Campo di Marte can be found in project subseries AP178.S1.1985.PR02.SS2.
Niveau de description archivistique:
Project
Project
Date:
1984-2012
1984-2012
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1999:0501
Description:
documents include 6 plexiglass samples, filing index, directory, project information, site, consultants, zoning, maps, program, sprinklers, budget, consultants: architectural, technical, cost, public relations, schedule, transcriptions, transmittals, specifications, photograph, publications/articles, colour, samples, drawings, blueprints, CAD
DR1999:0501
Description:
documents include 6 plexiglass samples, filing index, directory, project information, site, consultants, zoning, maps, program, sprinklers, budget, consultants: architectural, technical, cost, public relations, schedule, transcriptions, transmittals, specifications, photograph, publications/articles, colour, samples, drawings, blueprints, CAD
Personnes et institutions:
Titre:
Administrative records
Actions:
DR1999:0501
Description:
documents include 6 plexiglass samples, filing index, directory, project information, site, consultants, zoning, maps, program, sprinklers, budget, consultants: architectural, technical, cost, public relations, schedule, transcriptions, transmittals, specifications, photograph, publications/articles, colour, samples, drawings, blueprints, CAD
Administrative records
Actions:
DR1999:0501
Description:
documents include 6 plexiglass samples, filing index, directory, project information, site, consultants, zoning, maps, program, sprinklers, budget, consultants: architectural, technical, cost, public relations, schedule, transcriptions, transmittals, specifications, photograph, publications/articles, colour, samples, drawings, blueprints, CAD
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR1999:0511
Description:
documents include 38 negatives, 121 photographs, guidebook, historical maps/pictures/text/dates, publications, color, competition brief, site plans, axonometrics, sketches, 1941 Berlin phone directory, Leonardo da Vinci information, mechanical, microchip information, notes, ground foam, samples
DR1999:0511
Description:
documents include 38 negatives, 121 photographs, guidebook, historical maps/pictures/text/dates, publications, color, competition brief, site plans, axonometrics, sketches, 1941 Berlin phone directory, Leonardo da Vinci information, mechanical, microchip information, notes, ground foam, samples
Personnes et institutions:
Titre:
Negatives, photographs, guidebook, historical maps/pictures/text/dates
Actions:
DR1999:0511
Description:
documents include 38 negatives, 121 photographs, guidebook, historical maps/pictures/text/dates, publications, color, competition brief, site plans, axonometrics, sketches, 1941 Berlin phone directory, Leonardo da Vinci information, mechanical, microchip information, notes, ground foam, samples
Negatives, photographs, guidebook, historical maps/pictures/text/dates
Actions:
DR1999:0511
Description:
documents include 38 negatives, 121 photographs, guidebook, historical maps/pictures/text/dates, publications, color, competition brief, site plans, axonometrics, sketches, 1941 Berlin phone directory, Leonardo da Vinci information, mechanical, microchip information, notes, ground foam, samples
Classification:
documents textuels, photographies
documents textuels, photographies
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:103:009
Description:
File containing documents in French, including notes, panels, and photographs. Contents appear to be work by students at the University of Montreal [Université de Montréal]. Original folder inscribed in graphite: À QUI DE DROIT: ARQ Mtl. JAN-FEB 1982
DR2012:0012:103:009
Description:
File containing documents in French, including notes, panels, and photographs. Contents appear to be work by students at the University of Montreal [Université de Montréal]. Original folder inscribed in graphite: À QUI DE DROIT: ARQ Mtl. JAN-FEB 1982
Personnes et institutions:
Date:
1976-1981
1976-1981
Titre:
Notes, panels, and photographs, possibly for a student project
Actions:
DR2012:0012:103:009
Description:
File containing documents in French, including notes, panels, and photographs. Contents appear to be work by students at the University of Montreal [Université de Montréal]. Original folder inscribed in graphite: À QUI DE DROIT: ARQ Mtl. JAN-FEB 1982
Notes, panels, and photographs, possibly for a student project
Actions:
DR2012:0012:103:009
Description:
File containing documents in French, including notes, panels, and photographs. Contents appear to be work by students at the University of Montreal [Université de Montréal]. Original folder inscribed in graphite: À QUI DE DROIT: ARQ Mtl. JAN-FEB 1982
Classification:
photographies
photographies
Date:
1976-1981
1976-1981
Personnes et institutions:
